The main character, Gregor Samsa, is a young travelling businessman who sacrifices all his time, relationships, energy, and his dreams (as well as his entire life) to help his family. He works every day for long hours for very little money. Yet, he manages to provide for his family so that they do not have to work or move a single finger whatsoever. They are not rich, but they are particularly well off /they have maids and servants). When he finds himself turned into a large, unidentified insect-like creature, he tries to make the best out of the situation, always keeping in mind what is best for his family first. He dies of a combination of hunger, untreated wounds (his father’s kick to his body, a cut to this face), and an apple that had …show more content…
and Mrs. Samsa. Mr. Samsa loves his son, but, as a traditional man, his love is demonstrated in a particular way. He used to work, but his business went sour, therefore owning debt to Gregor’s employer. Because of this, Gregor is forced to work. That left Mr. Samsa living a peaceful life at the expense of his son’s work. After Gregor’s transformation, he is afraid of his own son. Still, most of the time he is angered by him. He kicks Gregor and even, slowly but surely, kills him with an apple he had thrown at Gregor in a feast of anger and fright when he had escaped from his …show more content…
Samsa is a character who is hard to describe. I believe it represents most women in general. She loves her son, but after the transformation, she cannot stand the sight of him. She suffers from asthma, so Mr. Samsa and Grete keep her from going too close to Gregor (or even looking at him). The few times she ever saw Gregor as an insect she cried, screamed, and fell unconscious. After his son’s death, she quickly overcomes the sudden lose. Actually, all the family quickly overcomes the situation, to the point of becoming happy, as they had become increasingly detached from Gregor. For them, what was once considered to be Gregor had become a burden, something and not someone. The other characters are not family members. Gregor’s boss, another travelling businessman, shows up at his house when he fails to appear at the train station to catch the 5 a.m. train. Though Gregor has never sick leave in all that period of time, his boss threatens him by telling him and his family that he will not help him or talk good about him with their boss. He also reminds him that his position in his job is not
Gregor Samsa, a hard working salesman providing for his family in need, has sacrifice his own freedom for the sake of the survival of his family. As a provider, his family is expecting him to work, be successful, and bring home the wealth. Although Gregor doesn’t enjoy his tedious job in the slightest, he still agrees to do it. This is more influenced by his father’s debt rather than his own morals. “If it weren’t for my parents, I would have quit long ago, I would have gone to the boss and told him off” (Kafka 2). This shows that he is a frustrated individual. Gregor is someone who would likely hold in his own personal feelings to preserve the family name. A night of nightmares later, Gregor awakes to see his many little legs flailing about. He isn’t initially shocked by this horrid transformation and however terrible it looks to him, his primary focus is how is he going to get to work? In spite of everything, he is still in the mindset of working no matter what the cost. After all, he doesn’t want to lose the tr...
From the beginning of the tragic novella, it’s made clear that Gregor values the comfortability of his family over his own. Working as a traveling salesman his whole life, Gregor resents his monotonous job and manager who “...talks down from the heights to the employees…” (Kafka 4) Yet he still goes to his job every day to help pay off debts that his parents owe to his manager after his father’s business failed five years earlier.
This shows the beginning of the end for Gregor. Gregor is late for only one day of work and his father reacts as if he has done something terribly wrong. As Gregor first reveals his new state we see more ange...
...trayed by his family, he is imprisoned in his room; however, he "thought back on his family with deep emotion and love". His affection for his family results in his conviction that he must disappear, so that he can bring them happiness and peace. Gregor sacrifices his life and dies during the night to save his family from hardship. He loves them unconditionally, like Jesus loves his people, and does not criticise them for betraying and mistreating him. Gregor's final sacrifice of his life is the strongest comparison of his Christ-like attributes.
The parents of Gregor ultimately failed to care for him in a time where he needed the emotional support. They also neglected Grete as well and handicapped her true potential as a musician. The biggest betrayal of all; however, took place after Grete quit believing in Gregor and left him to die. While Gregor changing into a bug did put new stress on the family, it was the betrayal of each other that lead to their demise. In conclusion the Samsa family proved to be unloyal amongst each other, and Gregor happened to lose his life because of
His family had no choice but to let her go. But, since then, the mother has been cooking and all she would serve Gregor was scraps from their leftovers. After all, the things he did for his family, not one had the audacity to say thank you. In fact, his mother, father and sister seemed as if they did not enjoy the things he did for them. The new apartment, the servants, was too much for his family.
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
...in. For the past five years, he provided for his family, and when he needed them, they did not care. After his metamorphosis, they all got jobs, something Gregor thought they were incapable of. After his death, they moved out of the flat, which was too expensive for them, leaving all of their memories, starting anew without him.
Since Gregor's physical change renders him no. longer able to work, the family's financial situation changes. Gregor's. mother, father, and sister have to get jobs. Mrs. Samsa, Gregor's. mother, sews lingerie for a local clothing store.
Gregor Samsa loses all aspects of Maslow’s Hierarchy of Needs, which is described in five basic steps: self actualization, recognition, belonging, security, and physiological needs. Gregor Samsa had all of these levels taken away from him and ultimately comes to the same conclusion as Maslow. Without these five levels, a man cannot psychologically convince himself that living is worth the struggle. Gregor comes to this point of having none of these pieces and decides that he, and his family, would be better off without a Gregor Samsa in the world. He then starves himself to death to end this tragic illustration of our psychological
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
Gregor Samsa’s outcast status sent him into a short lived life as a “monstrous vermin” (Kafka,7). While his predicament may have appeared avoidable, a life of constant selflessness to the point of severe adult naïveté remains inevitable in Gregor’s case. Kafka’s portrayal of a pitiful young man’s support of his family can produce none other than the childlike thinking of Gregor Samsa.
Samsa disregards Gregor as a human, only seeing him as an investment, and a moneymaker. He only really cares about him when he's able to provide for the family. The motif of exploitation of familial relationships is shown throughout the story, as once Gregor reveals himself, it unleashes a large scale panic throughout the household, while Mr. Samsa sobs. This is indicative of not his love for Gregor, and his sadness at what his son has become, but rather, his agony at his only source of money that is now rendered useless. He then forces Gregor into his room, though aware of how difficult it must be with his newly enlarged shape, “drove Gregor on, as if there were no obstacle, with exceptional loudness.”
As soon as the Samsa’s returned to their flat, the family reminisces of the trials and ordeals which they were forced to endure upon their Gregor’s revolting transformation. Subsequent to discussing the matter the Samsa’s felt they could each hover above ground from the amount of anxiety which had been lifted from their shoulders. The Samsa’s decide they should clean their home and dispose of anything that brings the thought of Gregor to their minds. Mr. Samsa consumed with anger and disgust does not dare to go inside of Gregor’s dormitory. When the time comes however, to re-arrange what used to belong to their son, Gregor’s mother and sister enter the room.