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An essay on the topic culture
Reflective analysis about culture
An essay on the topic culture
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Elizabeth Warnock Fernea wrote Guests of the Sheik based on her experiences living with her husband in a rural village in Iraq for two years. This book details Fernea's experiences as she assumed the dress and sheltered life of a harem woman while delving into a form of life rarely explored due to its isolation and emphasis on privacy. Fernea, herself, was not an anthropologist, but the Guests of the Sheik can be considered an ethnography that far surpasses the practices of its time. Fernea's desire to belong and live as a harem women allows her to experience and understand a culture far too often judged as oppressive and overly conservative. Fernea seeks to enlighten readers of the rich lives the women of El Nahra maintain, despite their adherence …show more content…
to the practice of veiling, specifically wearing the abayah. Fernea's personal experiences are supplemented by the guidance, advice, and anecdotes of the women who establish Fernea's new social group and can be considered her informants. The combination of Fernea's unintentional reliance on participant observation, as well is the etic perspectives provided by her new social group, enables Fernea to describe an accurate representation of life in El Nahra, not only for married women like herself, but also for unmarried women, widows, female teachers, and mullahs, who are Muslim religious teachers. By structuring her ethnography based on her personal experiences, Fernea drafts a cohesive and comprehensive understanding of the multidimensional lives of the women of El Nahra. However, the author's lack of formal training prevents her from using other forms of ethnographic research, such as formal interviews, and asking deep questions surrounding the underlying aspects of the female culture in El Nahra. The downsides of her lack of training, however, is compensated for by the unique approach she takes. Without the hindrance of formal training, Fernea is allowed to experience an seek out the core aspects of culture, such as the institution of marriage and the importance of female relations. Guests of the Sheik should be considered a remarkable representation of an ethnography, one that was particularly ahead of its time, as Ferneas reliance on participant observation and true embodiment of a culture and interest in the lives and activities of women was scarcely researched. Her lack of training may even make her style of writing more entertaining and more accessible because she writes not only for anthropologists but also for the common audience. If the goal of an ethnography is to systematically study, understand, and describe a specific group and their culture, then Fernea has most definitely succeeded. Guests of the Sheik describes Fernea's two-year stay in a small, rural southern Iraqi village named El Nahra.
This book differs from most ethnographies in that it was not authored by an anthropologist. Fernea originally set out to accompany her husband as he completed research for his doctorate in social anthropology from the University Chicago. Henceforth, Fernea did not enter the field with any specific goals, hypotheses, or particular interests. In many ways, Guests of the Sheik reads as a personal narrative, describing Ferneas struggles integrating into a society that has vastly different expectations and guidelines for women. Fernea recalls the culture shock she first experienced as well as her eagerness to overcome it. Her goals were mainly of a human nature: she wanted to feel a sense of belonging, to have friends, and to establish a life in El Nahra. The first part of Guests of the Sheik largely mimics Fernea's own journey to feeling accepted as it introduces readers to the various groups of women who soon become Fernea's close friends and confidants, most importantly Laila, who will later introduce many aspects of Muslim culture to Fernea. Throughout the book, each chapter emphasizes a different aspect of life as Fernea discovers it, or details an important event. As such, readers experience Ramadan and Eid, two staples of the Muslim culture, Weddings and marriage arrangements, discussions of monogamy and polygamy, the Pilgrimage to Karbala, and many other customs …show more content…
and traditions. Fernea teaches readers by including her own personal narrative, as well as the anecdotes of her new found friends. Fernea also includes a list of all the significant individual discussed in the book, as well as their relations to each other, and a map of the El Nahra village, detailing the multiple locations Fernea frequently visits. Guests of the Sheik covers the entirety of Fernea and her husband's two-year stay in El Nahra, as well as their departure and an update on life in El Nahra after the revolution, thanks to Fernea's husband's second visit, many years later. Fernea's desire to uncover the rich cultural aspects of life for women in El Nahra stemmed from a personal belief in universal aspects of humanity. This is revealed after her husband encourages her "to remember that [they] were in El Nahra to do some specific work, not prove any romantic theories about humanity being the same everywhere," after she expressed her disappointment at her troubles making friends (Fernea 77). Fernea, nonetheless, is not satisfied. She addressed this as a challenge and sought to gain the respect and admiration of the women of El Nahra. Eventually, Fernea does gain acceptance largely through her friendship with Sheil Hamid's niece, Laila. This desire for friendship, perhaps surreptitiously, leads to Fernea's realizations surrounding the importance of female friendships in El Nahra. Her growing friendship with Laila allows Fernea far were access to social events, in which she is able the observe and recognize the level of respect placed on friendship.
Fernea writes, "I discovered, friendships among women were much more important and much more intense in this segregated society than in our own….The women have to depend on each other for company, for support, and for advice" (255). Fernea ascribes the increased importance of female friendship to the segregated nature of El Nahra, where the men spend most of the day away from the women, even their wives. She continues to state, "A man might be a devoted father or brother or a loving husband, but in El Nahra he was seldom, if ever, a companion" (255). Therefore, women turned to each other for companionship. This juxtaposes with Fernea's own perspective because she does consider her husband to be a companion. This revelation of the unique nature of friendships, in which the fidelity and loyalty between friends was a far greater concern that between couples, aids in Fernea's desire to expose multidimensional layers of life for the women of El Nahra. She countered the belief that women could not have meaningful, emotional, and equal relationships with their husbands by revealing women did have such relationships, they just occurred in friendships rather than romantic
relationships.
It is important to note that Elizabeth Warnock Fernea herself is a brilliant writer, and her piece of Guests of the Sheik offers a very in debt analysis of an Iraqi village that would not be seen from most outsiders. How while Fernea concedes the fact that she is not an anthropologist she was married to one and the first two years of their marriage they lived in an Iraqi village called El Nahra. Since she lived in a village that has hardly any social contact between men and women, Fernea is able to give us a beautiful account of what the women’s life style, roles, and other aspects of a women’s life in an Iraqi village. While women are not treated incredibly badly there lifestyle was a lot different than the one an American woman would live. One of the primary directions of Fernea’s study are to show how the author could be credible in ultimately idealizing her culture and peoples in this ethnography. She uses her Self authority to convince the reader of that and her interactions with other women. The
Elizabeth Fernea entered El Nahra, Iraq as an innocent bystander. However, through her stay in the small Muslim village, she gained cultural insight to be passed on about not only El Nahra, but all foreign culture. As Fernea entered the village, she was viewed with a critical eye, ?It seemed to me that many times the women were talking about me, and not in a particularly friendly manner'; (70). The women of El Nahra could not understand why she was not with her entire family, and just her husband Bob. The women did not recognize her American lifestyle as proper. Conversely, BJ, as named by the village, and Bob did not view the El Nahra lifestyle as particularly proper either. They were viewing each other through their own cultural lenses. However, through their constant interaction, both sides began to recognize some benefits each culture possessed. It takes time, immersed in a particular community to understand the cultural ethos and eventually the community as a whole. Through Elizabeth Fernea?s ethnography on Iraq?s El Nahra village, we learn that all cultures have unique and equally important aspects.
Writing Women's Worlds is some stories on the Bedouin Egyptian people. In this book, thwe writer Lia Adu-Lughod's stories differ from the conventional ones. While reading, we discover the customs and values of the Bedouin people.
By her admission the women volunteers of the social welfare organizations were predominantly middle and upper-class. Deeb does not consider how women from other socio-economic groups pursue and engage in piety and modernity, and how they view “authenticated Islam.” As such Deeb’s description of an authenticated Islamic community in al-Dahiyya seems to represent the formulations provided by a privileged class of women. The absence of other socio-economic is coupled with a cursory description of the peripheries of the community. Less emphasis is placed on the inhabitants of al-Dahiyya who are marginalized and excluded from the enchanted modern. A greater study of how authenticated Islam is understood by member of other socio-economic classes and the more marginalized members of the community would have given a greater insight, not only into the development of the enchanted modern, but also the social dynamics which govern
In a couple between a man and woman, the man is known for being the dominant one in the relationship. In the story "Woman Hollering Creek", by Sandra Cisneros. Cleofilas Enriqueta Deleon Hernandez, is a woman who suffers from her husbands over dominance of the relationship. Cleofila is woman with ambitions to live a meaningful life filled with love and happiness just like in her telenovelas. Instead, she lives in isolation with Juan Pedro Martinez Sanchez, her husband who she loves dearly, but is constantly abused by him. The only friends Cleofila has are her lady neighbors, Dolores and Soledad. In their actions and responses, many women unwittingly reflect the viewpoints and focus of their friends and neighbors
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
Abu-Lughod, Lila. "Do Muslim Women Really Need Saving? Anthropological Reflections On Cultural Relativism And Its Others." American Anthropologist 104.3 (2002): 783-790. Print.
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
“The Harem Within” is a life story that portrays Mernissi’s childhood experiences while growing up in her family house in Fez, Morocco. Fatema Mernissi was a daughter of wealthy landowners and agriculturalists family. Even though she was raised in indulging and a privileged neighborhood, detached from the poverty most Moroccans experienced, her childhood was spent in the limits of her household shape. Mernissi was raised in a “classical domestic harem”, which abides of extended family and was designed to keep the women sheltered from men outside of the family and the public in general. Occasionally, this exceedingly limitation nurtured feelings of frustrating separation and isolation. Mernissi’s upbringing in this habitat influenced her progress as a scholar and writer.
To live beyond the threshold of identity, to do so in the name of a peace that has not yet occurred but that is infinitely possible- this is exhilarating, necessary, and within reach” (117). Through Amu Fakhry’s laughter at Willow’s father’s galibayya or relatives attempting to speak foreign languages, America and Egypt bonded to become a combination of cultures that Willow can finally recognize as home. In multiple ways, Willow and Omar’s marriage has come to symbolize that “immutable integrity” in itself. Without titles like “Egyptian” or “American”, humans are capable of loving other cultures regardless of the media’s warped portrayals of other nations. Willow’s inspired style and tone demonstrate how astonishingly incorrect the media is. Not all Middle Easterners are barbaric just as not all Americans are intolerant and Wilson passionately finds simply living as a human rather than a human classified by geography and culture as “exhilarating, necessary, and within reach” because she has. Willow’s marriage to Omar is not merely about love, but also “’immutable integrity’” because after living in a world of fighting, hatred, and exclusion, Willow’s family and Omar’s family fall in love with a peace and mix of cultures that rise above the rules of Arab, American, eastern, and Western that is possible
(Smith 338). Hortense expresses a legacy of strong willed Bowden women to Irie--a legacy of women who were subjugated by the men in their worlds--whether that be because of colonialism or religion--but who ultimately rejected that role. Hortense and the matriarchal structure and legacy of her family undermine the patriarchal expectations set forth by her fundamentalist Jehovah’s Witness faith. Alsana faces the expectation of fulfilling her proper role as the subservient, good Muslim wife; however, she subverts this tradition by actively fighting against her husband Samad and, therefore, maintaining her sovereignty.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
Guests of the Sheiks is written from the personal perspective by Elizabeth Warnock Fernea about a small Iraqi village called El Nahra. The authors husband, an anthropologist who studied at The University of Chicago visited this rural village. The author spoke of how she was not familiar with the Middle East and Arabic. For this paper, it asks to examine the role of women in the Iraqi village. This paper will also discuss how culture and religion have an impact on these women. The position that these women have in the society and how they contribute to their family and the village will also be a big part of this paper. The beginning of the book has a great reference for cast of characters which includes a family tree of names and short
The book begins with an attempt on Zainab’s life, presumably by Nasir’s forces. Later, the Muslim Ladies Group is banned when Zainab refuses Nasir’s offer to join the Socialist Union. She then engages in secret meetings with Muslims in h...
As an Arab American, a Muslim and a woman writer, Mohja Kahf challenges the stereotypes and misrepresentation of Arab and Muslim women. Her style is always marked by humor, sarcasm, anger and confrontation. “The Marvelous Women,” “The Woman Dear to Herself,” “Hijab Scene #7” and “Hijab Scene #5” are examples of Kahf’s anger of stereotypes about Muslim women and her attempts to fight in order to eradicate them, in addition to her encouragement to women who help her and fight for their rights.