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The influence of ancient Greece on western civilization
The influence of Greek civilization
The influence of Greek civilization
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Greek art was a manifestation of a spectrum of ideas and exploration of religious and humanistic views. Ancient Greece has influenced the culture of many countries over the world, predominantly in sculpture and architecture. Greek sculpture began form about 800 to 300 BCE inspired from the Near Eastern and Egyptian civilizations. Greek sculptors explored the importance of naturalism and depicted such with emotion and movement. Greek artist captured the realism of the human form in a way that was not yet created, they focused more on precision, proportion and poise. The sculptures were meant to show perfection. The lifelike images are shown to depict the perfect human body. Primarily, in the eighth century BCE, the Greeks began to make sculptures made out of wood which were made for worshiping the gods and other religious figures but none however survived. In about 650 BCE, Greek sculptors as like architects began to expand upon the materials used for the foundation and structure of the sculptures. The transition from wood to stone and bronze allowed the artist to construct extraordinary works of art. Kore and Kouros are two of the earliest Greek statues. Kore is a small female figure made around 630 BCE in Crete. Kore is actually made out of limestone. Kore is the Greek …show more content…
in which artistic expression was seen through the sculptors more as an in portraying emotion not only making the figures life-like but depicting a story from all angles. Lysippos was a sculptor during the late classical period. He made the famous sculpture Apoxyomenos, in which a young male is scraping oil from his skin with a tool called a strigil. Lysippos created a natural and realistic portrayal of the male in bronze with a height of 6 feet 9 inches in height. The athletic male is standing in the chiastic pose while his arms are extending forward in the air, creating space within the composition which suggest freedom of
It is thought by art historians that the Greeks took the idea of building these monumental stone sculptures, such as the kouros, from Egyptian art. Lysippus, the court sculptor to Alexander the Great, challenged the Classical canon of proportions previously used and began creating sculptures with smaller heads and more slender figures just as the Egyptians did. These proportions mimic the canon of ideal proportions the Egyptian artists used when creating their sculptures. The Egyptians employed the use of a standardized grid of twenty-one squares which lent a geometric and stiff appearance.
The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style. However, as peace was approaching, artists started to focus on how to make their work outstanding. They took advantage of their knowledge in anatomy and started applying it to their blocks of marbles. During the early Classical Period, Kritios Boy was sculpted, and it showed the break from the Egyptian style.
...e of Knidos, created by Praxiteles, can only be found in copies today, but at the time was the first sculpture of a goddess nude. He had transformed marble into the soft and radiant flesh of the goddess of love and taking on a worldly sensuousness. Originally located in a rotunda where it could be seen from all angles. Female nudity was very rare to the Greeks, especially that of a goddess. The sculptor made it look like Aphrodite’s nudity was nonchalant, which made it more sensuous with a welcoming look on her face. With several copies, all being found to be slightly different, all still capture the goddess’s womanly beauty that is not too sexually aggressive. With he hourglass torso, sloped shoulders, large hips and thighs, slim calves and ankles, and small feet and hands, this statue is the polar opposite of any manly figure, which is why it is known to be luring.
Greek art is considered as a turning point for the development of all aspects of cultural art history, such as architecture, sculpture, pottery and painting. The ancient Greek civilization was famous for its mythical and aesthetic principle in the art culture. Renowned for the pottery, Greek had developed its unique painting technique called the black-figured. “Achilles and Ajax playing Dice” by Exekias is the most significant black-figure amphora for its iconography and that represents the ideal art principle and history of the ancient Greece.
Artistically, Apoxyomenos deviates from the standard Classical representation of male athletes. The majority of Classical sculptors portrayed athletes actively engaged in competition. However, this figure is gazing into the distance while removing oil and dirt from his body using a strigil (Stokstad, 165). This practice was commonly associated with athletes in ancient Greece and, thereby, communicated to the viewer that this was a piece pertaining to athletics.
The need of kings to glorify themselves on statues is a testament of their ruling power, Egypt created many statues that displayed their gods, kings and queens. It was the Egyptians that influenced the Greek to create sculptures of their own ruling powers. Other then sculptures, the Egyptians influenced the Greeks to write on surfaces of buildings, it first started with Hieroglyphs then the ancient Greeks improved on writing, they wrote on large sheets of papyrus which lessened time and made recording events easier.
Ancient Greek sculpture is celebrated for its ground-breaking representation of the human figure. Nevertheless, this prominent artistic established practice did not just emerge fully developed. Ancient Greek sculpture is generally branched in the various stages of progression: the three fundamental stages are the archaic, classical, and Hellenistic periods. It is also worth noting that there is an earlier phase referred to as the Geometric Period in which the characteristics that would come to define ancient Greek sculpture were starting to take shape.
To recall another relic of ancient Greece, Plato had strong opinions on artwork, even that which was created during his time. Plato believed tha...
The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of
"Greek artists…explored people’s experienced, interactions with the natural world,and human relations to the gods. Everyday people were represented in Greek art…" (Emory)
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.
Over a period of time Greek art of the past has changed and evolved into what we value in todayís society as true art and services as a blue print of our tomorrow. As we take a closer look at the Geometric Period and stroll up through the Hellenistic Period allow me to demonstrate the changes and point out how these transitions have served the elements of time.
Ancient Greek sculptures were the mix of Egyptian and Syrian styles. In 800 to 300 B.C., Greek sculptures had a powerful inspiration throughout the centuries. The Greek sculpture was divided into seven periods: Mycenaean, Sub-Mycenaean or Dark Age, Proto-Geometric, Geometric, Archaic, Classical, and Hellenistic (Collins 1). Greek sculptures were created by using marble, bronze, stone, and limestone, but bronze was in most demand. The most common production to make Greek sculpture is the lost-wax method. First, the sculptors would make clay inside the core, almost the size of a figure which was then coated in wax. Then, they would replace the melted wax with bronze. When the bronze became solid, the sculptors would remove the clay. Finally, the sculpture would be polished and added with other decorations. Most Greek sculptures were in a freestanding of a human form because Greeks saw beauty in human body form. Early Greek statues were rigid and straight, but later on, the Greek adopted more natural relaxed pose: knees and arm bent, and head turned. Greek artists captured the human pose in a way never seen before with concerns in proportion, pose, and perfection of the human body (Cartwright 1). Most of these statues are signed by artists, so there are six famous sculptors in Ancient Greece. The f...
The Greek culture has had a huge impact on the history of the world. There is something Greek in almost everything, especially in the world’s architecture. Greece no longer had one king, so they focused on building temples for their gods. Architecture began small and plain but evolved into impressive pieces of art. As time passed from the Archaic period to the Hellenistic period, the people of Greece developed a type of formula for their buildings and their pieces of art.
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological