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The great depression: social, psychological, and cultural effects
The great depression: social, psychological, and cultural effects
The great depression: social, psychological, and cultural effects
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In the 50s and 60s, greasers were teens, also known as “hoods.” They were called greasers because they wore lots grease to style their hair. Most greasers lived in poor neighborhoods, hence the name “hoods” and were working-class people. Greasers usually wore leather jackets, denim jeans, white or black fitted t-shirts and motorcycle boots. They were the kind of people who were rebellious, defiant, and disobedient. Greasers went against the rules and smoked cigarettes. This subculture began in Southern and Eastern American after the World War II. This subculture is so important because it helped show that being different from others and thinking unlike the rest can be
good.
Flappers in the 1920s where the girls and women that dressed less modestly. They also disobeyed the rules that most women and girls followed. They did what others would not ever think of doing in this time period.
Imagine walking in the streets where all other women and girls are dressed in long dresses, look modest, and have long hair with hats. Then, there is a girl with a short skirt and bobbed hair smoking a cigarette. This girl makes a statement and is critically judged by many people for dressing this way. Women during the 1920s were not to look “boyish” in any way, so when short hair and short skirt were introduced, it was seen as shameful. The girls wearing this new style were known as flappers. Their style was introduced in the early 1910s but did not spark until the 1920s. The style was said to be more comfortable, but was not appealing to the more conservative. Before the change of style, most women were dressed modestly; however, women's
Greasers were the lowest among the society. The society had negative thoughts towards Greasers, because there were not many things people expected from the Greasers other than doing bad things such as stealing, having rumble, and other bad things that happened around the society. Not every Greaser does bad things, however, the Greasers took the blame for anything bad even if it was the Socs fault. It is because everyone expected the Greasers to do bad things instead of the Socs. Even though the Greasers had a bad reputation, they didn’t care, but instead they enjoyed their lives. Sometimes the Greasers do bad things but only for fun and because it was the society’s expectations. If the Greasers did something good, no one would expect or believe the Greasers did it. No one would ever expect the Greasers to be heroes, just like the man whose kids were saved by Johnny, Ponyboy, and Dallas. “’Mrs. O’Briant and I think you were sent straight from heaven. Or are you just professional heroes or something?’ Sent from heaven? Had he gotten look at Dallas? ‘No, we’re greasers.’” (Page...
1. The sociocultural history of rock & roll during the 1950s created a metamorphosis of teenage mannerisms against the older generation. Shumway (118) emphasizes how the rock & roll periodization represses the nature of normal convention illustrated in “Blackboard Jungle”; through the deviant nature of boys against adults. The boys are malicious towards each other, sneering at one another just as Vince Everett did in “Jailhouse Rock”. While the post-war generation tried to discipline the baby boomers into their known demeanor, the recalcitrant teens rebelled against all means of adult intervention. Similarly Szatmary (50) expressed the generation gap between the baby-boomer and their parents fueled the fear of delinquency in their children. Shumway (125) refers to “Blackboard Jungle” to reiterate the essence of the song “Rock around the Clock” to define the conception of foreseen dangers of youth and the behaviors associated with rock & roll as a transformative cultural practice. In reference to the integration between African Americans and whites during the rock and roll era thr...
Greasers are real people just like Socs, but they do not fit in as easily. They feel as though they don’t belong anywhere. Or in other words, they are outsiders. Hence the title name. Ponyboy especially feels like this due to the fact that he does not fit in very well with Socs or Greasers. The rest of Pony’s gang feels more like the fit as Greasers. In conclusion, the title of the novel fits with the theme because they do not fit in anywhere, and they are outsiders.
Greasers are the lowest of society and deserve whatever they get for being a Greaser nor do they deserve any chance to escape the vicious cycle of poverty and judgement and become anything but a Greaser. None of these beliefs are true, but society believes them to be true. Though it is true that many Greasers give up and conform to society’s expectations, who can blame them? In a society that will never accept them, why should they bother? However, Darrel Curtis, a Greaser, refuses to believe in his inherent “lack of worth” as a Greaser, unlike many of his friends and family. He is equal to or better than most Socs, and people can see it, yet few believe it and even fewer choose to make any note of it. The few people who take note of it, his family and a very select few, note that had he been born under slightly different circumstances such as not being born poor and had his parents not die, he could have been a Soc, gone to college and succeeded at life. Darry should have had a future regardless of his lack of socioeconomic status because of his considerable intelligence, hardwork and
In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper.
The story of the birth of rock ‘n’ roll has a mythical quality to it. It speaks of racial barriers bridged through the fusion of Afro-American musical styles with white popular music in 1950s America. Not only did white record producers and radio disc jockeys market Afro-American artists, but white artists began to cover their songs, as well as incorporate Afro-American style into their own song writing. The musical style was so powerful that the white audience was infected by it, despite the social stigma that listening to “race music” possessed. The common view of teenagers’ participation in the creation of rock ‘n’ roll as an act of rebellion runs parallel with the music’s legendary origins. Through rock ‘n’ roll, the teenagers of the United States created a generational gap that angered their parents’ generation. Teenagers rejected kitchy Tin Pan Alley, “Sing Along with Mitch,” and the sleepy crooning of Perry Como in favour of sexually charged race music. Historians have taken different approaches to the question of teen rebellion. While some consider their love of rock ‘n’ roll revolutionary, others argue that the music cemented teenagers within the conformity and materialism of the 1950s; what cars were to adults, rock ‘n’ roll was to teens.[1]
Have you ever felt judged or marginalized only because of the situation you were born in?Having to walk on the street wondering if you’re safe. Have you ever been the one that gets made fun of? The laughing stock? The uncool one? The one with the bad luck? In S.E Hinton's The Outsiders, the Greasers are all of those things. It’s a dark world they live in but they have no choice. Although the narrator, Ponyboy, may not lead the best life, he still tries to make the most of it. Heroism, social class and survival are some of the most transcendent themes demonstrated in S.E Hinton’s The Outsiders.
The Beatniks were considered the first subculture of America that dealt with the way people lived and their views on politics, which had nothing to do with race or ethnicity. “According to Steve Watson, the Beatniks had a certain stereotypical look that you could tell belong to the counterculture. The men had goatees, wore second hand clothing, smoked marijuana and wore dark glasses. They were instrumental by playing the drums and bongo’s. The men also were artist that painted expressions on canvas and chanted poetry to back up jazz players. The female Beatniks were slender who wore jeans with black leotards and waxy eye make-up. They beverage of choice was dark expresso and mostly dated black jazz players. Both genders were opened sexually with each other. ” “They began to emerge through young people who admired Beat writers in the late 1950s. The Beatniks were attributed to starting the Hippie Movement, when they moved from New York City to San Francisco in the late 50’s leading to what would become a cultural
On page 3 of the outsiders SE Hinton“Greasers are almost like hoods; we steal things and drive old souped up cars and hold up gas stations. This shows that the greasers have no respect for the law and like to hold up places to get money and have lots of troubles. This shows that i can understand how the greasers have it rough cause the find the bad things to do when they are feeling down or need to get anger out.On page 3 of the Outsiders SE Hinton “I only mean that most greasers clothing's like that just like we wear our long hair and dress in blue jeans and t shirt or leave our shirt tails out and wear leather jackets and tennis shoes or boots. It shows that the greasers are poor and don’t have as much money and that's why they dress like
Seventies punk culture spawned the visually distinctive goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music associated with political activism as well as changes in social attitudes to race, sex and drug use. This was often seen as an expression of youth revolt against adult consumerism an...
First of all Tulsa Oklahoma was were the book Outsiders took place. It was filled with gangs such as Greasers and Socs, the city was very dangerous so kids should not be outside without an adult. There are many fun things to do for adults and kids. There are many drive in movies not just romance movies but they also play films for kids! They were a very popular thing for people to do on Friday nights. There was lots of fun things to do but kids also had to go to school. The boys and girls had to wear uniforms and the school was pretty strict on what they had to wear. The boys had to wear casual trousers like khakis. Some o the boys wore ties with their t-shirts but they did not have to.The girls uniform we even more strict
Today in America numerous teenagers are listening to Gangster rap, which is a form of music in not just limited to the African-American culture, it seems that it is the music of choice to many of our vulnerable youth’s today, it illustrates the lifestyle of being rich and famous. Youths are influenced by this music while hearing it in their cars, at work, while driving, or by turning on the TV. Many teens turn to MTV, VH1 or BET everyday to watch their favorite rap artist in their latest videos. Gangster rap promotes the luxurious lifestyle black rappers attain after they achieve success as well as their experiences on the streets. Even with all the fame and fortune many gangster rappers portray a negative image on and off the camera by being in the spotlight for the use of drugs and committing crimes. With all the publicity and notoriety, they receive for being thugs our youth today want to be just like them. The "Hot Boys,” is a well-known rap group that likes to show off their expensive fancy cars in their videos. Consequently, because of these videos, teens these days are decking out there cars by tinting the windows and putting chrome rims on them. Another big thing to do is put a huge sound system in the trunk so everyone can hear your cars bass coming down the street. With rap, music also comes urban clothing. Some rap stars even have their own clothing line such as, Roca wear, Sean John, No Limit Wear, and many others. The rap stars convince their fans to show off their clothing.
We live in a world where reputation can be highly valued and classifications are important to fit in with certain groups. People typically want to fit in with the group that is most popular or those with the best influence. But if you look at the subcultures today, they are often overrated and do not match up to your true values. Consider Hipsters for example who have been around since the 1940s and have transformed to the modern days as an important subculture of our generation. The term was first used by jazz musician Harry Gibson, who called his fans “hipsters” (Gonzalez, n.d.). According to the article “The Origins of the Hipster”, the group protested traditional societal expectations and embraced the style and culture of the lower classes,