Shakespeare must have known his Hamlet would be nearly impossible to decipher, otherwise he would surely have omitted Hamlet’s unlikely confidant, Horatio. Horatio becomes not only integral to the plot, but also allows the audience further insight as to what is stirring within the title character. Hamlet comes to deeply trust Horatio because he perceives that he “hast been as one in suffering all that suffers nothing” (III.ii.69-70). Horatio, a man “[w]hose blood and judgment are so well commeddled,” takes “with equal thanks … fortune’s buffets and rewards” (III.ii.71-74). Though soliloquys are a direct connection to characters’ thoughts and motives, confidants serve a higher purpose by not only eliciting these honest thoughts, but also asking the main character questions the audience wishes to ask. Horatio’s character is a critical part of this performance.
The whole story of Hamlet would not have unraveled as it had were it not for Horatio. Hamlet’s quest for revenge stems from his encounter with his father’s ghost; however it was Horatio who, after seeing the ghost for himself, thought to “impart what we have seen tonight/ Unto young Hamlet…” (I.i.185-86). At the meeting with Hamlet in which Horatio and his friends arrive to tell Hamlet about the ghost, Horatio is set up to be the protagonist’s confidant for the remainder of the play. Hamlet corrects Horatio’s comment that he is Hamlet’s “poor servant ever” by saying, “Sir, my good friend. I’ll change that with you” (I.ii.168-69). Later Horatio solidifies his position as a major character by accepting Hamlet’s request to help him “Observe my uncle” for any suspicious actions during the Murder of Gonzago (III.ii.85). At this point in the play, Hamlet’s trust for Horatio has dev...
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...ance rather than the more legitimate end of civil justice for his father, thus causing the series of events ending in the royal family’s death. Hamlet admires Horatio for the qualities that he t himself does not possess, virtue and self-control, and even gives him praise: "Horatio, thou art e'en as just a man/As e'er my conversation cop'd withal" (III.ii.56-7). Horatio's strength of character is abiding and Hamlet yearns for the tranquility that must bring Horatio such stoicism. Hamlet’s ambiguity could not have been illuminated without the console Horatio so graciously offered him. It is often difficult to predict whether Hamlet will do as he says, or simply procrastinate further. In the performance, Horatio gave the audience insight into Hamlet and the development of his character, the essence of companionship, and most importantly, the quality of virtue.
Throughout the story, Horatio is continuously shown as the voice of reason and clarity. He is the authority figure and it is through him that we see the truth behind the actions of Hamlet and the others. Horatio is the outside observer to the play and it is a result of his words and actions that we can ground the play in reality. Ever since the beginning of the play, Horatio is shown to be a voice of cautious reason and measured skepticism along with a voice of truth, for it was not until he saw the ghost that the ghost became a reality. This idea is clearly portrayed atop the battlements when Horatio says “Before my God, I might not this believe/ without the sensible and true avouch/ of mine own eyes.”(I.i.56-58). Here Horatio confirms that he is the “narrator” of the play and the most sensible observer. However no matter what, Horatio is still Hamlet’s friend and despite his calm mindedness, at the end...
Hamlet tarnishes his image and sacrifices his dignity as a result of his ploy to fool those around him and avenge his father’s murder. Initially, the character of Hamlet is portrayed as “a soldier” and “a scholar” with “a noble mind”. This description by Ophelia is one that the citizens of Elsinore including friends and family of Hamlet would have open-heartedly agreed to. After all, as Claudius said to Hamlet: “You are the most immediate to our throne...” Hamlet must act in a presentable state at all times so can be in favor with the people in the event that he were to become king. However, after the revelation by the Ghost that “The serpent that did sting thy father's life now wears his crown,” Hamlet is shocked but at the same time confused. He is forced into a conflict between acting and not acting ...
...dience that Horatio is very honorable because he is one of the two surviving characters in the play. If Horatio had the morals of everybody else in the play, he would likely be dead as well. As a result of Horatio having the traits, trustworthiness, loyalty, and admiration for Hamlet, he is able to be in the fortunate positions of Hamlet’s friend, and one of two surviving characters. Shakespeare often makes a character in his plays who is ethical and honest compared to the other characters, such as Benvolio, in Romeo and Juliet. By keeping Horatio alive, Shakespeare shows the audience that Horatio is this character in Hamlet. Although Fortinbras also survives, Horatio is morally superior, especially because of Fortinbras’ violent nature. Thus, as a result of his trustworthiness, loyalty, and admiration, Horatio is the most virtuous character in Shakespeare’s Hamlet.
After talking with the ghost, Hamlet, comes back to Horatio and Marcellus and tries to explain to them never to let anyone know what has happened. Both are very scared but agree to the prince’s, but both are still looking to find out what happened between the ghost and him. Further on in the evening Hamlet takes Horatio to the side and explains to him that no matter how odd he acted that Horatio say nothing. (And therefore as a stranger-you most need help you Act1 sc5 line 187-202) He basically explained to Horatio that he was going to be acting much differently than normal, and he told him not to ask questions. This here proves he knew what he was going to have to do. It shows that he was willing to get his revenge by any way possible.
Horatio is Shakespeare's utilitarian character. Horatio serves as a foil to Rosencrantz and Guildenstern, prompts Hamlet to disclose his feelings, gives vital information in the form of exposition (verbal or in a letter) or verification of Hamlet's reality, and helps to build the suspense of the play. The only emotional aspect of his character is that he remains alive, and serves as a vehicle for Shakespeare's moral of Hamlet.
In the play Hamlet by William Shakespeare, the character Horatio plays a quintessential role in gaining a deeper understanding on the perplexing tragic hero, Hamlet, from the perspective he has about him. Horatio’s sensible ideology becomes apparent as he takes on the role of the spokesman of common sense, attempting to advise the stubborn tragic hero about his destructive journey towards revenge. Additionally, because of the true friendship Horatio presents Hamlet, it leads him to confide in Horatio about his secrets and plans, thus highlighting his essential role in bringing out Hamlet’s true intentions. Hamlet’s death becomes more meaningful as a result of Horatio’s approval of Hamlet and the devotion he shows Hamlet until the end, which
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
Fate and Fortune, and Providence in all her ambiguity are all sometimes seemingly bound to the actions of man, and other times they are inescapable. At the start of the play, Horatio and his companions, Bernardo and Marcellus, witness the sudden and frightening apparition of Hamlet’s deceased father, former king of Denmark. The three friends are “[harrowed] with fear and wonder” as they encounter the ghost and Horatio is convinced to attempt conversation it (Shakespeare, I. I. pg. 2). The adage of the adage. Before engaging the ghost, Horatio recalls the time before “the mightiest Julius fell” when “the graves stood tenantless, and the sheeted dead / Did squeak and gibber in the Roman streets.”
Hamlet admires Horatio for the qualities that Hamlet himself does not possess. He praises Horatio for his virtue and self-control: "Horatio, thou art e'en as just a man/As e'er my conversation cop'd withal" (III.ii.56-7). Horatio's strength of character is unwavering, and Hamlet longs for the peace of mind that such stoicism must bring to Horatio:
Horatio has a unique relationship with Hamlet. Throughout the play, Horatio remains his main confidant and source of emotional support. Horatio is truly Hamlet’s only colleague who listens to and sincerely cares about him. Ophelia is acting on Polonius’ agenda; Rosencrantz and Guildenstern obviously care only about Claudius. In such a miserable situation, Horatio’s decent character would be hypervisible to Hamlet and his attraction—nay, need for him—becomes almost a coping mechanism.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
Horatio. Horatio is a good friend, as stated in Act 1, Sc 2, L163, and the
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.