The Metamorphosis is a novella about travelling salesman, Gregor, who undergoes a metamorphosis into a beetle in his sleep. Prior to waking up as a bug, Gregor worked a great amount of time to pay off the debt his parents owe to his employer. His line of work as a travelling salesman leaves him with no time for relationships. Gregor suffered his life without having any significant relationships with women, which left him with many insecurities. A persistent idea throughout this novella is the idea of Gregor’s gender issues. The narrator repeatedly includes subtleties regarding these personal issues that Gregor is suffering through. Ideas like him being sensitive about his lower half and his obsession with the photo in his room of a posing woman. …show more content…
Gregor’s family continuously displays their rejections towards him throughout the entirety of the novel. Gregor’s father is the biggest contender of this after the transformation because he takes on the role as man of the house once again, putting Gregor down. When Gregor first encountered his family as a beetle, he came out into the living room and his father attempted to force him to go back into the room. When trying to, Gregor got “stuck fast and would not have been able to move at all by himself, the little legs along one side hung quivering in the air while those on the other side were pressed painfully against the ground. Then his father gave him a hefty shove from behind which released him from where he was held and sent him flying, and heavily bleeding, deep into his room. The door was slammed shut with the stick” (Kafka 19-20). His father, not only, forcefully shoved Gregor into his room causing him great pain, he also, shut him away from the family by slamming the door behind him. This shows how Gregor’s father held no concern for his feelings and well-being, he was only concerned about getting Gregor away from the rest of the family. Gregor’s father is not the only one rejecting him as his sister contributes to this, too. When overwhelmed with the responsibility of taking care of Gregor, Grete, Gregor’s sister, began to push him away, too. She tells her mother and father, “I don’t want to call this monster my brother, all I can say is: we have to try and get rid of it”(Kafka 52-53). By referring to her brother as “this monster” and “it”, Grete demonstrates her view of Gregor changing to nothing more than a thing, and no longer as her brother. She wants to get rid of him and she feels it is necessary for the welfare of her family. Therefore, Gregor’s family has come to the point of denying him as family and no longer viewing him as human. This goes to show how in
Similar to the woman in Gilman's story, Gregor, in "The Metamorphosis," watches as his life slowly deteriorates. He woke up one morning to find himself to have taken the shape of a bug. But early on he tried to continue in his normal activities; he focused on how he was going to make it to the train station so he did not miss his train, and how his employer would be upset with his absence from work. Then he begins to realize that he is a bug, and he cannot live his life the same way he used to. His sister begins to take care of him, and he loses touch with everything human that he used to know. His mother and father take away all of his furniture and other possessions. Gregor's family come to the agreement that the bug must be eliminated, it...
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
‘’This internal lack of self-esteem and the insecurities it produces are heightened by the change in his body. One of the major problems to reading The Metamorphosis is accepting Gregor’s transformation as literal and not merely symbolic; he has really turned into an insect. The strangeness of this fact, along with his and his family’s reactions to it, is what makes the narrative so fascinating and rich in interpretative possibilities’’(Silet). In the Metamorphosis it’s quite odd the way his family reacts to him during his transformation from a human to a creature. They act as if it was something common like, a flu or something. The fact that Gregor initially greets his metamorphosis with a chilling calm suggests that he previously saw himself as vermin like. In the same sense even when he knew he was a bug all he could think about was not being late for work. And even though Gregor was not the best salesmen he made going to work a priority because he wanted to provide for his family, Gregor never missed
First and foremost Gregor was betrayed by his own parents who failed to care for him after his transformation. The initial reaction of the parents, especially his father, set the tone for the whole novel. Instead of trying to resolve the issue with a reasonable solution, his father physically abuses him, “when from behind, his father gave him a hard
“It has to go”, cried his sister. “That’s the only answer, Father. You just have to try to get rid of the idea that it’s Gregor. Believing it for so long, that is our real misfortune. But how can it be Gregor? If it were Gregor, he would have realized long ago that it isn’t possible for human beings to live with such a creature, and would have gone away of his own free will” (Kafka 52). The relationship between family member’s in Kafka’s Metamorphosis is an interesting theme addressed, and somewhat distressing subject. Why is it so hard to accept that this monstrous bug is Gregor? Is it so bad for him to want to stay and be near his family- the only thing he’s ever had and known? For the sister to even come out and say these words seems somewhat selfish. Why can’t it be turned around to a viewpoint through which we have a family loving their son, unconditionally, regardless of what state he’s in? The word love is definitely one which is not seen in close companionship with the Gregor family. And we can see that this lack of affection carries on to be one of the driving forces behind the theme of alienation in the novel.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Although Franz Kafka’s reading are not known to be sexist, some of the characters in his book “The Metamorphosis” reflect the views of the time in 1917. The female characters of the book present the stereotypical view of women as weak caregivers whose only value to their family lies in their ability to marry wealthy men. There is evidence to prove these statements throughout, such as Gregor being the only means of income for his sister’s future, how he is the only one who works, and how he gets cast aside by his parents and sister when he cannot work.
house. This way of narrating it is very opened to us, and makes us feel like we
In the story Metamorphosis, Franz Kafka portrays Mr. Samsa, Gregor’s father as a cold-hearted parent who experiences his son’s transformation into a giant bug; worried only by a sense of lost financial support, Mr. Samsa has little to no concern towards his son’s welfare. On the other hand, Bram stoker, the author of Dracula sketched Van Helsing as a righteous hero character trying to save humanity by leading a group of courageous men and women to hunt down an evil vampire. Comparing a kind hearted, knowledgeable and fearless leader to an insensitive, selfish and broken Oldman, these two characters present two completely different traits of the characteristic; moreover, through the characteristics of both characters, the authors revealed their
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Helmut Richter analyzed the plot of The Metamorphosis in his essay. He depicts the main plot of the story to be Gregor’s failure at his work, which leads to his death. The climax of the story starts off early in the book. When Gregor wakes up one morning, he realizes that he has turned into a giant insect. Gregor was a salesman and his job required that he was very determined in his work. Kafka proves to us that Gregor did not do a good job as a salesman by transforming into a bug: a strong work force. Kafka’s use of this metaphor stresses the poor work that Gregor does as a salesman.
The first time Gregor reveals himself to the family, he recalls his father “drove him back, hissing and crying ‘Shoo!’ like a savage” (86). “Savage” demonstrates his father’s harsh behavior toward Gregor, a behavior he has never shown before. He is mostly thinking about making sure Grete and Gregor’s mother are safe, without stopping to think of Gregor’s safety. Gregor’s father uses the transformation as an opportunity to prove he is still an important member of the family. When Gregor is in his room one day, he thinks back to when his father lost his job, remembering he had an “unsuccessful life” (97). What Gregor really means is that his father failed at taking care of his family. Thus during Gregor’s time as a bug, his father overcompensates for his previous lack of effort by acting aggressive toward Gregor to protect his family, forgetting that Gregor is still his son. After Gregor’s mother faints at seeing Gregor’s appalling body, his father attacks Gregor, who knows “his father believe[s] [in] only the severest measures suitable for dealing him” (108). His desire to protect his family pushes away all logic; he “believes in,” or is convinced that the only way to keep Gregor away is through excessive