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Golden ratio related essays
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Golden ratio extended essay
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It was once said by Johannes Kepler that “Geometry has two great treasures: one is the Theorem of Pythagoras, and the other the division of a line into extreme and mean ratio. Golden Ratio is found by dividing a line into two parts so that the longer part divided by the smaller part equals the whole length divided by the longer part. It is also known as the extreme and mean ratio. Golden ratio is very similar to Pi because it is an infinite number and it goes on forever. It is usually rounded to around 1.618. The formula for golden ratio is a/b = (a+b)/b. Golden Ratio is a number that has been around for many years. It has been around for a long time so it is not known who formed the idea of the golden ratio. Since the golden ratio is used all around the world, it is known in many names such as the golden mean, phi, the divine proportion, extreme and mean proportion, etc. It is usually referred to as phi. Golden ratio was used in arts from the beginning of people and still is used today. It has been used in architecture, math, sculptures and nature. Many famous artists used the golden ratio. Golden ratio can also be used on a rectangle which is known as the golden rectangle. Euclid talks about it in his book Elements. Golden ratio also has a relationship with both the Fibonacci numbers and Lucas numbers. The Golden ratio is an infinite number that is rounded approximately to 1.618. Euclid referred to the decimal form of the golden ratio, which is 0.61803…, in his book The Elements. The golden ratio is a very special number with many properties. One of its properties is that to square the golden ratio, you could just add one to it. The formula for squaring the golden ratio would be phi²= Phi + 1. Another property of the golden ratio is that to get the reciprocal you can just subtract one. The reciprocal of Phi would be Phi-1. The golden ratio is often written as a/b
The ratio is explained simply like this. According to the Adonis Golden Ratio review the distance between your head and navel is about 1:1.618 of the distance from your head down to your fingertips. As mentioned earlier this is the same formula that artist like Leonardo da Vinci used with another equally gifted artist/architect. This is the measurements that captures women attention whether they like it or not. There is something pleasing about looking at the male physique that looks nearly flawless and
are said to be in the same ratio, the first to the second and the third to the
Nevertheless, that day followed me, and I tried to understand more about fractals through the resources I already had at my disposal-- through courses I was taking. Sophomore year, through my European History and Architecture courses, I learned about many ancient architectural feats-- Stonehenge, the Pyramids of Giza, the Parthenon, many Gothic Cathedrals, and the Taj Mahal-- and that they all somehow involved the use of the golden ratio. I will come back to how this relates to fractals later in the article, but for now know that each of these buildings use different aspects of their design to form the golden ratio. I was intrigued by the fact that fractals, what seemed to be something only formed by the forces of nature, were being constructed by human hands. Although I wanted badly to find out more, I waited until that summer, when I discovered a YouTube account by the name of Vihart. Vihart’s videos are not tutorials on how to do math, however Vihart’s ramblings about the nature and the concepts of the mathematical world have a lot of educational value, especially on topics that are more complicated to understand then to compute. Her videos on fractal math and their comparability to nature, helped to show me that...
But a circle was different, it could not be simply divided into length and width, for it had no sides. As it turns out, finding the measurement to be squared was not difficult as it was the radius of the circle. There was another aspect of the circle though that has led to one of the greatest mathematical voyages ever launched, the search for Pi. One of the first ever documented estimates for the area of a circle was found in Egypt on a paper known as the Rhind Papyrus around the time of 1650 BCE. The paper itself was a copy of an older “book” written between 2000 and 1800 BCE and some of the information contained in that writing might have been handed down by Imhotep, the man who supervised the building of the pyramids.
... middle of paper ... ... (1+1/5)5 = 1.25 = 2.4883 (1+1/10)10 = 1.110 = 2.5937 (1+1/100)100 =
Leonardo Da Vinci is one of the few artists and mathematicians who used the Golden Ratio frequently. In the Renaissance, the Golden Ratio was often used to create balance and beauty in statues and and paintings. Da Vinci, however, called it the “Golden Section”. He used it in famous
The mathematicians of Pythagoras's school (500 BC to 300 BC) were interested in numbers for their mystical and numerological properties. They understood the idea of primality and were interested in perfect and amicable numbers.
The great field of mathematics stretches back in history some 8 millennia to the age of primitive man, who learned to count to ten on his fingers. This led to the development of the decimal scale, the numeric scale of base ten (Hooper 4). Mathematics has grown greatly since those primitive times, in the present day there are literally thousands of laws, theorems, and equations which govern the use of ten simple symbols representing the ten base numbers. The field of mathematics is ever changing, and therefor, there is a great demand for mathematicians to keep improving our skills in utilizing the numeric system. Many great people, both past and present, have made great contributions to the field. Among the most famous are Archimedes, Euclid, Ptolemy, and Pythagoras, all of which are men. This seems to be a common trend in mathematics, for almost all classical mathematicians were male.
While studying the golden mean it becomes evident just how relevant this number is in the world. Many architects and artists have used this ratio as a scale and proportion sequence. The sequence is also relevant in music, nature and even the human body. Ancient mathematicians were so fascinated in the ratio because of its frequency in geometry. The first person to provide a written definition was Euclid. He stated “A straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the less” this has been studied thoroughly by many mathematicians but the most relevant was the studies of Leonardo Fibonacci. Fibonacci is famous for the work he put in to come up with the Fibonacci sequence.
The first person who is believed to have used the Golden Ratio is Phidias when he used it to design the statues inside of the Parthenon. This happened between 490 and 430 BC. In the early 300’s BC Plato used the Golden Ratio when he described the five platonic solids which are the tetrahedron, cube, octahedron, dodecahedron, and the icosahedron. Later in the 300’s Euclid gave the first written definition of the Golden Ratio which is an extreme and mean ratio. Then between 1170 and 1250 Fibonacci discovered a numerical series which had sequential elements that approaches the Golden Ratio asymptotically. Between 1445 and 1517 Luca Pacioli defined the Golden Ratio as the “divine proportion”. Then in between 1550 and 1631 Michael Maestlin published the first known approximation of the inverse golden ratio as a decimal fraction which is 1.61803398875. Very soon afterwards Johannes Kepler proved that the golden ratio is the limit of the ratio of consecutive Fibonacci numbers. Then in between 1842 and 1891 Edouard Lucas named the numerical sequence the Fibonacci sequence. In 1974 Roger Penrose discovered Penrose tiling which is a pattern that is related to the golden ratio both in the ratio of areas of its two rhombic tiles and in their relative frequency within the pattern.
Fibonacci sequence has had a lasting affect, with his exponential growth, explanation of nature, golden growth, and golden ratio. The goden ratio takes the ratio of the two successive numbers in Fibonacci’s series, dividing each by the number before it. If you plot a graph with the results of this, you will see that they seem to be tending to a limit, which we call the golden ratio or can be refered to by the greek letter phi. This number accounts for the spirals in the seedheads and the arrangement of leaves in many plants. So based on Fibonacci’s sequence, we have been able to explain natural phenominas, it lead to the understanding of phi, and it has lead to many other mathematical equations.
In fact, a rectangle with side lengths φ is said to be a golden rectangle, which is a result of the assumption that h=1 [2]. The number phi has even gripped theologians to ...
1.6180339887…. has been given many names varying from the “golden ratio” first coined by the Greeks, to the “golden rectangle” and “golden section”, “phi” named after Phidias a renowned Greek sculptor, as well as the “divine proportion” conceived by Leonardo da Vinci. (Blacker, The Golden Ratio) Simply put, the golden ratio is the length to width of rectangles used in art and nature. This ratio is considered to be the most agreeable arrangement, mathematically and artistically, to the eye.
...on of light and the rays are proportions in the Fibonacci sequence. Fibonacci relationships are found in the periodic table of elements used by chemists. Fibonacci numbers are also used in a Fibonacci formula to predict the distant of the moons from their respective planets. A computer program called BASIC generates Fibonacci ratios. “The output of this program reveals just how rapidly and accurately the Fibonacci ratios approximate the golden proportion” (Garland, 50). Another computer program called LOGO draws a perfect golden spiral. Fibonacci numbers are featured in science and technology.
Irrational numbers are real numbers that cannot be written as a simple fraction or a whole number. For example, irrational numbers can be included in the category of √2, e, Π, Φ, and many more. The √2 is equal to 1.4142. e is equal to 2.718. Π is equal to 3.1415. Φ is equal to 1.6180. None of these numbers are “pretty” numbers. Their decimal places keep going and do not end. There is no pattern to the numbers of the decimal places. They are all random numbers that make up the one irrational number. The concept of irrational numbers took many years and many people to discover and prove (I.P., 1997).