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Themes of hamlet
Literary criticism on women in hamlet
Changing relationship between Gertrude and Hamlet
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Introduction
“Must, like a whore, unpack my heart with words, and fall a-cursing, like a very drab, A scullion!” These words, spoken by the main character Hamlet in Shakespeare’s play Hamlet, highlight the role of the two females character in the play. Gertrude, mother of Hamlet and Ophelia, Hamlet’s object of love, the only two female characters in the play, help to expose the mistreatment, manipulation, and discrimination women faced within the tragedy, and possibly society during the time the play was written.
Throughout the entire novel Ophelia is controlled, dominated, and manipulated by men. This is reflected through her actions and her speech. Having no female alliances or friends, Ophelia has no one to confide in or to relate to. Ophelia is expected to be submissive and obedient by other characters, especially the main character, her love interest, Hamlet. Her first sign of submission can be seen when she is talking with her father, Polonius, in Act I Scene 3. After confessing that Hamlet “hath, my lord, of late made many tenders of his affection to me,” Polonius quickly tells her to never speak to Hamlet again,”As to give words or talk with the Lord Hamlet. Look to't, I charge you.” Ophelia quickly obliges,”I shall obey, my lord.” This shows us that Ophelia is too weak to stand up to or challenge any male authority. Another example of Ophelia’s submissiveness can be seen in Act I Scene 3 when she is speaking with her brother Laertes. After Ophelia has confessed that Hamlet has shown affection to her, Laertes responds with an excuse as to why Hamlet will not actually pursue her as a wife or lover. Laertes claims that Hamlet is predestined from birth to marry someone of a nobler class. “For he himself is subject...
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...drinking a poisoned goblet of wine, unaware and oblivious to the fact that it was poisoned. Yet another example of Gertrude’s weakness can be seen in Act 4 scene 3. After Hamlet murders Polonius, he tells his mother to, “Not this, by no means, that I bid you do—Let the bloat king tempt you again to bed” meaning to not allow Claudius to have his way with her in bed again. Shortly after Hamlet leaves, Gertrude quickly reveals to Claudius that Hamlet has murdered Polonius. She was more willing to reveal secret information to her husband of only two months, than to keep the information hidden upon request of her son of thirty years Hamlet.
Both female characters in Hamlet are depicted as weak, dependent, and powerless. They are controlled by the male characters in the play, and never stand up to any authority regardless of the effects this has on themselves.
Hamlets misogyny is not something that was engrained in his culture but what his mother has engrained within him. Hamlet hasn’t always hated women as he does now, his harsh treatment of Gertrude and Ophelia are because of their betrayal of his love. Hamlet knows that even though she has made mistakes she has not stopped being a mother to him, apart from that he stills feels anger towards her and the hate that he now feels for Ophelia is just a displacement of his feelings for his mothers, “the total reaction culminates in the bitter misogyny of his outburst against Ophelia…Hamlet is really expressing his bitter resentment against his mother” (1199) towards the poor and innocent Ophelia. His hate for women is just his frustration for his mother and Ophelia blinding him and not truly him hating women because in Ophelia’s grave he tells Laertes “I loved Ophelia, Forty thousand brothers could not with all their quantity of love make up my sum.” (5.1.262) Hamlets repulsion against women is just him repressing his true love for the women in his life who have hurt him, “the powerful repression to which his sexual feelings are being subjected.”
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
Gertrude is the epitome of weakness to Hamlet because of her foolish act of remarrying, which Hamlet views as a betrayal. It all can be traced back to the murder of his father. This grief Hamlet has worsens his relationship with Gertrude, which makes him feel as though she is letting the murder of her first husband go without mourning. In conversation with the ghost of his father, Hamlet declares, “O most pernicious woman!
Leaving her only with the response saying “I shall obey, my lord”(1.3.145 ). Why Ophelia is unable to say more than a few simple words is made clear by societal expectations of the time. During this time daughters were the property of their fathers and were obligated to do their bidding. Campbell says “if she refuses Polonius, she risks social ostracism and grave insult to the man who capriciously controls her future” (58). Ophelia fears the backlash of disobeying her father, believing there is no other choice than doing what he has asked her to do. Even though a woman's virtue is a sacred and a very personal choice, her father leaves Ophelia with one option: to do what he says. “The issue of Ophelia’s chastity concerns Polonius as a parent and a politician—a virginal Ophelia has a better chance of attaining Hamlet’s hand in marriage” (Floyd-Wilson 401). This relationship Ophelia has between her father is very one-sided and unhealthy. It is formal and proper with very few emotions attached to each other. However, because Polonius is the only parental figure Ophelia has and loves him, his death was extremely difficult for her. Her father, hasn’t left her like Laertes and hasn’t rejected her like Hamlet. Making his unexpected death the final straw to her losing her sanity. Without someone to guide her, she is lost. She is unable to blindly follow a man but is to racked with emotion to think clearly.
1. Plays have foils to help the audience understand important characters in the play. Foils are minor characters that have similarities and differences with a more important character in the play. Sometimes the minor character is just there for the character to talk to; this is the basis for being a foil. In the play "Hamlet," [Titles] by William Shakespeare, the character Ophelia is a foil to Hamlet.
Ophelia trusts the advise given and her obedience is very evident in this matter as she avoids contact with Hamlet until she is told by her father, with the King and Queens approval, to meet up with him by 'accident' in the lobby. Deceit not being in her nature, believing that her father, the king and queen are right and true; that Hamlet is mad; and probably curious to know if Hamlet is "mad in love" with her the young, obedient, powerless Ophelia does her part to search out the truth. But tragically this one forced step outside of her true character begins her downfall. In a precarious predicament, loyalty to her father compelled Ophelia to lie to Hamlet when he asked about her father?s location at that moment saying he was at home instead of behind a tapestry right the...
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Heilbrun, Carolyn G. (2002). Hamlet's Mother and Other Women. 2nd ed. West Sussex: Columbia University Press.
Ever since Eve was fashioned from Adam’s rib, men have viewed women as objects that they use and abuse like an extension themselves. This idea exists because over time men have become to see themselves as superior beings. This idea has been reinforced by years of culture and tradition; it can be found in the media, the workplace and has even made its way into literature through the mind of William Shakespeare. In his play Hamlet, he explores themes of sexuality and how men view women. One of the ways he does is through the character, Hamlet, who has the idea that men are superior to women. In the play Hamlet by William Shakespeare the main character Hamlet, displays characteristics that proves that he is misogynist. These
Hamlet’s sense of betrayal by Gertrude, although briefly taking him off course, ultimately infuriates and intensifies his urge for revenge. Because of Gertrude’s refusal to acknowledge her sins, Hamlet becomes even more personally motivated to kill Claudius for revenge. Queen Gertrude, though ignorant, has a huge impact on the play because her betrayal and abandonment motivates Hamlet to get revenge. When writing Hamlet, Shakespeare created a complex play that relies on the roles of two important women to aid the progression of the plot. Although Queen Gertrude and Ophelia rarely speak, they function as a way for the men to become informed about Hamlet’s mental state and motives for madness.
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
To begin, Gertrude is presented in differing manners throughout Hamlet the play versus Hamlet (2000) the film. In Shakespeare’s play, she originally is cast as a woman who has power due to her husband, but sits as a trophy wife. Craving power, safety, and comfort, she depends on men for her position and control. Seeming to have poor judgment, she never expresses self-reflection throughout the play and just seems to be a bit oblivious to everything, ultimately resulting in her death as an unaware victim of a game she ensnared herself
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
In the Shakespearean era, certain pressures can cause one to become enclosed in expectation, making conformation the only viable alternative. “Then weigh what loss your honour may sustain, / If with too credent ear you list his songs, / Or lose your heart, or your chaste treasure open / To his unmastered importunity” (1.3.32-35). Laertes reminds Ophelia that as a woman she must be careful around men, certainly Hamlet, and sustain her chastity in order to appear favourable to the public. As a woman of her time, Ophelia is expected to be obedient, submissive, and spiritless. In order to be approved by society, she is required to remain untarnished until her father finds an appropriate suitor to give her away to. She is literally viewed as an article in her father's possession. Ophelia later challenges her brother's notion by saying, “Do not, as some ungracious pastors do, / Show me the steep and thorny way to heaven” (1.3.50-51). In her view, she holds the same set of expectations for her brother rather than accepting that she must blindly follow his (or anyone else's) guidelines simply because she is a woman. Even though Ophelia verbally expresses her disdain towards these formalities, it is inevitable that the pressure placed on her by society will prove too much to bear. Subconsciously, Ophelia has the desire (instilled in her throughout her upbringing) to find a husband and start a family while she is still at an ideal age. Despite all of the warnings she receives, Ophelia falls prey to Hamlet's words, giving up the entirety of herself to him: "I a maid at your window, / To be your Valentine. / Then up he rose, and donned his clothes, / And dupped the chamber-door, / Let in the maid, that out a maid / Never departed more" (4.5.50-55). Ophelia suggests that she innocently allows herself to be intimate with Hamlet. Prior to this, Ophelia believes that Hamlet is that one