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How literature changes society
How literature changes society
Has religion influenced all literature
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History has shaped and molded modern time as we know it, from every war and battle taken place on this earth to every piece of art created. In turn, civilizations and culture had an impact on the people and their doings. Germany has evolved as a country growing from past wars and ever changing culture. Johann Wolfgang von Goethe was born in 1749 in Frankfurt. At school he studied Law. He did practice law for a while, but in the 1770s he had became one of the most prominent figure in writing. He would go on to write one of the greatest tragedies of the nineteenth century, Faust. The first of the two part play was published in 1808. In the first part Goethe told the story of a Doctor named Faust and his encounter with Mephistopheles. Goethe continued to write until he died in 1832. Faust was influenced by a number of ideas including the Enlightenment, religion, and politics. Faust is the story of a Doctor named Heinrich Faust. The Lord and Mephistopheles make a bet to see if Mephistopheles can get Faust to turn on The Lord. Faust is sadden by his life because he feels there is …show more content…
nothing left for him to gain in terms of knowledge and there is nothing to his life. When Faust and Mephistopheles meet, Mephistopheles offers to give Faust enough happiness that he no longer has to strive for it, but Faust’s soul must belong to Mephistopheles. Thinking he couldn’t succeed, Faust agrees to these terms. Eventually Faust meets Margareta, or Gretchen, and falls in love. With advances, Faust and Margareta agree to depart. Reason one is so Faust doesn’t corrupt her and reason two is because Margareta is a faithful Christian who couldn’t be with somebody who doesn’t believe like her. This doesn’t last long as Faust comes back and they resume their relationship to the point of getting Margareta pregnant. Her brother is furious with Faust and tries to kill him to only get himself killed. Margareta fears for her life and while praying at a Cathedral, a demon says she is damned to hell. Later Faust learns that she killed their infant child and got arrested for doing so. In desperation, Faust asked Mephistopheles to take him into town so he can see her. He warns Faust that the authorities are in town and there are angered spirits waiting for him there as well since he killed Margareta’s brother. After Faust sneaks into the jail, he sees Margareta has lost her mind and starts surrendering herself to God’s mercy. Mephistopheles tells Faust that they leave her behind or risk being executed and they leave. This play was written during the Enlightenment (mid 17th century to the end of the 18th century), a time of reason, where many people questioned old tradition and started to adapt many new ways of thinking. The enlightenment produced many new ideas, “Centered on the dialogues and publications of the French ‘philosophes’ (Voltaire, Rousseau, Montesquieu, Buffon and Diderot), the High Enlightenment might best be summed up by one historian’s summary of Voltaire’s ‘Philosophical Dictionary’: ‘a chaos of clear ideas.’” (Enlightenment). The Enlightenment, with Goethe being born in 1749, had a very large impact on the writing of his works, Faust being one of them. One of the ways that Goethe portrayed enlightenment ideals was through his characters. Faust started out the story as a scholar. During the time of the enlightenment, research and studies had become a way of life, much like it had for Faust prior to making the deal with Mephistopheles. While talking to a fellow scholar, Wagner, about research and knowledge, Wagner says, “But the great world! The heart and mind of man!/ We all seek the enlightenment we can” (Goethe 1.4.587-88). Much of this need for knowledge was due to the princes of Germany wanting educated servants. According to the author, “Aristocratic birth no longer sufficed; what was needed were ability and qualifications, and to assure a supply of capable servants, every Prince did what he could to support secondary schools, universities, and academies. Consequently the second half of the eighteenth century saw the growth of an educated elite in Germany…” (Schulze 89). While this increase in academics had changed the lives of many, old ways continued to stay. Religion has alway been a defining factor of human civilizations.
For much of history, humans have centered their lives around higher beings or ideas. The dominant religion during the time that Faust was written was Christianity. Faust and the Holy Bible have similar stories like in the book of Job, where God and Satan are discussing how Job is loyal to God. Satan wanted to test if Job would curse God or not. To test if he is loyal, God gave Satan permission to take his wealth and children away from him (New International Version 462). “But now stretch your hand and strike everything he has, and he will surely curse your name” (New International Version 462) While this was uneffective, Satan tried again by making sores on the soles his feet and on the crown of his head (New International Version 463). Mephistopheles made a similar kind of wager with The Lord to see if he can turn
Faust: Mephistopheles: If I may be his guide, you’ll lose him yet; I’ll subtly lead him my way, if you’ll let Me do so; shall we have a bet? The Lord: He lives on earth, and while he is alive You have my leave for the attempt; Man errs, till he has ceased to strive (Goethe 1.3.312-317). Neither is allowed to kill their target but they do take different approaches. Satan only tormented Job while the other made a deal with Faust to get his soul (Goethe 1.6 1530-1700). While Job almost lost faith completely, he didn’t curse God for his torment, and God restored everything that Job lost and gave more (New International Version 491-492). Faust continually talked to Mephistopheles, never really shown faith, and left with him to escape custody (Goethe 1.28 4597-4614). That wasn’t all from the the Bible, but also the mention of how mankind was created in God’s image was in both. The book of Genesis and in Faust they state, “So God created mankind in his own image,...” (New International Version 2) and “I, made in God’s image…” (Goethe 1.4 516). A religious leader Martin Luther rejected the Catholic Church in the theological foundation for the sale of indulgences, the traffic in human souls, and the established church’s abuse of the authority (Schulze 52). Faust questioned what he believed and he had some kind of belief. Faust instead put his faith into the Devil unlike Martin did when he put his faith in God. Luther was summoned to Worms to appear before the Imperial Diet and questioned his faith (Schulze 52). Margareta started questioning Faust’s fate when she didn’t believe he was fully Christian, “For you’re not a Christian, I truly doubt it!” (Goethe 1.19 3367). The political situation in germany was ever changing. During the enlightenment, Europe saw a large political shift. “Consider only such turning points of political history as the French revolution, the Napoleonic Wars, and the collapse of the Holy Roman Empire of the German Nation, all of which immediately touched Goethe’s life and deeply affected his thought” (Wellbery 546). Goethe’s view of the Holy Roman Empire can be seen in Faust itself. In the seen “Auerbach’s Tavern in Leipzig” a group of men are talking and singing about the empire, “The Holy Roman Empire, we all love it so;/ But how it holds together, that’s what we don’t know” (Goethe 1.8.2090-2091). Some people loved the Holy Roman Empire, however not everyone felt that there needed to be a change: A filthy song! Sahme! A political song! A tedious song! My lads, thank God in daily prayer That running the empire isn’t your affair! I reckon it a blessing anyway That I’m not Emperor or Chancellor today. But someone here must be the boss: Let’s choose a Pope, to Lord it over us! (Goethe 1.8.2092-2098) When the empire did fall on August 6, 1806, many people choose to ignored it and went on with their business, “ Goethe noted that he found the news less interesting than an argument in which his coachman became embroiled, and like him, most people greeted the demise of the Holy Roman Empire of the German Nation with a shrug of the shoulders and returned to their daily concerns” (Schulze 99). Faust was one of Goethe’s best and most complicated works. Looking at all the events that influenced Faust would be nearly impossible. But to answer the question of “How is Faust German?” It is essential to look some of the events that make up the German history. The enlightenment swept all throughout Europe and resulted in a new way of life. Germany, during this time developed new ideologies that are demonstrated in Faust. Religion has played a large part in any culture, but in the German culture, religion has always had a larger role. Martin Luther’s translation of the bible allowed people to read and interpret the meaning for themselves. Politically, Germany was changed forever while Goethe was writing the play. Goethe chooses to include the German view on the political situation in Germany at the time. Overall, Faust, embodies the German culture and political movements of its time.
Friedrich Nietzsche was born on October 15, 1844 in Röcken bei Lützen, Prussian Province of Saxony, Germany. He was a German philosopher best known for challenging the beliefs of Christianity’s dogma and ethical values.
Goethe’s statement, “Treat people as if they were what they ought to be and you help then to become what they are capable of being” is commonly used in both a positive and negative form in today’s society. When a person looks the statement carefully over, they will find the meaning into what he is saying. From the Bible, the quote “Do unto others as you would have others do unto you” is very similar to Goethe’s statement. If a person acts in a certain way toward somebody, then the environment and the people in which that person is surrounded by affects his attitude directly. When a person believes somebody has the capability to be more than they are, and the person pushes that person to succeed, the person will live up to those standards. By having another source other than yourself see what you are capable of doing, it lets people see themselves from a different perspective. There are many examples in modern day society of Goethe’s statement.
The girl, Grethen, getting pregnant is a tragedy for the simple fact that she and Faust are in love and would probably be in love for ever and ever had it not been for the Devil. Faust loves this girl and would love to be with her forever, but the Devil says that Faust can sleep with any girl without staying with her. So the Devil convinces Faust to tarnish this innocent girl. He sleeps with her getting her pregnant and thus sending her to jail (it is a crime back then for a woman to get pregnant without being married) Faust knows that the women he loves is in jail, possibly forever and he wants to help, but the Devil convinces him otherwise.
At First the article Touches on the questioning of what Faust is. In summery, Faust is the protagonist of an old German story about a guy who is actually really successful, but at the same time is somewhat dissatisfied with his life life. He had a serious lust for earthly happiness, alo...
The work entitled Dr. Faustus centers around the character thus named who aims solely to lift every limitation and exceed every boundary he encounters. From the very opening of the play after the chorus in the first scene, Dr. Faustus explains his dissatisfaction with the boundaries he has already met:
At the start of the play Faustus hadn’t taken into account the consequences his actions would bring, because of his narcissistic nature to reach and occupy the same position as God. Ike Shakespeare, Marlowe uses words like “tormented”, “eternal joys”, “deprived” and “everlasting bliss” to create a huge contrast emphasising the intensity of Mephistopheles’s suffering. This is achieved by comparing it to the privilege he once had to be in the presence of God’s grace.
The Romantic Hero in Goethe's Faust Works Cited Not Included Long hailed as the watershed of Romantic literature, Goethe’s Faust uses the misadventures of its hero to parallel the challenges that pervaded European society in the dynamic years of the late eighteenth and early nineteenth centuries. Faust is the prototypical Romantic hero because the transformation of his attitudes mirrors the larger transformation that was occurring in the society in which Goethe conceived the play. Faust’s odyssey transports him from adherence to the cold rationale of the Enlightenment to a passion for the pleasures that came to define the Romantic spirit. Faust not only expresses the moral contradictions and spiritual yearnings of a man in search of fulfillment, but also portrays the broader mindset of a society that was groping for meaning in a world where reason no longer sufficed as a catalyst for human cultural life. The period of German Romanticism in which Goethe wrote Faust was plagued with the same intrinsic turmoil that Faust himself felt prior to making his deal with Mephisto.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
John Faustus - the main character - is educated in many fields: medicine, law, divinity, and philosophy, yet his appetite for knowledge is still insatiable. Despite his vast knowledge he is unfulfilled because he still lacks power. As the play unfolds, Faustus is overcome by a craving for power. He eliminates God from his life: "And Faustus vows never to look to heaven,/ Never to name God, or pray to him,/ To burn his Scriptures, slay his ministers,/ And make my spirits pull his churches down" (5.270-3). In western society today, people still lust for power - it is human nature to want. In Faustus' claim that he has nothing more to learn from this world his ambition turns to arrogance, and his intelligence turns into ignorance. Faustus believes that he can attain power beyond mortal ability. Why would God help Faustus, when he refuses to listen to God, and ignores the signs God gave him? Faustus makes several choices in ignorance of the final consequence. When he is having an argument (with the Good Angel and Evil Angel), and chooses to ignore the Good Angel (1.70-73).
Mephistopheles was very much of a skeptic and a gambler. In the "Prologue in Heaven", Mephistopheles bet the Lord that he could turn Faust against him and make him do evil. This was ironic because most people would never dream of speaking to the Lord in this way. This showed that Mephistopheles was self- confident and witty. He was very set in his ways and beliefs and found it difficult to believe that God could keep total control over Faust, or any one else for that matter.
Mephistophilis is the opposite of Faustus. Mephistophilis is the stereotype of the typical conniving Devil’s assistant. He is always pressuring Faustus to listen to his “bad angel” and act upon his desires instead of his intellect. Mephistophilis’ personality influences the entire pl...
I can go as far as saying that Faustus lusts to be God, similarly to Lucifer, considering everything he has asked for. Lucifer was envious of God before he fell from grace, and with Faustus emulating Lucifer so closely, he also matches this unnecessary envy through his actions. He is too charmed with being a God in which he says “A sound magician is a mighty God.” The fact that Faustus wants to be an equal with God has him in complete denial of God 's power. But just as how Lucifer was damned for the same desires, Faustus was destined to follow the same fate. Despite Lucifer’s damnation, it is also as if he has succeeded in someone serving him as a God, seeing that Faustus has gave himself up to
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
This play is about how Faustus puts on a performance for the Emperor and the Duke of Vanholt. The main thesis or climax of this play is when Faustus two friends Valdes and Cornelius who are magicians, teaches him the ways of magic. Faustus uses this magic to summon up a devil named Mephistophilis. Faustus signs over his soul to Lucifer (Satan), in return to keep Mephistophilis for 24 years. We also see what happens when magic power gets in the wrong hands when Mephistophilis punishes Robin, who is a clown and his friend Ralph for trying to make magic with a book they have stolen from Faustus. In the beginning angels visit Faustus, and each time he wonders whether or not to repent, but the devil appears and warns him not too by tempting him of magic to posses. In the end of the play the two good and evil angels have been replaced by an old man, who urges Faustus to repent? But it is to late for and the play ends with the devil carrying him off the hell.
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his