Throughout the course of his emotional piece The Metamorphosis, Kafka follows the development of Gregor not only as he grows into and adapts to his new form as a bug, but simultaneously, the deterioration of his family dynamics, specifically between himself and his father, as his metamorphosis becomes more and more undeniably irreversible. In the fictional world of The Metamorphosis, the impossible standards from his family on one side, and grueling workload from his manager on the other, leave Gregor in a place of hopelessness and resentment, both for his family, and himself. Kafka’s allegorical novella The Metamorphosis uses diction and symbolism to describe how the dehumanization of a person, specifically through the exploitation of love …show more content…
She then calls out to him, “Gregor- It's a quarter to seven. Didn’t you want to catch the train? (1158)” Almost as if it were up to Gregor, as she was giving him a choice, also concerned for the wellbeing of her son. This is in stark contrast to the way his father greets him, described as, “feebly, but with his fist,” exerting authority and without a hint of concern or regard for Gregor’s wellbeing, only angry that he is late for work. He later calls out to Gregor again, this time with a “deeper, warning voice,” almost threatening him to come …show more content…
Samsa disregards Gregor as a human, only seeing him as an investment, and a moneymaker.He only really cares about him when he's able to provide for the family. The motif of exploitation of familial relationships is shown throughout the story, as once Gregor reveals himself, it unleashes a large scale panic throughout the household, while Mr. Samsa sobs. This is indicative of not his love for Gregor, and his sadness at what his son has become, but rather, his agony at his only source of money that is now rendered useless. He then forces Gregor into his room, though aware of how difficult it must be with his newly enlarged shape, “drove Gregor on, as if there were no obstacle, with exceptional loudness.” Once again, the disregard for Gregor through means of physical isolation, clearly exhibits how once Gregor is deemed useless and unable to provide, he is no longer worthy of his family’s love, and therefore must be exiled into his room. Mr. Samsa’s treatment towards Gregor following his transformation only escalates to becoming more and more barbaric as the story progresses. This is evident at the end of section 2, when Gregor leaves his room for the first time since his transformation, and as his mother faints at the sight of
The Metamorphosis is about a man who is frustrated with his job and family responsibilities. After working five long years to support his parents and sister after his father lost his job, he awakes to find himself changed into a bug. In this compelling novella that is a metaphor in itself, Kafka uses syntax, dialogue, and symbolism to help the readers understand the theme change causes rejection. For example, syntax in the book shows the reader that change leads to rejection. After Gregor has turned into a bug, his family says “We have to try to get rid of it,” “It’s got to go” (Kafka 47). This syntax is a major change from before, as long sentences and more elaborate syntax were used in the beginning of the book, and his own family does not
“Love is whatever you can still betray. Betrayal can only happen if you love.” John le Carr. The novel Metamorphosis, by Franz Kafka is a story about the transformation of a man named Gregor who turned into a bug. The story takes place inside an apartment and describes the struggles Gregor goes through with his life and family. Throughout the entirety of the writing he is met with different challenges and obstacles. Grete, his sister and his parents have a unique bond that is not always the strongest. Gregor has not been close with his parents for awhile, but Grete especially at the beginning was the only person who truly cared about his predicament. This conflict results in the desertion of Gregor and the downfall of the family. These negatives compound, causing the his suicide. The Metamorphosis portrays how the betrayal of Gregor and Grete by their parents, and Gregor by his sister, leads to the demise of the family.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
The Metamorphosis Research paper Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family. Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.”
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Kafka brings secrecy and shame twice in Metamorphosis by having Gregor bottle his hatred for his sales job and burden his parents place on him. His family has no clue that Gregor feels this way. The other secrecy and shame is of Gregor’s metamorphoses into an insect. The Samsa’...
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Franz Kafka illustrates in his book the struggle that most humans have throughout their life: ‘Who am I?’ He demonstrates this through his radical and exaggerated formation of The Metamorphosis, a man becoming a bug; or a bug always thinking he was a man, then realizing that he is and always has been a bug. This bug, Gregor Samsa, goes through an immense psychological realization at the beginning of the book; he had been deceived by his own mind from the beginning of his life. Throughout Gregor’s Metamorphosis, Gregor experiences the loss of his self actualization, recognition, belonging, security, and physiological needs. His situation had taken away all the basic psychological needs of any human as illustrated by Maslow’s Hierarchy of
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
In 1915, Franz Kafka published the novella The Metamorphosis, a story that questioned the habits of humanity through the frame of a man transformed into an insect. Through this absurd premise, Kafka is metaphorically able to present hatred and prejudice in an insular display—where the reader’s own opinion of Gregor is not judged or shamed, where both Gregor and the family’s actions can be understood. However, the metaphor of Gregor’s metamorphosis is not rigid in its application. It is fluid and unique, and what gives The Metamorphosis its grim, haunting tone. Kafka’s special metaphor not only broadens the limits of literary analogies, but expands on the nature of alienation and antipathy.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
... foot and tosses him across the room, while recovering from the unexpected assault Gregor’s father cries out, “Talk to me!” Gregor is reluctant to say a word. Gregor’s father throws him into the living room, Gregor takes refuge under the couch, his father takes hold of the broom and begins to mercilessly jab it under the sofa, “get out!” he shouts. Mrs. Samsa Gregor’s mother suddenly arrives from work, she sobs at the extraordinary sight. She attempts to get a hold of her husband but his stubbornness and fury impedes him from grasping on to his rationality. Gregor rises and points his finger in the direction of the two people standing before him, Mr. Samsa halts and Gregor accuses both of them of taking advantage of him. The noise from the radio is heard clearly as a deep silence segregates mother, father and son. Lament becomes apparent in their old crumpled faces.