Shaun Bhikhi
Professor Wunder
History 241
February 20, 2016 The View of Golden Florence During the 15th century, the city of Florence was in an elegant and rich state. Giovanni Rucellai, a patron and successful merchant, studied the city of Florence and recorded his journey as a diary entry and a descriptive narrative (Rucellai, p.72). Rucellai wrote this diary entry in Florence during the year of 1457. In this diary entry he described the stunning city and emphasized its elegant environment to others. Rucellai was trying to reveal interesting facts and specific information about the city to an audience who were studying or wondering about it. I argue that Florence was a very powerful and advanced city due to the wealth and luxurious state, which impacted the citizens in a very tremendous way.
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He mentions, “they are now embellished with new churches, hospitals, buildings, and palaces with elegant facades and lavishly decorated interiors” (Rucellai, p.73). In essence this means that’s the leaders of Florence have used their wealth to improve the environment so that their citizens can enjoy the beautiful surroundings. Not only did the people of Florentine thrive in architecture but they also was very popular when it came to fashion. Rucellai illustrated the picture of wealthy fashion when he stated, “Women wear brocade and embroidered gowns covered with jewels and saunter through the streets in their French style hats that cost at least two hundred florins apiece” (Rucellai, p.74). In other words he says this to highlight the elegant wardrobe of the citizens, and points out the connection between wealth and luxurious
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
Baxandall, Michael. “Conditions of Trade.” Painting and Experience in Fifteenth-century Italy. Oxford: Oxford University Press, 1988.
Baxandall, Michael. “Conditions of Trade.” Painting and Experience in Fifteenth-century Italy. Oxford: Oxford University Press, 1988.
In early 15th century Western Europe was just starting to recover from epidemics, famine, and feuds that lasted centuries. The city-states of Italy were beginning to look back to the classic Greek and Roman civilizations to re-study old scrolls and
Florence is unusual in her thought patterns, and with the ability of hindsight, we can safely conclude this. Diaries are personal to the individual, and this account represents only Florence's view, not the average 12 year old girl being brought up in a middle-class background. If you consider source D, a popular magazine is most likely going to represent the view of the average middle-class lady. It refers to the luxury and wealth of the home being, 'more deep, heartfelt and personal interest to us than the public affairs of all the nations in the world'. This is completely the opposite in the case of Florence Nightingale, who snubbed the home and turned to public
... it dispels all doubts about its greatness and converts former disbelievers to the truth” (27a). There are obviously many reasons why Florence is a wonderful city, but according to Pitti and Dati there is nothing about the city as amazing as Bruni makes it out to be. Bruni never truly speaks of the “combination of misfortunes--wars, internal upheavals, pestilence, famine--which seriously damaged the economy” (Brucker 13). Pitti and Dati were not writing for the sole reason of praising Florence, but they also do not go out of their way to mention its many qualities. Unfortunately, Bruni never writes directly about money or business, whereas most of what Pitti and Dati write about are only those subjects. Overall, Bruni offers a much different perspective of Florence in his Panegyric to the City of Florence, than the views Pitti and Dati offer in their diaries.
Lemaitre, Alain J., and Erich Lessing. Florence and the renaissance: the quattrocento. paris: Terrail, 1993.
Brucker, Gene A. & Co. Renaissance Florence. Berkeley: University of California Press, 1969. Mandelbaum, Allen. A.
In architecture buildings were made bigger and grander than ever before, this was because of new rules were created pertaining to proportion and perspective. Temples dedicated to wealth (often disguised as something else ) popped up all over Florence and the rest of the world, because of the return of antiquity and referring back to the "classics" of the Greek and Roman past.
So, as has been seen, the system of patronage was extremely important in Renaissance Italy. It brought with it mixed blessings for artists. On the one hand, it gave them the income to support themselves and continue to produce works. On the other hand, though, it could be very constrictive on what the artist could produce, and could even sometimes decide the quality of a work.
Florence, Italy was a city just like any other during the Renaissance. It was city of 50,000 people, less than there were in Paris and Venice but more than most other European cities. The busiest parts of the city were the Ponte Vecchio, a place lined with markets and houses, the neighborhood of the Orsanmichele and Mercato Vecchio, or the Old Market. Florence was a place of beauty and leisure. A Venetian visitor once said, “There is in my opinion no region more sweeter than that wherein Florence is a placed for Florence is situated in a plain surrounded on all sides by hills and mountains…And the hills are fertile cultivated, pleasant…” (Unger, pg. 1). Florence was a very prosperous city; it made fortunes off of wool and banking trades. A certain Florentine family contributed to the vast wealth as well. The Medici family was no doubt the foundation of prosperity for Florence.
Venice Italy is best known today for its culture and romantic canals. With the exotic way the city was construction and the backdrop of the ever-changing light caused by the waters of the canals, it has been romantically portrayed in many paintings, plays, movies, songs and operas. The once city state was a major trading empire. Located on the north end of the Adriatic Sea it was ideal for merchant shipping. Specializing in trade with the Byzantine Empire and the eastern world, Venice established a stable and prosperous economy. This naturally created and attracted a wealthy population. With this wealth people could afford many luxuries like art creating a thriving artists population. The style of Venetian art spanning two centuries during the renaissance was directly affected by the trade industry.
Baxandall, Michael. “Conditions of Trade.” Painting and Experience in Fifteenth-century Italy. Oxford: Oxford University Press, 1988.
“The Patient Griselda”, by Giovanni Boccaccio, has hidden meanings to it. Domestic violence from Gualtieri to his chosen wife, Griselda is apparent. Gualtieri feels as though his is condoned to such abuse of his wife because of her low-born social class status, her non-nobility. He further oppresses his power over her by disallowing her to have control over the upbringing of their children.
Florence was the trend-setter of the Renaissance, whatever they did everyone else wanted to do because Florence was very successful. “No great city has ever been built far from the water… [Florence] was now more vulnerable, but it had easy access to an important trade route. It had good communications by river to the west, and practicable passes through the mountains ...