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Recommended: Expressionism
The Journey of Growing Up
No one was born to be any professional in any field. Andrew Jackson, the seventh President of the United States, was not born as a politician; Isaac Newton, a “key figure of the science revolution,” was not born as a scientist (Christianson). We have to discover who we are, and figure out our path on our own. In the musical the Phantom of the Opera, Christine Daaé, the protagonist, starts out as dependent on her teacher, then transform into a confident singer at the Paris Opera House with only the music as her master.
As a child, Christine relied on her father who was a musician before he passed away. “Wishing You Were Somehow Here Again” was a song Christine sang to her father at his graveyard. In this song Christine
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In the song “the Music of the Night,” the Phantom reveals to Christine that he “open(s) up your (Christine’s) mind, let your (Christine’s) fantasies unwind, in this darkness which you (Christine) know(s) you (Christine) cannot fight -- the darkness of the music of the night” (the Music). The Phantom also “gives you my music… makes your song take wing” (the Music). However, at the same time, the Phantom is a controlling force that holds Christine back from trying to become independent. “Sing once again with me… Sing, my Angel of Music… Sing! Sing for me! Sing, my Angel…” (the Phantom). The Phantom has ordered Christine to sing for him repeatedly in a short five-minute song, “the Phantom of the Opera.” His obsession is revealed even more when he sings that “the Phantom of the Opera is there, inside your mind,” and “it’s me they hear.” These demonstrate that the Phantom was controlling Christine’s voice and mind. At the end of this song, the Phantom cuts off their “strange duet” with his solo in a furious and sad tone, singing to Christine that “the one and only purpose you came here” was that at “the moment I first heard you sing, I have needed you with me to serve me, to sing for my music, my music” (the Phantom). The Phantom’s orders and his ambition of controlling Christine slowed Christine down in her journey to become an independent …show more content…
Unlike the Phantom, Raoul, Christine’s lover, supports her to pursue her dream in music by giving her freedom and allowing her to find her own voice. In the song “All I Ask of You,” Raoul sings to Christine, “Let me be your freedom/Let me be your shelter/Let me be your light/I’m here, with you, beside you” (Lloyd Webber). Raoul’s love towards Christine is to give her a shelter to hide from fear and become free from other’s control, the light to walk in the darkness, and freedom to pursue her own voice in the world of music.
With recognition from audience, protection from Raoul, and her talent and great musicianship, Christine becomes more confident in demonstrating her interpretation of music as an artist, and does not need a teacher or a guide to lead her to go forth in the world of music anymore. Christine becomes a more independent artist, with music as her master and the only companion.
Christine’s journey of becoming an independent artist is an example of the journey of growing up that everyone experiences. As college students, our journey is to separate from parents, although our parents are not as obsessive or controlling as the Phantom, become confident, and discover our purpose in life
In the article “The Case against College,” Linda Lee argues that upper-level education should only be for those who intend to go into jobs where a degree is essential such as medicine, law, and education. Lee dismantles the hope for higher education for those who are unsure of what they want to do or simply see it as the next step in life. Lee’s case is not specifically about why not to go to college; it is more about who belongs there and who does not. Receiving a degree, especially in the creative department of the music industry, may not be as important as society makes it out to be. Creativity is natural, and people are born with ingenuity; it cannot be taught. Lee’s argument is very fitting to those in the field of music. As a music business major, pursuing a career as a singer-songwriter, it is common knowledge that success in the music industry depends upon whom you know and how talented you are, not whether or not you have a degree.
... way they are moving from the bad things all around them into the good, that is, the music. In this way they are in a way escaping from the darkness that is around them every day even if only for a short time. It's the only light they have. This is when the author uses the image of darkness for the last time. " For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness." This supports that their music is the only thing that is totally good in their lives. With all the violence and despair that is around them all of the time, music is the only way they can free themselves.
Mademoiselle Reisz states to Edna that in order to be considered an artist, "one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul." (63) Although Edna and Mademoiselle share many characteristics that may possibly contribute to their future paths, they have one stifling difference; Mademoiselle Reisz possesses the wisdom to live the way that she does, Edna Pontellier does not.
Her lasting career was not given to her easily, therefore, creating an inspiring story full of hardships and success. Ever since she was a little girl, her dream was to become a successful and famous dancer. In New York City, when she was trying to fulfill her dream, she was unable to find a job in the theatre department. Instead of being discouraged, she decided to make something good come from it. She choreographed her own routines, created her own costumes, and organized solo recitals for audiences to enjoy. This event led her to the biggest adventure in her life that would later impact the world. She was invited to return back to London to pursue her education in the performing arts, so that she could further improve her talents that would make up her entire career.
It is to possess the courage to overcome the confusion and frustrations with uncovering who you are. Chopin chooses to have Mrs.Pontellier’s character die at the end of novel, in order to showcase the intense overbearing burden women carry, when fulfilling their ordered position in society. She decides to end the novel this way, to expose how women sacrifice their independence and personal interests, in exchange for society’s acceptance. This being Chopin’s purpose, it correlates with her novel’s recurring theme, which is the difficulty of rekindling one’s true spirit, when contained to oppressive roles that demand one’s conformity and
It holds such power over captives and captors alike that they cannot help but feel enamoured to the life it brings. Cesar especially feels the beauty of music “Oh, how he loved to hear the words in his mouth… It didn't matter that he didn't understand the language, he knew what it meant. The words and music fused together and became a part of him” and through music, he discovers his latent talent for singing (224). Based only on Roxanne’s previous arias, Cesar’s potential is outstandingly bright when he sings for the first time without any training whatsoever. Not only do the others learn to appreciate his gift, but Roxanne herself recognizes how promising he is or she would not have bothered to waste her time tutoring him. Beforehand, Cesar is nothing remarkable, just another one of the terrorists who detains them, but the opera transforms him into a separate person. Like the mansion enveloped in the garua, Cesar is heavily shrouded by serious self-esteem issues and fear, but after his breakthrough, his worries suddenly disappear and his life becomes a reservoir of joy. If “life, true life, was something stored in music”, then Cesar has lived a deprived life; his passion for music was just unfolding, but fate robs the world of who “was meant to be the greatest singer of his time” (5,
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her society’s mold.
The music that was played by Mademoiselle Reisz also awakened the soul that was sleeping in Edna. “The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column.” It was the first time for Edna to feel the emotional power of music and the message that Mademoiselle Reisz wants to express though each
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
Throughout the song the tone changes from a disappointed and unsatisfied feeling until it progresses into a hopeful and maturing tone. This transformation of tone follows the story almost perfectly and allows the reader to feel a connection to the transformation of the protagonist. This transformation from “expecting the world” (line 1) to realising that some things must happen for others to come into motion “the sun must set to rise” (line 24) is especially impactful and emotional when paired with the lines “ This could be para-para-paradise, para-para-paradise” that are repeated to show her newly established happiness and maturity. Ultimately, this progression from disappointed
When the plays begins, we are introduced to the “Blue Piano”. It represents the spirit of life (page 3) in the setting. We see the music have a great impact during Stella’s and Blanche’s conversation about Belle Reve. When the music gets louder, the conversation intensifies after Stella asks what happened to Belle Reve, causing Blanche to show her sadness to the fullest about losing Belle Reve and experiencing the deaths in the
The main song being alluded to is "Varsouviana," a polka song that sounds a bit like merry-go-round music, which is constantly playing in Blanche’s head and disturbing her thoughts (Williams 141). Blanche’s husband had previously killed himself to this song, it now playing in repeat in her head and building up guilt on her shoulders as it was theoretically her fault. The tune works to set the scene for the instability overcoming Blanche, the creepy music inside her head unable to be heard by any other ears mixed with her inability to escape the guilt and anxiety that seems to blanket her every thought. Williams is able to incorporate this disturbing music on stage to show the audience Blanche’s slow decline of health, the insanity that steadily consumes her due to her lack of living with her present existence. Another song blended into the story is “It’s Only a Paper Moon” by Harold Arlen, a song that speaks on love and how it becomes an overwhelming aspect of people’s lives. It explains how love causes dependency as it morphs one's reality to fantasy: “It’s only a paper moon, just as phony as it can be— But it wouldn’t be make-believe If you believed in me!” (Williams 120-122). The song alludes to the illusory world she lives in, her desire for someone to join in on it through love as she slowly descends into madness, relying heavily on others to fuel her
... situation, Christina Aguilera has been really motivated by music. Music is what has made her really strong. This shows that music has been a great influence for her. Her music has also influenced many young teens going through depressing situations. Becoming very passionate about music was special for Christina Aguilera; it helped her become the singer she is now. Even though she had a tough time with her father music brought her up again. Now, Christina is very talented because of all the things that made her very strong. Christina Aguilera’s life in a domestic surrounding was very difficult for her. Even though she struggled at times listening to music helped so much. Music for her was comforting. Maybe teen girls do not have someone to talk to and feel very sad, Christina’s music can help them be stronger and not think about the situations they are experiencing.
...of Christine as being so emotionally tortured and romantically torn that both Raoul and the Phantom should ask themselves if there is another man” (Ebert).
“People knew I was different. But not less.” Temple Grandin understood what she had, but she knew she was not less than anyone else. She did what anyone else could do. She knew she could push through everyday, no matter how hard and how long it took. Temple is not different, but she is unique! “We’re focusing so much on academics that we’ve taken out things like, art, sewing, cooking, woodworking, music, and other things that introduce kids to careers.” Temple Grandin is trying to explain and tell the world that it is not all about academics. She had the tremendously strong willpower to prove that what she was thinking was actually right. She wanted people to stop worrying about all academics and more about the arts, sports, and the creativity of all of it. Because if not, only the few students that excel at academics are