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The comed of hamlet
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In William Shakespeare’s Hamlet (1603), the main character, Hamlet, is constantly battling between who he is and who he wants to be. He is forced to grow up quite rapidly and is put through the ringer when his father, Old Hamlet, dies and, within a month, his mother marries his uncle. There is understandable contempt in Hamlet for his uncle, Claudius, which is compounded when his father’s ghost tells him that Claudius was the cause of his murder. He is instructed to avenge his father by murdering Claudius and throughout the play, the Ghost continues to reappear and keep Hamlet on the track of pursuing his revenge. However, in the last act, Act five, the Ghost of Old Hamlet never appears, never to be heard from or seen again. Being the most …show more content…
When Hamlet and Horatio are in the graveyard, they encounter a gravedigger who digs up the skull of Yorick, a jester that Hamlet once knew. This discovery leads to a moment of deep contemplation for Hamlet and finally ends with a longer question posed to Horatio: “Alexander died, Alexander was buried, Alex- / ander returneth to dust; the dust is earth; of earth / we make loam; and why of that loam whereto he / was converted might they not stop a beer barrel?” (5.1.216-219). The fact that Shakespeare set this scene in a graveyard suggests that a large change occurs within Hamlet and this quote reveals that. He begins to see the baseness of life and comes to the realization that everyone ends up in the same place: the ground. Regardless of who it is, a successful ruler like Alexander or a mere court jester like Yorick, they will all end up as dust, serving one trivial purpose or another. As Hamlet confers with Horatio he begins to ponder the fact that he managed to escape his plotted death by Claudius. He …show more content…
In other words, the Ghost provided Hamlet with the strength he lacked and so now that Hamlet has matured into a more self confident and brave soul, the whole point of the ghost is void and therefore, is not necessary in producing the needed events in the play. After discovering that King Claudius was the cause of his mother’s death as well as his Laertes’, Hamlet immediately seeks revenge on Claudius by making him die as well. He calls him an “incestuous, murderous, damned Dane” (5.2.356). Then continues with, “Drink off this potion. Is thy union here?” (5.2.357). The whole exchange is very crude and sarcastic, especially that last question he poses as if mocking the “slyness” of the king. He tended to be like this before as well but just not nearly as open about stating his feelings; he tended to make off-handed comments under his breath but now he says this directly to the King’s face. Developmentally, he has become more aggressive and is no longer afraid of the outcome of his actions. This is of course furthered by the fact they are all dying, but that surely isn’t the only reason considering this openness began before his death was a sure thing. For example, when Hamlet and Horatio were in the graveyard observing the burial of Ophelia, Hamlet steps out from his hiding place and
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
Hamlet tarnishes his image and sacrifices his dignity as a result of his ploy to fool those around him and avenge his father’s murder. Initially, the character of Hamlet is portrayed as “a soldier” and “a scholar” with “a noble mind”. This description by Ophelia is one that the citizens of Elsinore including friends and family of Hamlet would have open-heartedly agreed to. After all, as Claudius said to Hamlet: “You are the most immediate to our throne...” Hamlet must act in a presentable state at all times so can be in favor with the people in the event that he were to become king. However, after the revelation by the Ghost that “The serpent that did sting thy father's life now wears his crown,” Hamlet is shocked but at the same time confused. He is forced into a conflict between acting and not acting ...
However much Horatio’s philosophic skepticism may limit his own ability to perceive those “things in heaven and earth” that Hamlet would have him observe, Horatio remains the companion from whom Hamlet has most to learn. Hamlet can trust his friend not to angle for advancement, or to reveal the terrible secret of royal murder. Best of all, Horatio is “As one in suff’ring all that suffers nothing, A man that Fortune’s buffets and rewards Hast ta’en with equal thanks.”[. . .] Like Hamlet, Horatio believes that death is a felicity, and even tries to take his own life. Yet he accepts his duty “in this harsh worldly success as well ...
The whole story of Hamlet would not have unraveled as it had were it not for Horatio. Hamlet’s quest for revenge stems from his encounter with his father’s ghost; however it was Horatio who, after seeing the ghost for himself, thought to “impart what we have seen tonight/ Unto young Hamlet…” (I.i.185-86). At the meeting with Hamlet in which Horatio and his friends arrive to tell Hamlet about the ghost, Horatio is set up to be the protagonist’s confidant for the remainder of the play. Hamlet corrects Horatio’s comment that he is Hamlet’s “poor servant ever” by saying, “Sir, my good friend. I’ll change that with you” (I.ii.168-69). Later Horatio solidifies his position as a major character by accepting Hamlet’s request to help him “Observe my uncle” for any suspicious actions during the Murder of Gonzago (III.ii.85). At this point in the play, Hamlet’s trust for Horatio has dev...
After the initial visitation of the ghost, hamlet begins to obsess about killing Claudius as part of a new plan to rid the royal court of his father’s murder. More so, he begins to despise his mother for marrying Claudius right after her husband’s death. Hamlet begins to hate his mother just as much as Claudius, which defines the expanded psychosis of the ghost’s message as part of a long term delusional state. This is one aspect of Hamlet’s deteriorating madness that dictates the paranoia that drives him to kill Claudius and shame his mother into
When Horatio, at the end of the soliloquy, enters and greets Hamlet, it is evident that he and Hamlet have not recently met at Elsinore. Yet Horatio came to Elsinore for the funeral (I.ii. 176). Now even if the funeral took place some three weeks ago, it seems rather strange that Hamlet, however absorbed in grief and however withdrawn from the Court, has not met Horatio. . . (368).
To further his terms with the death of Ophelia, he is shown the spot Ophelia will be buried in, a few plots away. Showing that her death, is and will be treated just as everyone else will. While the gravedigger tells Hamlet much earlier in the play “"not for ever with they vailed lids/ Seek for thy noble father in the dust" (1.2.70-71) and reminded that "your father lost a father” in other words there is no time to mourn the dead, as death is much like a chain, and quite bluntly he expresses its best to really just move on. Shakespeare reveals this as a turning point for Hamlet, as he realizes the commonness of death, and the value of life itself, and begins to ponder about his own mortality and destined fate.
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
Horatio, you’re about to know everything. I’ll start with telling you the letter I wrote to the King of England.
Hamlet is the son of Queen Gertrude, this type of parent and child conflicts are somewhat common in some of Shakespeare’s plays. The events surrounding these characters must be taken into account as we watch the attitudes and personalities of Gertrude and Hamlet change as the play progresses. They have their own unique places in the story but do not always mesh well together when thrown into a conflict. Throughout the play hamlet struggles to keep his sanity. This is especially apparent after his father’s ghost visits him. The ghost tells him that his father was murdered by his uncle Claudius, who is the curre...
The core of the play then unfolds from the actions and words of this ghost. Hamlet's revenge against his uncle is certainly fueled by the ghost's words, but the ghost seems to serve a more subtle and internal part here. In the famous "To be or not to be" soliloquy (III.i.55-88), Hamlet makes it clear his is not only unsure of what action to take, but unsure of himself as well. It seems his father's aberration confuses Hamlet ...
In traditional and modern, ghost reflects death and fear, and it never change. In Hamlet, the ghost is a symbol of Hamlet’s father who is killed by Claudius. Its propose is to demand Hamlet to avenge its death. Although the ghost only appears three times in front of Hamlet, it is a specify role to develop the whole story and plot. Through Hamlet, the ghost is the motive to make Hamlet kill Claudius, and the ghost plays a critical role to influence Hamlet.
Hamlet is a tale of tragedy by Shakespeare which tells the story of the prince of Denmark who is on a quest to avenge the death of his father at the hands of his uncle whom subsequently becomes king of Denmark. This is what fuels the fire in the play as Hamlet feels the responsibility to avenge his father’s death by his uncle Claudius; however, Claudius assumed the throne following the death of hamlets father. It is in this context that we see the evolution of hamlets character from a student and young prince of Denmark to the protagonist and tragic hero in the play.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.