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Modernist aspects of the great gatsby
Great gatsby vs. today's society
Great gatsby vs. today's society
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Throughout history it becomes apparent that all the great stories: The Odyssey, Great Expectations, The Adventures of Huckleberry Finn are all founded on a similar theme. The same plot line, a hero, most often the protagonist, faces danger and adversity to the highest extreme but always comes out on top. He is depicted as the pinnacle of human triumph and in essence, demonstrates a fundamental strength that all men should strive to achieve. These stories were, “ full of darkness and danger. And sometimes one did not want to know the end; How could the world go back to the way it was when so much bad had happened? In the end, it is only a passing thing. A new day will come. And when the sun shines it will shine out even clearer. Those were the stories that stayed with us, even if one was too small to understand why. But I think I do understand.” Individuals in these stories had numerous chances to turn back, only they didn't. They kept going. The Great Gatsby by Francis Scott Fitzgerald attempted not to emulate the same plot line structure, rather he drastically altered it. That is one of the primary reasons the Great Gatsby was not widely accepted as a great novel during the life of the author. It was an alien concept, to have the main characters die or show a lacking sense of morality. It simply was not understood by the people of the day, where men who demonstrated valor in the face of adversity were still the highly regarded norm. The reason The Great Gatsby was, at a time, considered controversial and is now considered a great classic is partially due to the fact that Jay Gatsby, a potential protagonist, was radically different from the common hero of the age, was flawed and did not succeed to accomplish his goals by the e...
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...s truly is what is “Great” about the Great Gatsby, its ability to inspire, and portray the complications with everything good and show how everything is interrelated. It profoundly teaches us that nothing at all in this world is simple.
Works Cited
Palladino, Jennifer Banach. "Gatsby in Context." Critical Insights: The Great Gatsby. Ed. Dickstein Morris. Salem Press, 2009. Salem Literature Web. 05 Jan. 2014.
Csicsila, Joseph. "“Delivered from the Womb of His Purposeless Splendor”: Jay Gatsby and the Hope of Spiritual Salvation in The Great Gatsby." Critical Insights: Crisis of Faith. Ed. C. Evans Robert. Salem Press, 2013. Salem Literature Web. 05 Jan. 2014.
Roulston, Robert and Helen H. "The Great Gatsby: Fitzgerald’s Opulent Synthesis (1925)." Critical Insights: The Great Gatsby. Ed. Dickstein Morris. Salem Press, 2009. Salem Literature Web. 05 Jan. 2014.
Samuels, Charles T. "The Greatness of ‘Gatsby'." Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970.
Cohen, Adam. "Jay Gatsby is a man for our times" The Literary Cavalcade New York: Sep 2002. Vol.55, Iss.1; Pg.1-3
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 15 Jan. 2014.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
New Essays on The Great Gatsby. Ed. Matthew J. Bruccoli.
Fitzgerald, F. Scott. "The Great Gatsby." Barnes & Noble. N.p., 1920 's. Web. 08 Mar.
Hermanson, Casie E. "An overview of The Great Gatsby." Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 24 Feb. 2011.
Although after reading “The great Gatsby” one may get a feeling of hopelessness, it one of those novels that leaves you inspired even long after reading it. It’s a masterpiece not only because of the thrillingly brilliant plot or memorable characters but also because of the life lessons that it teacher to the reader. It is not just a typical ...
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
F. Scott Fitzgerald’s The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life. The occasional insights into character stand out as very green oases on an arid desert of waste paper. Throughout the first half of the book the author shadows his leading character in mystery, but when in the latter part he unfolds his life story it is difficult to find the brains, the cleverness, and the glamour that one might expect of a main character.
Bruccoli, Matthew J. Preface. The Great Gatsby. By F. Scott Fitzgerald. New York: Simon & Schuster, 1995. vii-xvi.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
F. Scott Fitzgerald was very clever in choosing the word "great" in describing such a complex character as Jay Gatsby. It is clear that this word is being used facetiously as Fitzgerald continuously reveals more and more weakness within Gatsby. At first glance, Gatsby is portrayed as glamorous and magnificent. The reader himself learns to appreciate this man who is the classic example of an American hero- someone who has worked his way up the social and economic ladder. He is a man who has completely invented his own, new, inflated image. Throughout the novel, this glorified facade is slowly peeled away. Gatsby eventually gets killed in pursuit of romance with the beautiful, superficial socialite, Daisy Buchanan. Havi...
Scott Fitzgerald’s presentation of Jay Gatsby was a heroic one. He overcame a poor childhood, fought very hard for his dreams, and achieved them. In the 1920’s it was very difficult to change classes of people. Gatsby was able to do this with a lot of hard work. Even though he didn’t acquire Daisy he still achieved the riches he wanted. Jay Gatsby’s persistence tells the audience that anything is possible. No matter what the circumstances people can achieve their dreams. Jay Gatsby’s dreams were very admirable and he is an obvious hero.
Way, Brian. "The Great Gatsby." Modern Critical Interpretations: F. Scott Fitzgerald's The Great Gatsby. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 87-108.