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Causes for taking revenge in Hamlet
Revenge in hamlet
Causes for taking revenge in Hamlet
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Hamlet Revenge: A Chain Reaction
In the play Hamlet, by William Shakespeare, the theme of revenge is
repeated numerous times throughout the play and involves a great deal of
characters. Of these characters, eight are dead by the end of the play by
result of murder which was initiated through revenge. Shakespeare uses the
revenge theme to create conflict among many characters.
Shakespeare uses the revenge theme to create conflict between Hamlet and
Claudius. In Act I, scene 5, Hamlet is visited by the ghost who was his
father. The ghost makes Hamlet aware of his murderous death when he tells
Hamlet of how Claudius had killed him. The ghost says this to Hamlet
regarding Claudius, "Revenge his foul and most unnatural murder." This is
where Hamlet is first inrtoduced to the revenge plot between himself and
Claudius. Hamlet wants to insure that the ghost really was his dead father
before he kills Claudius. To do this Hamlet has people act out the death of
his father in front of Claudius and declares him guilty by his reaction to
the play. " O good Horatio, I'll take the ghost's word for a thousand pound."
Hamlet declares Claudius' guilt to Horatio and now realizes that he must
continue on with his revenge plot. The conflict between Hamlet and Claudius
is delayed by Hamlet but does eventually occur in the last scene. Hamlet's
mother has just died, Hamlet has been sliced by Laertes' poison sword, and
Hamlet has just struck Laertes with a fatal blow when Laertes says that this
was all brought on by Claudius. Hamlet, now realizing that there is no more
time for him to delay his revenge, stabs Claudus and kills him. Revenge was
the motive for the conflict between Hamlet and Claudius.
Shakespeare uses the revenge plot to create conflict between Laertes and
Hamlet by having Laertes avenge his father's and sister's death which Hamlet
is responsible for. After learning of his fathers unnatural death, Hamlet
decides that he can no longer trust anyone, except for Horatio. While acting
out his madness, he visited Ophelia and cut off his ties with her because of
his distrust for everyone. In Act III, when Hamlet talks with his mother, he
notices that he is being spied upon. Thinking that it is the king, Hamlet
mistakingly kills Polonius who was hiding behind a big rug, which for some
medeval reason, was hung on the wall. It is believed Ophelia herself went mad
because of Hamlet's rude and violent treatment of her and also because Hamlet
killed her father. In Act IV Ophelia's madness drives her to walk into the
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
Although Marcellus, Bernardo, and Horatio all witness King Hamlet's ghost, only Hamlet hears it speak. After this speech, Hamlet enrages, yelling vehement epithets about Claudius and Gertrude, pledging to avenge his father. However, later in the play Hamlet questions the validity of the apparition after assuming its sincerity initially. In the scene following the ghost's entrance, Hamlet's speech towards Horatio and guards is evasive as his mood swings ...
Many characters and people even with very few appearances or interactions with others can leave a lasting effect on someone or can impact the overall mood and message of a body of work. In William Shakespeare’s Hamlet, King Hamlet’s ghost or afterlife form makes a few appearances through the course of the tragedy but leaves a persisting effect that weighs heavily on the decisions and actions of Prince Hamlet that result in further deaths, adds depth and establishes the theme of revenge, and overall assists in the development of Prince Hamlet’s character as a person.
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
the ghost of his father. Now, Hamlet is set on avenging the death of his father as a favor
makes the metaphysics of the play dark. The ghost says nothing despite the valiant efforts on the parts of Horatio, Marcellus, and Bernardo. Suspense is created when the audience is ignorant as to the purpose of the ghost. Later in the play the ghost is utilized to allow Hamlet and the audience knowledge of the vile murder of the king by Claudius, the kings own brother. When the ghost finally speaks, he tells Hamlet,
Through previous years, philosopher’s have tested numerous theories that help us in defining the nature of our being, often these are stalled by the nuanced thought behind our heart and mind. Philosophers often believed that we were slaves to our passions despite our reasoning, even now this could be proven by acts of love, but more than often proven it can be seen through our desire for revenge. Unlike it’s counterpart [avenge], revenge is both a verb and a noun that can be not only acted upon but attained. Revenge is what one seeks after being wronged and often an action never thought through by reason, but a fight of a person’s passions towards a self declared justice. Portrayed in a copious amount of movies, songs, and art, the theme of revenge has been held iconically within Shakespeare's most famous play, Hamlet. Centered around corruption of the mind, body and soul, Hamlet is seen by many as the embodiment of revenge through it’s characters (Hamlet, Laertes, and Fortinbras); it is within their actions and development that each character portrays the dichotomy of their passion and reason to prove that we are slaves to our passions until reason catches up.
It is the idea of revenge that sends a cool shiver down the spines of justly men when they begin to question as to why someone would stoop to such a level. But yet it is still more than an idea for revenge has been carried out in various forms along all the eras of history side-by-side of that of novels and tragedies. Even so, revenge is still a dark scheme; an evil plague of the mind per se. It is such a plague that will turn even the greatest persons of the brightest, optimistically capable of minds into lowly, as well as lonely, individuals. Thus, revenge will, and can, only end in despair and agony of the mind. Therefore, provided that all that has been said is true, revenge would appear quite unseemly to the observant onlooker. However, taking an in-depth insight into revenge you can uncover quite a compelling feature, which is best summed up into one word. Pride. Pride is the one clear motivational proprietor needed to push a protagonist into the downward spiral of personal vendetta. Without pride, revenge is no more than a mindless massacre of flesh and bone ending in the obliteration of any hope for reconciliation.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
Hamlet contains three plots of revenge throughout the five acts of the play. Young Hamlet, after getting a shocking realization from his father’s ghost, wants to enact a plot of revenge against his uncle. Laertes, who was struck twice in quick succession by the death of his father and sister, wants to kill Hamlet. Away in Norway, Fortinbras wants to take revenge on the entire nation of Denmark for taking his father’s land and life. These three sons all want the same thing, vengeance, but they go about it in wildly different ways, but as Lillian wilds points out, “he also sees himself in the mirrors of Fortinbras [and] Laertes.”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of
Shakespeare shows many examples of the theme revenge throughout his play, Hamlet. When someone feels that they have been wronged, the desire to get revenge is a normal reaction. Some examples of revenge in Hamlet are when, Hamlet wants revenge on his uncle for killing his father, he also wants revenge for the King’s poisoning his mother and himself. Laertes seeks revenge on Hamlet for taking Polonius’ life.
In Shakespeare’s plays revenge is a common theme; In Hamlet it is a theme around which the main plot is situated. In this case, those who take it upon themselves to exact a revenge using violence, force, and haste; inevitably meet their demise. However those who seek it rationally, survive. Such is the case with three major characters: Hamlet, Laertes, and Fortinbras.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.