Grant Wood
I recently took a trip to the Jocelyn Art Museum. There they had many great painting in the permanent art collection. One that caught my eye, which I had seen many times before, but never knew any thing about, was a painting called Stone City, Iowa , which was created by Grant Wood in 1930. This painting is oil on wood panel and is
30 ¼ X 40 inches.
Grant Wood is a famous philosopher who was born in February in the year 1891 in Anamosa, Iowa. Wood was born to Quaker parents on a small farm. This experience would be the basis of his iconic images of small-town plain folk and verdant Midwestern vistas. He later moved to Cedar Rapids after the death of his father in 1901. He first studied at the Minneapolis School of design between 1910 and 1911 and became a professional designer while attending night courses at the University of Iowa and at the Art Institute of Chicago. At the end of 1915 he gave up designing and returned to Cedar Rapids. After his military service he taught painting and drawing at the public school of Cedar Rapids and visited Paris in 1920 with Marvin Cone. His early works were outdoor scenes combining a bright Fauve palette and a loose, impressionistic style - the result of a 1923-24 trip to Italy and Paris, which included study at the Academie Julian. He visited Europe again in 1928 and notably went to Germany and Holland where he discovered German and Dutch primitive painters to whom he borrowed many facets. Wood was appointed head of the Iowa Works Progress Administration-Federal Arts project in 1934 and also taught at the University of Iowa.
He took part in many exhibitions notably in 1919 with Marvin Cone in Cedar Rapids, at the Galerie Carmine in Paris in 1926, at the Lakeside Press Galleries in Chicago and at the Ferargil Galleries in New York in 1935. In addition, many retrospectives were held after his death at the Annual Exhibition of American Painting at the Art Institute of Chicago in 1942, at the Municipal Art Gallery of Davenport in 1957, at the University of Kansas in 1959, at the Art Institute of Chicago and the M.H de Young Memorial Museum of San Francisco in 1995-96, at the Joslyn Art Museum of Omaha and at the Museum of Art of Worcester, Mass.
Grant Wood was known as a regionalist painter An American term, Regionalism refers to the work of a group of rural artists, mostly from the Midwes...
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...ogue about change that was often threaded through his traditional subjects. Understood in this tranquil, idealized scene of life in harmony with nature was the knowledge that Stone City itself reflected the transitions brought about in a rural community by industrialization. Located on the Wapsipinicon River twenty-six miles from Cedar Rapids, Stone City was a boom town gone bust: built on the success of its limestone quarries and laid to rest by the introduction of Portland cement. The land, Wood seems to suggest, has gone back to a purer purpose of grazing animals and growing crops. Wood's interest in this village continued to grow, and it became the site of a summer artist's colony which he ran in 1932 and 1933.
The public progressively turned its back on the painters of the “American Scene” when the economic crisis was over. Such indifference deeply affected Wood who died at 50 after trying to start a new career under another name. Still his works are now rated between US $ 100,000 and 1,500,000.
Works Cited
Corn, Wanda M., and Grant Wood. Grant Wood, the Regionalist Vision. New Haven: Published
for the Minneapolis Institute of Arts by Yale UP, 1983. Print.
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
He got a lot of his inspiration from his mother. She loved painting with water colors and making
"John William Waterhouse Biography." Artble: The Home of Passionate Art Lovers. N.p., n.d. Web. 12 Feb. 2014.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
Walcutt, Charles Child. "Sherwood Anderson: Impressionism and the Buried Life." The Achievement of Sherwood Anderson. Chapel Hill: University of North Carolina Press, 1966. 158-170.
Born in Bolton, Lancashire, England in 1837, Thomas was taken to the United States at the age of 7. (Ency. Bio. Vol. 11). He was educated in Philadelphia public schools for his elementary years and then indentured to a wood engraving firm in 1853-1856. (Am.Nat.Bio.Vol 15). He had three brothers who were artist, but he learned to paint from his brother Edward Moran. He did do some watercolors during his apprentictionship and in 1856, he painted his first oil painting titled, Among the Ruins There He Lingered. (Vol.11). Moran still working closely with his brother became an informer student of Philadelphia marine artist James Hamilton. Hamilton may have introduced him to the work of J.M.W, turner and a belief in close study of nature in his foundation of panting. (Vol.15) Moran exhibited landscapes at the Pennsylvania Academy of the fine arts for the first time in 1856 and then later elected academician in 1861. He continued to exhibit there through 1905. (Vol.15). 1862 Thomas married Mary Nimmo who had always thought to be her husbands student. (Vol.15). The beginning of his life had just started and didn't know that he would accomplish so many feats with his artwork of nature.
Suicidal tendencies play a huge role in Hamlet by forming character relationships, adding suspense to the plot and storyline. “Ah, I wish my dirty flesh could melt away into a vapor, or that God had not made a law against suicide. Oh God, God! How tired, stale, and pointless life is to me” (Hamlet 1.2.130-134). This quote by Hamlet Junior in act 1 really embodies the
In the halls of the State Capitol building, Robert Straub’s portrait hangs near the House Of Representatives chamber on the second level of the building. The realistic acrylic painting salutes Straub’s effort in the establishment of the Willamette Greenway to preserve the natural state of the riverbank from 1975-1979. The subject preferred to have a more governmental pose, but various observers appreciated the informality. Paul Missal spend one year working on the collaborated portrait with Straub, as he helped decide the setting says it, “reflects the spirit of Oregon as I have always seen it.” Using donations and other non public funds, the painting was purchased through the State Historical Properties Commission.
Jekyll was originally more evil than good because when he created the potion he was concerned about pleasing himself than actually thinking the consequences that would happen by the creation of his experiment. The argument of reputation dealing with the novel of The Strange Case of Dr. Jekyll and Mr. Hyde it is able to bring pros to it because would be able to describe the characters and show what they are good at. Based on the novel Dr. Jekyll and Mr. Hyde centers upon a conception of humanity as the deal of nature. Later on, Dr. Jekyll states that "men is not the truly one, but truly two", he also imagines that the human soul as the battleground for an angel and the fiend struggling for their own mastery. (Sparknotes Editors "Sparknote on Dr. Jekyll and Mr. Hyde" Sparknotes.com LLL.2003 Web 03 May 2016) Maria M Struzziero states that Dr. Jekyll is hiding a dark mysterious for emerging for the first time in Enfield 's words. It also shows that he admits that is not easy to describe adding that there is something wrong with his appearance something displeasing, downright and detestable. (Struzziero, Maria M "Dualism and Dualities- Dr. Jekyll and Mr. Hyde Themes." Dualism and Dualities – Dr. Jekyll and Mr. Hyde Themes N.P ND wed 04 May 2016) Another description could be that Mike Arnzen said A lot of emphases was put on "credit" or the reputation of the characters of Dr. Jekyll and Mr. Hyde. Also said that "If each, I told myself, could but be housed in separate identities, life would be relieved of all the unbearable, and the unjust might go away" (Arnzen, Mike "The strange case of Dr. Jekyll and Mr. Hyde" Swe nightingale. N.P...11 Aug 2009. Web 04 May 2016) The analysis of data its ability to describe how the reputation of Jekyll and Hyde is. Shows that it 's allowing the readers to understand the insides of what they as being the protagonist and the antagonist. They are differing opinions that say that the angel gives ways permanently to Dr. Jekyll 's
C. Connotations:The poem is written in free verse with no rhyme or rhythm to be
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