Samer Al Yousif P:1 Grendel In a Tree Grendel spent his childhood being alone by himself and his mother was the only creature that live with him in the cavern and she was always watching him.” I understood that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears.. All the rest, I saw, is merely what pushes me, or what I push against, blindly—as blindly as all that is not myself pushes back.” Someday Grendel found himself trapped in a tree. He was calling for his mother help, but she does not answer him. He was in a lot of pain and and desperation, he sees her shape in a black rock, in a shadow and in a cave entrance
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Towards the end of the novel, Grendel finally becomes ‘himself’. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in at the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident.
Since the beginning Grendel is very confused with why he can’t talk or get along with people or animals. He starts off wandering through the forest when he gets caught in a tree. Grendel cries out for his mom but is disappointed to be without her arrival. He later encounters a bull that nearly kills him but instead ends up wounded. Grendel could not communicate with the animal and out of this encounter he perceives life in a nihilistic way. After waking up from his sleep humans wearing armor surround him and believed him to be a tree spirit. Grendal tried to speak to them but again he had failed to do so. Finding out he wasn’t, they became hostile but fled after hearing Grendel's mother.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Grendel has a sarcastic and cynical mind, which serves to entertain both him and the reader. Through his expositions of situations, we see humor where others would simply see violence, and irony where others only fact. These others are the humans, the Danes, unwitting neighbors of Grendel, forced to stand night after night of slaughter. What is a traumatic and terrifying experience for them, is simply a game to Grendel, and the reader. Grendel bursts in on the Danes, ready to kill, and they squeak. They are funny in their fear, laughable in their drunken fighting. The reader is focused on Grendel’s perception of the Danes. The deaths go by easily, because of the humor involved. It does not cross the reader’s mind that these are people Grendle is killing. The humor allows the reader to sympathize with Grendel’s position, that of the predator. The prey is not meaningful, only nutritious and entertaining. It is a macabre humor, which accentuates how no death is noble, it is simply death. By making the Danes un-heroic and un-ideal, cowards and drunkards, the author is presenting the reality through the humor.
Greetings, ladies and gentlemen of the jury. We present to you today Grendel, a creature accused of crimes of monstrosity. We stand before you today to prove to you that the accused is indeed guilty of such crime for which the penalty should be death at the hands of a suitable hero. Through the display of evidence and facts, we will validate our allegation and prove, beyond a reasonable doubt, that Grendel is absolutely who he is accused to be. For the past twelve years, Grendel has tormented the Danes with terror as he demolished their mead hall and cruelly killed their men. He killed without regret or remorse, and even took pleasure in terrorizing, killing, and eating them. A cease to this abomination’s terror came to be when a great hero
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
This illustrates an inner problem of a suppressed evil side to society. Beowulf and other men that battled Grendel had trouble defeating him with weapons. They all had to tussle with Grendel and everyone except for Beowulf failed at this challenge. Symbolically meaning that that evil side to society will always be there no matter how much people try to fight it. Grendel also plays the role of envy. Imagine him being an outcast with no joy in his life hearing the mead-hall at night and all the laughter, he must have felt envious and longed to be a part of that world. Another symbolic role is revenge. Upon learning that Beowulf has hurt her only child Grendel’s mother becomes angered and seeks revenge. Her and Beowulf battle it out and the mother loses the battle. Relating this back to Cain, Grendel’s mother wants to kill Beowulf and get revenge and just like Cain, she faced her punishment, for her it was
In the story Grendel, one learns that this monster that seems atrocious and insensitive holds a dark outlook on the world. He often ponders the meaning of life, which seems to plague him. This stems from his painful childhood: “I understood that the world was nothing: a mechanical
After having thoroughly read the book, there is no doubt that Grendel shows proof of support in existentialism. The novel follows the life of a character who is gradually "disillusioned," turning from a teary romantic into a cold nihilist. Indeed, as the main character describes his childhood/adolescence in the beginning of the novel, his naiveté and innocence clearly stand out. “And so I discovered the sunken door, and so I came up, for the first time, to moon light”, recalls Grendel, remembering his first days out on earth as he analyzed and discovered various creatures and his surroundings with blatant ignorance. With the story of his first encounter with men, after getting his foot stuck in a crac...
The clash between good and evil has been a prominent theme in literature. The Bible presents the conflict between good and evil in the story of Adam and Eve. Many authors use the scene in the Bible in which the snake taunts and tempts Adam and Eve to take a bite of the apple of knowledge to demonstrate the frailty of humankind. John Gardner provides these same biblical allusions of good and evil in his novel, Grendel.
The presence of a bull prompts a shift in Grendel’s purpose in life from remaining obedient to his mother as a young child to being the creator of the world as he transitions into adulthood. As a young monster, Grendel motive’s coincide with his mother since she is the only person who Grendel is able to communicate with. He feels “Of all the creatures I knew, only my mother really looked at me...We were one thing, like the wall and the rock growing out from it… ‘Please, Mama!’ I sobbed as if heartbroken” (Gardner 17-19). His emotions demonstrate that as a child, he doesn’t consider himself as an individual but rather as embodying the same identity as his mother, which is further emphasized by the use of the simile. Additionally, Grendel’s use
Grendel is alone with only his mute mother for companionship. He is not accepted by the humans and has no real place of belonging outside of his hellish lake cave. Grendel views the human to try to find identity for himself. Grendel is not alone physically and emotionally. Psychologically Grendel develops a philosophical belief that he is alone is existence. This is illustrated when Grendel says “I understood that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. I understood that, finally and absolutely, I alone exist.” (Gardner 21). Grendel’s isolation changes his outlook on life. To Grendel, he is the only one existing in a meaningless
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.