Vesna Petrešin’s journal article titled Ground Zero- Visions Instead of Ruins delineates society’s reaction to traumatic events through urbanism. As the title suggests, the article celebrates the idea of moving forward; the ability of the cities to integrate negative emotions into the environment (109). Petrešin embodies the concept of allowing fear and uncertainty as fundamentals of the built environment. She deliberates on the daunting terrorist attack in New York City that resulted in the collapse of the World Trade Center (Twin Towers). The article is striking in a way because Petrešin epitomized the ability of trauma to shape the environment of a city in grief. Though, Petrešin caught my attention through the style of her writing; persuasive …show more content…
For example, she had divided the article into four consecutive groups. The first group or topic introduced us to the importance of the Great World Center. The second and third topics acknowledged the sensitivity of the city; the fear and grief that is now a collected memory. Lastly, the fourth topic embodied how negative emotions could be integrated into the environment; how traumatic events could shape urban living. Petrešin was able to convince the reader more and more each topic; by the fourth topic, I had already agreed with the outlook of her concepts. She was able to do this because she created a sense of momentum throughout the article; as if each topic was a step closer to a climax. In other words, Petrešin did not provide all of her arguments all at once, but instead, she provided hints. At first, I asked to myself, “How could she think fear could shape an urban living?”, my question was then answered on the next topic, then another question arose, which was then answered in the next. This became a cycle which later resulted in subconsciously agreeing with Petrešin’s
He states, “A crowd in panic has no sense or conscience” (Esposito 71). This communicates the sheer horror and hopelessness of the trapped victims. The experiences of the witnesses compounds this image, making the book vivid and persuading the audience to consider the far-reaching nature of the tragedy. How prepared are we for disasters in the contemporary world? I could only shudder in fear as I visualized Esposito’s fear of ill-informed crowds. Esposito persuades me to embrace the concept of educating the masses to remain calm under storm to reduce the number of
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Imagine walking up on the scene of that fateful day of 9/11 knowing absolutely nothing apart from the talk around you, seeing the black smoke accumulating around the World Trade Centers, hearing the blare of sirens as the police cars accelerate by. Thomas Beller knew what all those things felt like. He was a simple pedestrian riding his bike going about his everyday life when he saw the black smoke, heard the sirens, and felt the whip of the police cars speeding by. Beller had no clue what was going on when he approached the scene, but in his personal narrative “The Ashen Guy” he explains his recollection of what he experienced on that historical day. Beller uses tones such as chaotic, nervous, confused, and worry to illustrate a picture of what it was like for him to approach the World Trade Center.
Philippi is not a working city, and as a result, the significance of what happened here is more important than what can actually be seen.? Therefore, a clear grasp of past events is essential toward appreciating the importance of the land.
One can only imagine the intense emotional scarring that one would suffer after exiting an underground shelter with a dozen other men to find a city destroyed and its people dead, corpses laying all around. These feelings are what prompted Kurt Vonnegut to write Slaughterhouse-Five as he did. The main character of this novel mirrors the author in many ways, but the striking similarity is their inability to deal with the events of Dresden on the night of February 13, 1945. Section Two- Critical Commentaries Kurt Vonnegut's work is nothing new to critics, but Slaughterhouse-Five is considered to be his best work.
...’s book accomplishes a lot in its timid three hundred pages, it lacks more examples of modern architecture and historical landmarks such as the ones discussed above. Also, the lack of chronological order is a new approach, but it might not appeal to all readers.
Suzanna Berne’s article “Where Nothing Says Everything” discusses the sequence of events that Berne encounters as she attempts to pay her respects to the 9/11 tragedy. From the elements within her writing, Berne demonstrates the significant meaning of the World Trade Center’s absence. It is from her personal experience and play on words that she is able to accurately express her thesis. Within her piece, Suzanna Berne comes to the conclusion that the impact of 9/11 on the American people forces them to unite in order to overcome the loss of the World Trade Center along with the people who went down with it.
When the terrorist attacks of September 11, 2011 rocked New York City, Pennsylvania, and Washington D.C., the word “tragedy” was used on a grandiose level around the world. For the people who lived close enough to experience the events first-hand, they may not have even called it a tragedy; perhaps they called it a misfortune, retaliation, lack of a strong government, unreal, or maybe even rebirth. In the coming years after the attacks, everything between standing united as a nation to declaring a war had flourished; but how has that left us - the land that has no distinct ethnicity - feel about each other? Why is it that fear is usually missing in the affective mnemonics of memorial sites, which, after all, are signifiers of some of the most horrific violence in human history? Do memorials dedicated to these attacks bring us together in terms of understanding, or is it just continual collective grief? This paper will cover the global complexity of the 9/11 attacks, the Empty Sky 9/11 Memorial in Liberty State Park, NJ, and factors and theories that memorials do influence a sense of complexity. The ground of public memory is always in motion, shifting with the tectonics of national identity. I chose the Empty Sky 9/11 Memorial as my topic of observation as I, personally, visit a few times throughout the year to pay respects to people I personally knew who perished in the attacks to the World Trade Center. I was in the 5th grade when this happened, and had absolutely no clue what was going on until my father did not return home until two days later with a bandage wrapped around his head and his devastating recollection of what happened just before he arrived to his job. The emotions that I feel within myself compared to others will...
In this piece Williams uses very effective persuasion. She starts off by telling you about how all the females in her family suffers from breast cancer. This brings a lot of emotion out of the audience that leads to added sympathy fro the author. I know I felt sorry for her. I was on her side from the start of the piece. Her tone was very sentimental. Then she goes on to state facts. Nothing wins an argument better than sound, strong fa...
On Sept. 11, 2001, A date that will live in infamy for Americans, terrorists attacked the World Trade Center in New York City. At 8:48 a.m. flight 11 crashed into the north tower. As it continued to burn a second plane flight 175 carrying 65 people crashed into the south tower around 9:05 a.m.. as smoke and debris fill the air in New York City after one of the World Trade Center towers collapsed. Police officers and rescue workers on the disaster scene in New York are covered in Ash that was two to three inches deep in places. People wandered dazed and terrified, Several firefighters coated with dust sat on the ground gasping for breath. One top fire official was asked if both towers had completely collapsed: "You can see what I can see, " he responded. "We just have no idea." At least 202 firefighters and possibly up to 350 are missing,
Post-Apocalyptic settings used in fictional works have become increasingly popular over the years. The entire bases around post-apocalyptic is how the world as we know it has great changes, therefore altering the lifestyle of all things living. Whether the reasoning be environmental or an epidemic, the already build society is abruptly changed forcing major alterations in how life continues. The ethical code of morals in which we live by is replaced by the instinct to survive when adapting to life in an altered world. Using examples from Cormac McCarthy’s The Road, George R. Stewarts Earth Abides, and AMC series The Walking Dead, will demonstrate the transitions made as survival takes precedent over moral practices and how rebuilding civilizations
...t really catch the readers’ attention. Although she wasn’t writing in the major eras, she did write in the era where the style of writing was changing. This allowed her to be able to write freely and truly express herself through her words and illusions.
Finally, on that rainy April morning, we made our way down to Ground Zero. As we entered the church, the smell of stale books and soggy clothing filled our noses. It was that smell of just coming out of a fresh rain, wet hair and wet faces surrounded us. Booths displaying medical stations, sleeping areas, and food stations were set up. They were frozen statues, the ghosts of the events that took place on September 11th and the weeks after. We shuffled through the pews and lined ourselves up at the front of the church.
...l awareness of these “invisible girls”. An example of her powerful writing can be seen in her encounter with the truck driver where she writes, “I said he didn’t want to do it. I said it was his choice. I said he could do it in a few minutes. I said it was his choice, ” (Veselka, 2012, p. 39.) She uses repetition and also varies her sentence lengths to grip the reader to make them feel exactly as she did in that moment 27 years ago.
“Alabanza: In Praise of Local 100” by Martín Espada, is a poem in praise of immigrants who worked at the top of the World Trade Center. Throughout Espada’s piece, the author committed himself in representing and celebrating the lives, stories and history of those who have dealt with a tragic loss. He successfully tells a story, and respectfully shows his emotions, logic and credibility for the individuals who were involved in the attack on September 11. He does not hesitate to argue how the society has had a lack of knowledge when it came to the tragic event at the World Trade Center, because he did not find justice in labeling police officers and firefighters as heroes. His purpose was to give credit to the innocent, hardworking people who were not recognized, but were still harmed by the attack.