Graffiti has been known to have many restrictions as a form of street art. One reason for restrictions is that there are other types of street art that might obscure the ideas that are typically explored in relation to graffiti. Another reason is that the abstraction of letter forms is a relatively new style of art and it began as a genre all its own. Just as graffiti was becoming a time-intensive craft with new techniques and styles being explored by highly skilled artists, Modernism gave way to postModernism. It began to question and critique the arts as a whole. According to Terri Moreau and Derek H. Alderman, authors of the article ‘Graffiti Hurts and The Eradication of the Alternative Landscape Expression’ for The Geographical Review,
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
From New York to the rest of the world, Jeff Ferrell’s “Urban Graffiti” aims to show how graffiti serves as resistance to social arrangements and political power for many. The youth use graffiti as a way to provide alternate solutions for oppressions and cultural conditions. Ferrell demonstrates how young artists utilize this art form as a way of raising awareness and resisting social constraints. For example, in London, certain billboards in 1982 were aggressively altered to advocate the voice of the feminists and animal activists. Graffiti writing usually takes place in urban areas where discrimination and division of racial groups are heavily seen. Jeff Ferrell recounts how these young taggers work exclusively during late hours to avoid
The identity of a graffiti artist is hardly ever known, but the style of the art is. They can be identified by the way they express themselves. It can be broad and can be shown in many different forms. The forms can range from a simple tag of identity, an expression of protest and politics, to an alluring scene of art work. Although the graffiti writers work is their expression; they are trying to convey a message about the issues in the world around them.
Graffiti is often understood to mean “any form of unofficial, unsanctioned application of a medium onto a surface” (Lewisohn 2008). There are many terms that are associated with graffiti, including Graffiti Writing and Street Art.
Even though graffiti, in general, has had a rough past, it has started a movement where it's a form of expression through the artist. Graffiti can be a wonderful work of art when it has a space where it doesn't disturb public or private property. The artist creating graffiti often wants to send a message. In many cases, the street art made on public property is to invoke a reaction or conversation to intrigue the viewer. A key element in graffiti and street art is to create a space where the artist can do his/her work and even receive compensation from art
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti.
...ed a moral geography of artistic practice. This helps me as an evidence or fact to support some of my main ideas in my 3rd paragraph .
At the end of the day, people should stop underestimating graffiti art. Banksy, in his book, “Banging Your Head Against A Brick Wall,” said “Graffiti is one of the few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make someone smile while they're having a piss.” Graffiti work should be admired by everyone else because it holds so many significance whether it's only a phrase or a sketch. People shouldn't just absentmindedly assume it as the worst thing ever or as an awful thing. I agree that it can be vandalism to the public but graffiti can also be made in many other places legally so why think of it in the dark side? People should take care on how they are judging the striking art behind graffiti and criticizing it without really evaluating all the great meaning behind it.
Some people may think that filmmaking is about the big picture, not small details. The movie Paradise Lost:The Child Murders at Robin Hood Hill directed by Joe Berlinger and Bruce Sinofsky captures the big picture and exposes raw footage, interviews, court room conferences, and personal family gatherings. The filmmakers use a plethora of rhetorical devices to show the audience their perception of the court cases, whether they perceive the defendants guilty or innocent. Berlinger and Sinofsky communicate their thoughts about their subjects to the viewers. In such a way that is not blunt yet still appeals to the immense audiences with emotion, credibility, and reasoning.
The majority of people if asked, would not be able make any distinction between street art and graffiti art. Though in reality they are actually quite different; Graffiti writing and street art are often confused with one another. They both display their work out in the open instead of in a gallery. Though, graffiti artists display their work publicly, they are really only concerned with relating to other graffiti artists; rather than the general public. On the other hand, street artists just want to catch the attention of the general public by making a statement with their art. Although street art and graffiti art seem very similar, upon closer examination the differences in technique, function, culture, and intent are revealed (Weisburg.)
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
The beauty of art is that everyone has a different opinion of what they consider art. A highly debated topic is if graffiti can be considered art. Technically speaking, it is usually vandalism but people believe it is also art. Although it is in fact vandalism, graffiti is still art because it is self-expression of the individual and can even convey powerful messages that can reach out and affect the everyday person.
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags. Common mediums used are stencils, prints, and murals. Graffiti is often considered to be art because of new artists, such as