The Essence of Betrayal “Love is whatever you can still betray. Betrayal can only happen if you love.” John le Carr. The novel Metamorphosis, by Franz Kafka is a story about the transformation of a man named Gregor who turned into a bug. The story takes place inside an apartment and describes the struggles Gregor goes through with his life and family. Throughout the entirety of the writing he is met with different challenges and obstacles. Grete, his sister and his parents have a unique bond that is not always the strongest. Gregor has not been close with his parents for awhile, but Grete especially at the beginning was the only person who truly cared about his predicament. This conflict results in the desertion of Gregor and the downfall …show more content…
and Mrs. Samsa. Gregor describes throughout the novel his sister’s passion for music. He also points out the fact that their parents do not assist Grete in pursuit of this type of career, “Often during Gregor’s short days in the city the Conservatory would come up in his conversations, but always merely as a beautiful dream which was not supposed to come true, and his parents were not happy to hear these innocent allusions” (Kafka 26). The Samsa’s hindered Grete’s potential which forced her into a path she did not want to follow. Another example is how she was forced to become the primary caregiver for Gregor. The family discovery was shocking to the the whole family and there inevitably was going to be an adjustment period. That being said, generally the adults in the household would step up and handle the situation, but teenage Grete was left to do this task, “During the first two weeks, his parents could not bring themselves to come in to him.” (Kafka 29). This was extremely unfair burden to put upon Grete who is already going through many changes in her personal life. Mr. and Mrs. Samsa once again betrayed one of their children and negated the possibility of Grete’s seemingly bright …show more content…
Grete at the beginning of Gregor’s transformation turned into the primary caregiver; however by doing this her inexperience ended up hurting Gregor. A decision was made to remove Gregor’s possessions by Grete despite quarrel from her mother, “Into a room in which Gregor ruled the bare walls all alone, no human being beside Grete was ever likely to set foot.” (Kafka 32). This was understandable considering she was the only one that was helping Gregor, but Grete let too much power go to her head. Unlike this unintentional pain she caused Gregor, she purposely began to abandon him and chose to give up hope. She renounced the idea that Gregor could actually still be there. Despite hesitation from her father Grete demanded his removal, “It has to go… that’s the only answer father” (Kafka 49). This illustrates that he went from a person to a thing in Grete’s eyes. The lack of remorse she displays after his death further solidifies her feelings. Gregor was betrayed by the person he least expected and it was one of the main influences in his
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
The story of The Metamorphosis starts out simply, with a human waking up no longer human, but rather like a giant bug. This existential novella is filled with absurdity, as well as betrayal. When Gregor Samsa, the main character, wakes up one day as a bug, his first priority is getting to his job, in order to make money to support his family. But as the story goes on, he is betrayed by the family he loves so much, but worse, he betrays who he is as a person. Betrayal in the novella The Metamorphosis contributes to the overall message of the story that anyone will betray you, regardless of whether they are family, enemies, or even yourself, through showing the actions of Gregor’s father towards Gregor, Grete’s actions against Gregor, and Gregor’s own actions against himself and his family.
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
Also, the short sentence structure shows their curtness and distaste for Gregor when he is the subject of the conversation. Additionally, dialogue helps show the reader that change causes rejection. Grete’s dialogue towards Gregor changes throughout his metamorphosis. Eventually in the book Gete “In front of this monstrous creature, refuses to pronounce [her] brother’s name…” (Kafka 47). She used to have a very good relationship with her brother, Gregor, but now her dialogue indicates otherwise. She can not even bare to say his name, showing that she is rejecting him as a friend and brother. His change also leads to Grete calling him a monstrous creature which is a rejection of his physical self. The Caretaker is in a similar situation as she used to talk to Gregor by name and after he changed she rejected him and did the same as Grete. Moreover, symbolism is used with the apple to emphasize the point that Gregor has become rejected by his family. It is mentioned that “no one dared to remove the apple, it remained in his flesh as a visible reminder.” (Kafka 38). No one was willing to even touch or help him overcome an injury they
...trayed by his family, he is imprisoned in his room; however, he "thought back on his family with deep emotion and love". His affection for his family results in his conviction that he must disappear, so that he can bring them happiness and peace. Gregor sacrifices his life and dies during the night to save his family from hardship. He loves them unconditionally, like Jesus loves his people, and does not criticise them for betraying and mistreating him. Gregor's final sacrifice of his life is the strongest comparison of his Christ-like attributes.
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
As the story plays out, you can see that Gregor was the only who was transformed into a “monster”. Gregor is actually the one who stays pretty constant throughout the story. Yes, he does start acting like an insect, but his thoughts were always human-like, unlike the rest of his family. They went from being compassionate and dependent to cold-hearted and independent. They saw no use in Gregor, so they potentially cut him off from the family. They went from trying to understand the transformation to wanting him dead and out of the
...within the story completely alienates Gregor from his family and the reality of life. The ironic setting, the family, specifically Grete, and the presence of the violin playing all contribute to Gregor’s downfall caused by the inability to communicate. Gregor’s struggle to converse both begins and ends his downfall, yet people, surroundings, and objects spark his depression. Kafka emphasizes the true importance of communicating and how society depends on it. The inability to properly communicate combined with uncontrollable factors often relates to the destruction of families in our modern society. Focus less on the world’s distractions and more on the people that need the most support, because many never know when others need to express themselves and require insight.
... her family from their futures. It seems the best way for Gregor to achieve his long pined freedom is through death. It is in death that Gregor shall be set free from the expectations, judgments, and disapproval he has received from his family ever since the metamorphosis had taken place. As the singer Merrick said, “ The secret to success [is that] in order to rise, first one must fall.” Grete achieves her success through Gregors failure. Gregor undergoes a metamorphosis that in the end kills him, and sets him free. While Grete’s metamorphosis causes her to rise to her future, in search of a suitable husband. This short story is one that at first may not have much meaning to its audience, but when analyzed in depth, can open up a completely different and complex story that teaches the lesson that the accomplishment of freedom is backed by the power to receive it.
It is this need which was Gregor's motivation for trudging on through a job which he despises. He is like a bottom-feeder for other people's love and respect. He maintains a spark of real intimacy for his sister, which later surfaces when he hears her playing the violin to the guests. At that moment he realizes what he has been starving for as he plays out in his mind the fantasy of keeping her in his room, having her play to him, kissing her, and telling her his plans of sending her to a music school. This gaining of Grete's love and appreciation is the reward Gregor feels he has earned through his suffering. When he hears his family's decision that he is in no way a human being and must be gotten rid of, he realises that his hope will never be realised. He dies alone shortly after this, as if he is giving up.
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis. Gregor was apparently rather fond of his sister and had hoped to finance her education in a conservatory. He was also rather mesmerized with her violin playing. His inability to follow through with these planned acts of kindness may have led to a faster deterioration of Grete’s maintenance of Gregor’s room. Although she could never get used to Gregor’s new freakish appearance, she was his sole provider throughout his life after the metamorphosis:
Grete is the only one who offers to help Gregor in some way, but even then it is very difficult for her. Later in the story, Gregor becomes somewhat comfortable with himself, however, his family hasn’t improved their attitude towards him. Gregor understands that it’s quite difficult for them to witness him in his new form, so anytime one of them comes into the room Gregor tries to hide himself, “One day, in order to spare her even this sight, he spent four hours carrying the bedsheet over to the couch on his back and arranged it so that he was completely covered and he would not be able to see him.” (Paragraph 52, Kafka.
Gregor is only seen as a handicapped individual, only his physical is judged, his mental capacity is never tested. “His parents didn't want Gregor to start any more than a sister did, but perhaps for them to be directly involved in his feeding was more than they could bear, or perhaps a sister wanted to shield them even from what might prove to be no more than a minor
The Metamorphosis is a novella about travelling salesman, Gregor, who undergoes a metamorphosis into a beetle in his sleep. Prior to waking up as a bug, Gregor worked a great amount of time to pay off the debt his parents owe to his employer. His line of work as a travelling salesman leaves him with no time for relationships. Gregor suffered his life without having any significant relationships with women, which left him with many insecurities. A persistent idea throughout this novella is the idea of Gregor’s gender issues. The narrator repeatedly includes subtleties regarding these personal issues that Gregor is suffering through. Ideas like him being sensitive about his lower half and his obsession with the photo in his room of a posing woman.