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Why doesnt hamlet kill claudius essay
Polonius's role in hamlet
Polonius's role in hamlet
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The second scene of Act 2 of Hamlet is a good example of how a simple scene, which at first glance seems to be trivial, could rather significantly affect the plot development. I will try to analyze the given excerpt and prove that its themes bear a rather unexpected significance for the play as a whole. First I will analyze the meaning of this scene and the possible reasons for Polonius to speak in such manner. Then I will try to present evidences that the themes present in this scene indirectly affect the development of the plot and serve as a kind of a “catalyst” for the ensuing tragedy.
The first theme of this excerpt is Polonius' ignorance. Polonius seems to be rather incompetent when it comes to eloquence, for instance he knows that Gertrude
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Though Polonius claims that “brevity is the soul of wit”(2.2.90), he is not being brief at all. It is rather ironical, especially when we take into consideration his description of how time should never be wasted (2.2.89). Even after being reprimanded by Gertrude (“More matter with less art.” at 2.2.95) , he still goes …show more content…
Perpend.
I have a daughter--have while she is mine-- (2.2.97-105)
Polonius declares Hamlet as mentally incompetent and bases his claim solely on Hamlet's recent behavior. This again shows that Polonius is a pretty ignorant old man, who only tries to show that he is still useful to the King. After spying on Hamlet and questioning Ophelia, all three of them (Polonius, Gertrude and Claudius) come to a conclusion that Hamlet is truly insane. However, there is, in fact, a textual evidence that Hamlet feigns his insanity:
Make you to ravel all this matter out
That I essentially am not in madness
But mad in craft. 'Twere good you let him know, (3.4.184-186)
According to Arden edition's footnotes Hamlet reveals that he is not really afflicted by madness. Hamlet could have been feigning his madness to get himself into a more advantageous position when observing Claudius.
On the other hand we have Ophelia, who also goes insane and even commits suicide. In her case the cause of madness was her love for Hamlet and her being unable to take revenge on Hamlet. It is hinted here:
My lord, he hath importuned me with love
In honorable fashion. (1.3.110-111)
And I, of ladies most deject and
“What is the matter, my lord?” asks Polonius. Hamlet answers, “Between who?” (2.2.193-194). Tenney Davis responds to this by saying that Hamlet feigned his insanity convincingly by taking things too literally, which manifested in a desire to “split hairs” (Davis 630). Hamlet was always annoyed with Polonius and his garrulous speeches, but reacted not in an irrational way, but to the contrary, with the most simple, though rude, coherent answers.
In the play,”Hamlet, Act 3 scene 1” the target audiences between both plays were to a wide variety of people. Back when Hamlet was first written, it was made to be viewed by a wide variety of audiences. Typically during the renaissance era, plays were made more common to the lower part of society; this being why Hamlet was written. Although both plays are to the same audience, the first one is more distinct into who it wants viewed. It had elegance, and was more formal and professional. You could see in the audience people were wearing suits a formal attire. As to the second one, it was smaller scale, and the audience had people in shorts and sweats.
character Polonius in Shakespeare’s Hamlet fits the description of one who tries to deceive others
Oakes, Elizabeth. A. "Polonius, the Man behind the Arras: A Jungian Study. " New Essays on Hamlet.
They decided to invite some of his college friends to watch over him. The Queen offered many thanks for their decision to watch him. “For the supply and profit of our hope, / Your visitation shall receive such thanks / As fits a king’s remembrance.” (2.2.24-26). Claudius asked Rosencrantz and Guildenstern to get answers out of him, making them seem more like spies than helpful friends. When Hamlet shows up to Ophelia’s house, seemingly mentally disturbed, Ophelia tells her father. Polonius decides to tell the King of Hamlet and Ophelia’s relationship that he thinks that may be the source of his problems. The King and Polonius set up a meeting between the two. Seeming to know he is being watched, Hamlet acts very wildly, leading them to believe Ophelia was not the cause of his insanity. The King is not impressed at Polonius. “Love! His affections do not that way tend, / Nor what he spake, though it lacked form a little, / Was not like madness. There’s something in his soul” (3.1.170-72). At this point, Hamlet has started his drastic decline in his mental stability. When he is called by the Queen for a talk, he over hears something behind the draped curtains and stabs through it, killing Polonius. His reaction is not what one would expect, as he does not feel any remorse. Hamlet simply states it was for the best and his bad luck. “Thou wretched, rash, intruding fool, farewell. / I took thee for thy
Hamlet accidentally kills Polonius and finally, the ghost of his. father visits him in the future. Though at this point these situations create plenty of reasons for Hamlet to be insane, he remains sharp and credible. “ [ Hamlet] concocts this state of madness.his intellect remains clear, his discourse. sound and comprehensive,” Harris, p. 129. & nbsp; Hamlet reveals to his friends and his mother of his plans to pretend to act insane.
The scene between Hamlet and Polonius took place in Act II Scene 2. In Hamlet's first encounter with Polonius, he immediately insulted the old man by calling him a "fishmonger". He then quickly changed his opinion and complemented Polonius by calling him an honest man. Hamlet said, "to be honest, as this world goes, is to be one man picked out of ten thousand". As we know Polonius definitely was not such a man. Hamlet was portrayed as a clever lad, who was playing a psychological game with an old fool. He asked Polonius whether or not he had a daughter, pretending he did not know that Ophelia was Polonius's daughter. When Hamlet was asked about what he was reading, he replied by saying, "words, words, words". Throughout this scene, Hamlet revealed himself to Polonius as a mentally unstable man. He was playing a fool himself, while ingeniously using this to make Polonius look like an even bigger fool. He cleverly insulted Polonius' appearances indirectly, by referring to the book he was reading. According to that book old men had grey beards, their faces were wrinkled, they had a plentiful lack of wit, and so on. He was describing Polonius exactly. Perhaps the most humorous part took place when Hamlet, while saying, "for yourself, sir, shall grow old as I am, if like a crab you could go backward", he advanced towards Polonius, causing him to walk backwards. Those words and the actions on the stage revealed Hamlet to be a daring young man. When Polonius finally left, Hamlet dropped his pretense and yelled, "These tedious old fools!". In Act III Scene 2, Hamlet used a recorder, the musical instrument, as a telescope when Polonius entered the scene. He asked Polonius, "Do you see yonder cloud that's almost in shape of a camel?". Hamlet always pretended to be the madman in front of Polonius, while he actually made him look like an old fool.
Hamlet only claims madness because it allows him to say and perform actions he otherwise would be prohibited from, while keeping people from taking his actions seriously. This seems to be part of his initial plan that is first mentioned when he asks Horatio and Marcellus not to make any remarks in relation to his ?antic disposition (1.5.192).? Hamlet?s madness allows him to talk to Claudius, Gertrude, Ophelia, and Polonius in a manner unsuitable for a prince. He is often disrespectful and insulting in his remarks. Although his acting backfires during his speech to Gertrude, Hamlet is able to severely criticize her for her actions because she thinks he is insane. During the play he also makes many sexual innuendos and even blatantly sexual remarks towards Ophelia such as ?That?s a fair thought to lie between maids? legs (3.2.125).? His convincing insanity act gives him the chance to vent his anger towards Ophelia for her abandonment.
In the words of Harvey Fierstein, “What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change”. Clearly, the success or failure of any work of art depends, almost entirely, on its ability to engage and connect with its audience. Shakespeare, one of the greatest playwrights in history, certainly understood this concept. He targeted his Elizabethan audience skillfully, drawing them in and manipulating the way they interpreted his works. This is evident in one of his renowned plays, Hamlet. Attempts to target the audience are evident throughout the play, but focusing on one speech can provide a greater appreciation for Shakespeare’s deliberate efforts. In act four, scene two, while explaining that Polonius is dead, Hamlet says:
Polonius, his [Hamlet’s] seeming opposite in so many ways, is, like Hamlet, an inveterate punster. To whom else but Polonius should Hamlet direct the taunt of “Words, words, words”? The aged counselor recalls that in his youth he “suffered much extremity for love, very near this,” and he has been an actor at the university. Polonius too has advice for the players: “Seneca cannot be too heavy, nor Plautus too light.” When Hamlet jibes at “so capital a calf” enacting Julius Caesar, killed in the Capitol, he reinforces the parallel to his own playacting and anticipates the slaying of Polonius behind the arras. (4)
into every language. Polonius is one of the major characters in Hamlet, his role in the play
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
Shakespeare’s Hamlet is arguably one of the best plays known to English literature. It presents the protagonist, Hamlet, and his increasingly complex path through self discovery. His character is of an abnormally complex nature, the likes of which not often found in plays, and many different theses have been put forward about Hamlet's dynamic disposition. One such thesis is that Hamlet is a young man with an identity crisis living in a world of conflicting values.
Polonius is over-eager and tries to give unwanted advice, during the play he is tactless and often rude. For instance, Polonius is a comic relief during his conversation with Gertrude and Claudius regarding Hamlet’s madness. Polonius rambling through his conversation contrasts with Gertrude’s seriousness of wanting to find out the reason to Hamlet’s madness. As Polonius begins to deliver to the king and queen the results of his investigation, he makes this statement, “My liege, and madam, to expostulate/ What majesty should be, what duty is,/ What day is day, night is night, and time is time,/ Were nothing but to waste night, day, and time;/ Therefore, since brevity is the soul of wit,/ And tediousness the limbs and outward flourishes,/ I will be brief. Your noble son is mad. . . .”(IIii,86-92) . Polonius’ speech is windy and nonsensical he wastes ti...
Shakespeare’s Hamlet is a tale of betrayal and revenge, attrition and tragedy. One sees this theme throughout the interactions between each character. While the play’s main tragedy is the death of King Hamlet at the hand of his brother Claudius, the accidental death of Polonius truly initiates the demise of the others. In a tragedy, audiences often seek someone to hold responsible. Polonius is a trusted advisor, Lord Chamberlain, for the king and queen. He has one son and one daughter. His son, Laertes, is a classmate and friend of Prince Hamlet. His daughter, Ophelia, holds the prince’s heart and loves his as well. An old, foolish man whose trite and meddlesome personality cost him his life, Polonius is easily the most loathsome character