Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Flawed characters in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Some say that heroes are fascinating, but a destroyer can be just as spellbounding. The destroyer archetype has destructive power; anyone with this characteristic would want to destroy anything for no apparent reason. A destroyer could be anyone, murderers, dictators, bad parents, or even villains. People with this trait do the things they do for personal gain, even if it is to ruin someone else’s life (Bertolin). The destroyer can be viewed in certain ways, such as Hades from Greek Mythology, Kali from the Hindu culture, or Bane from The Dark Knight Rises in modern day. Hades is a popular example of a destroyer in Greek Mythology because of the fact that he is the god of the underworld. After what happened with Cronus, Poseidon, Zeus, and Hades were given shares of the earth. Hades didn’t get to choose and was stuck with the underworld (Hades). Since then, he was always the one everybody was scared of. Hades was an avaricious god who always wanted more people in the underworld, therefore, no one was allowed to leave (Hades). Since he just about never left his kingdom, he always stayed with Persephone, his queen that he stole (Hades). The child of Zeus and Demeter, Persephone was the goddess of springtime (Persephone). The young goddess was in a field of flowers when Hades came and …show more content…
kidnapped her as his bride to be the queen of the underworld. Demeter was devastated and made the whole earth grow cold. After six months of living with Hades every year, Persephone would go back to her mother and Demeter would change the weather from winter back to spring, repeating this every time Persephone would come and go. Even though she isn’t as well known as Hades, Kali is a good example of the destroyer in the Hindu culture. Kali is the goddess of time, doomsday, and even death, or is also known as the black goddess. The Hindu culture associates her with death, sexuality, violence, and, oddly, motherly love (Doniger). While looked at differently throughout South Asia, Kali is characterized with black or blue, slightly or entirely nude, with a long tongue, many limbs, and accessories with human remains on them (Doniger). Worshipped throughout India, but mainly in Kashmir, Kerala, South India, Bengal, and Assam, Kali is both geographically and culturally marginal (Doniger). Since the late 20th century, feminist scholars and writers have seen Kali as a symbol of feminine empowerment (Doniger). Bane is yet another great example of the destroyer, even if he is a character from a modern day movie.
Bane is a strong and brutal terrorist determined to annihilate Gotham City as the supreme commander of the League of Shadows (Bane). This villain is a wonderful example of the destroyer as he is ruthless, cold, and willing to slaughter millions of people with his bare hands (Bane). Bane is so determined to make everyone suffer like he did before he escaped out of prison, he’s willing to kill to complete his goal (Bane). With high strength, durability, and fast reflexes, Bane is able to take many punches at one time, helping the fact that he is hard to be unbeatable
(Bane). Because there are many examples of a destroyer, like Hades in Greek Mythology, Kali in the Hindu culture, or Bane in The Dark Knight Rises, it’s not so difficult to find this archetype in different cultures. Thinking only of himself, Hades stole Persephone to be his wife and queen because he was lonely in the underworld. Kali is the goddess of death and is associated with violence, making her a big candidate for being a destroyer. Bane would destroy anyone or anything to get what he wanted accomplished, which is one of the main traits to be considered a destroyer. Nevertheless, one can find many examples of a destroyer anywhere they look if they search hard enough.
Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain.
The character Hades from the Disney movie Hercules is an allusion to Hades from Greek Mythology. The movie takes the traditional character of Hades as the god of the underworld from Greek mythology and makes it palatable for children.
In The House of Hades, there are many underlying conflicts, but they are all directly caused by one person, Gaia. One that Percy and Annabeth are stuck in the underworld and can’t get out. Also, the demigods are trying to close the doors of death, but this is made harder because they don’t want to leave Percy and Annabeth in the underworld. The reason they need to close the door is because Gaia has been sending monsters out of Tartarus to stop the demigod from perusing their quest to save the world. In each of their quests, Gaia sends monsters to kill the demigods, then when the monster would die
The Task, In Perseus the main task that happens is when Perseus a demigod, son of Zeus goes out to capture something special. Perseus sets out on an adventure to kill Medusa and capture her head to bring back as a gift. The hard part is that in one glance eye to eye at Medusa you will automatically turn into stone. Therefore, this was a hard feat to accomplish and it was one that he wanted to fulfill after he told they guy who was going to marry his mom he would bring them Medusa’s head. He laughed at him and that was a sign of determination for Perseus to accomplish his goal
This archetype shows the monster for who he really is: a monster. This quote shows the villain archetype because, being the monster that he is, he kills every person Victor Frankenstein ever loved. Being the evil villain, his goal is to destroy Victor’s journey, which he successfully does.
... is guilty for the death off his best friend Henry Clerval. The ‘God’ archetype is used in the novel Frankenstein by Mary Shelley in both cases of creation and destruction.
In addition to that, the devil figure archetype plays an important role in all stories as well, without them stories would be dull. The devil figure is one of the strongest archetypes that is present in both Clash of the Titans and “Little Snow-White”. In the movie Clash of the Titans, Hades is the devil figure, and that is because of his plans and actions toward the gods as well as the people. Hades talks Zeus into giving him another chance and trusting him, but his intentions are never pure. He intends on gaining his trust and killing him to take control over the world from him. Hades adds: “Zeus must think I serve him, but I am growing stronger. Use this! Kill Perseus for me and I'll destroy Zeus for you.” (Clash of the Titans). He then travels to Argos and
The primary ruling god of the underworld is Hades whose brother is Zeus, king of the gods, and whose parents are Cronus and Rhea. Hades is a greedy god with his greatest concern being to increase the number of his subjects. He is very stubborn about letting people out of the underworld. Hades himself, rarely leaves the underworld. In one myth, however, we know of a time when he did leave his soulful domain. Hades became very lonely in the underworld, and went above and kidnapped Demeter’s daughter, Persephone, for his wife.Persephone, nonetheless, was not Hades’ only significant other. Hades had a mistress called Minthe whom Persephone later transformed into a plant. Hades is also known as the god of wealth due to the precious metals mined from the earth. He has been said to possess a helmet that was given to him by the Cyclops. This helmet has been said to make him invisible. Hades lent it to gods and mortal men. Perseus used the helmet on his quest for Medusa’s head and Athena, goddess of battle skills, put to use the helmet so the god of war, Ares, could not notice her.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
In literature, there are many archetypes including temptress, hero, trickster, transgressor, and many more, major and minor. One of the most prominent of these literary devices is the destroyer, who is usually the antagonist, who has an unquenchable thirst to kill, and avenge whatever wrongs they have received in the past. The destroyer in modern day literature is most often described as having the basic instinct to kill everyone and everything from the moment it is birthed, or it is wronged, and is best portrayed by such villains as The Chimera, The Apocalyptic Horseman, and Bane.
An archetype can also explain antagonistic characters like the shadow or the destroyer, but what I am going to write about is the trickster archetype. The definition of a trickster is “a rebel who refuses to conform to societal expectations, but he is not a rebel without a cause” (Jung). Sometimes the trickster may very well appear to be minor character in a story. The most famous character is the Fool in Shakespeare's tragedy King Lear. The Fool character actually is very wise and street smart. In fact, it takes a fair amount of studying to enhance his wisdom which helps him come up with a series of riddles, puns, and puzzles. The Fool is not the cause of capturing King Lear yet is viewed as the wisest character in the play. In some stories, the trickster can also be someone who causes trouble for their amusement or to teach the hero a lesson. (Jung)
own destructive downfall. A tragic hero can be described as a great or virtuous character in a
Satan is very much the chief character of this epic. This is shown by the fact that during the whole of this story, the happenings through the pages are following Satan’s fall from godliness, and ultimately he accomplishes his goal of corrupting mankind.
In many instances the hero and the villain are very easy to tell between, but in the novel Frankenstein by Mary Shelley these two symbols come together to create confusion among readers. Many can argue that because Frankenstein’s creation viciously murdered so many people he is the obvious the bad guy in the story but what people must take into account is all the things in the creations life that caused him to behave as he did. He was one of the ugliest beings on earth, not knowing where he came from, and having no one love him. He did not begin to turn violent until his creator left him to go the world alone and be disowned by everyone that met him. Frankenstein wanted so badly to play God but when he had finally gotten what he wanted his disrespect for others took over and made him the ultimate villain. He stole what his creation needed to survive, love, acceptance, and an authority figure. Ultimately, it is Frankenstein’s selfishness that brings down not only his own self, but that of his creation as well.
Satan was a prominent figure in religious rhetoric as an evil icon taking on the meaning of the worse of creatures. However, Romantic philosophers utilized Satan as means of transferring radical ideas. Percy Shelley “had employed Satan as a symbol of political goodness” in his writing and as a “rebel in a political context” (Faxneld 532). The goal of Romantic authors in using Satan is to directly attack already established norms in society and politics. Satan also allows the authors to express contradictions within political, religious, gender, and social rules since Satan was the symbol for “toppling world power”, hinting at a socialist movement (Faxneld 532). Mary Shelley is using the technique of “startling people by using symbol they instinctively consider evil could be a way to make think more carefully about manners of preconceived notions” (Faxneld 554). Similar to the Romantic technique of responding the the human as a whole, Shelley tries to manipulate something that is common knowledge to most people during the time to persuade the public toward her