Goethe's Faust - Mocking Religion

758 Words2 Pages
bulb-icon

Recommended: Fault and romanticism essay

Faust: Mocking Religion

The play Faust by Goethe is subtitled a tragedy. There's nothing in the play like Romeo and Juliet. So why would it be subtitled a tragedy? Well I don't know who or why they call it a tragedy, but I know why I would call it a tragedy. Some things in the play are very tragic: for example the mocking of religion (lines 290-295) the pregnancy of the girl, the loss of faith (line 388) the intelligent Faust losing hope (line 381) and though we didn't read this, the fact that Faust goes to Heaven after all he died (the very end of the play)

Throughout this play religion is constantly mocked. The Devil and God are pretty buddy buddy. I mean they make bets, they have casual conversation (lines 275-302) They are just kind of friends. I am not the most religious person, but I know that the Devil and God are not friends. They do not talk, make bets, or hang out together. An obvious mocking right there. Also it seems that the powerful Devil is not powerful at all. He is repeatedly outsmarted by a mere mortal (line 2715) and has many limitation. If you grow up going to church and being taught religion you are under the impression that the Devil is so powerful, always tempting us mortals and finally buying our souls. God and the Devil are made fun of by showing how much little power they have. God over the Devil and the devil over mortals.

The girl, Grethen, getting pregnant is a tragedy for the simple fact that she and Faust are in love and would probably be in love for ever and ever had it not been for the Devil. Faust loves this girl and would love to be with her forever, but the Devil says that Faust can sleep with any girl without staying with her. So the Devil convinces Faust to tarnish this innocent girl. He sleeps with her getting her pregnant and thus sending her to jail (it is a crime back then for a woman to get pregnant without being married) Faust knows that the women he loves is in jail, possibly forever and he wants to help, but the Devil convinces him otherwise.

Faust's loss of faith is another issue in this play that I feel was a tragedy.

Show More
Related

  • History Of Paramedics

    1658 Words  | 4 Pages

    ..., J & Pedler, D n.d, ‘Extending the paramedic role in rural Australia: A story of flexibility and innovation’, Rural and Remote Health, vol. 12, no. 2, pp. 6-8, doi:

    Read More

  • Formulative Lens of William Shakespeare's Othello

    763 Words  | 2 Pages

    The Tragedy of Othello by William Shakespeare is a great work by a great author. Shakespeare was correct in titling it The Tragedy of Othello because Othello lost so much. In the literary sense, a tragedy is the downfall of a character through that character's own flaws. The way most people see a tragedy is a story where there is much suffering and loss, and a not so happy ending. No matter way one looks at it, literary or public sense, this was a correct title. The main character, Othello, brought his own downfall upon him through his flaws, caused the suffering of many people, and he himself loss very much. All of these factors pile up to equal a big tragedy.

    Read More

  • Similarities Between Faust And Inferno

    1297 Words  | 3 Pages

    The tragic play, Faust, and the epic poem, Inferno, are both stories that incorporate love, death, and sin, as well as a strikingly similar portrayal of women. Goethe’s Gretchen and Dante’s Francesca are both greatly affected by their love during their lives and suffer a similar fate for the sake of that love. Gretchen and Francesca, respectively, exemplify the larger themes of discontent and strife in Goethe’s Faust and of justice in Dante’s Inferno. However, while they reflect these complex themes of the literary works they appear in, their femininity is portrayed as pitiful and naïve.

    Read More

  • Young Goodman Faust

    776 Words  | 2 Pages

    Nathaniel Hawthorne’s version of the Faust Legend in the works of “Young Goodman Brown” is considered to be a significantly different version when compared to the common Faust Legend. The article that I found discussing this subject is, The Rewriting of the Faust Myth in Nathaniel Hawthorne’s, “Young Goodman Brown.” By Hubert Zapf. A brief summery as to what this essay is about, Zapf’s entire thesis is filled with information and facts that all leads up to the analyzing of the common use and application of the Faust legend in Nathaniel Hawthorne’s story “Young Goodman Brown”, and how it compares in contrast to other “Faust users”. The points made through out Zapf’s essay consist of what the Faust legend originally is and how Hawthorne used it differently in his story, “Young Goodman Brown”. Zapf is analyzing the similarities, differences, and symbolism of Hawthorne’s version of Faust compared to the traditional out look of the Faust as well as the differences when compared with “Young Goodman Brown”. The comparing of this information is a way for Zapf to show that, “Both the transgression and the price to be paid are symbolically expressed in the central element of the Faust Myth” and to really show that that Hawthorne was using his own version of Faust (19). My own opinion of this essay confides with the fact that I agree the use of the Faust legend in the works of Hawthorne has the foundation of Faust, however there are some differences as well.

    Read More

  • The Role of Gretchen in Goethe´s Faust

    790 Words  | 2 Pages

    ...the hero; she alone faces the devil figure and turns towards the path of the righteous. Her coming of age story in "Faust" from and innocent girl to a world ravaged woman and ultimately to her salvation from society and evil her character holds power not usually seen in pre-modern literature. To give her the full power of the novel would be to re-write the story with a female Faustian character as the heroine like Louisa May Alcott did in 1877 entitled "A Modern Mephistopheles".This novel can easily be seen as a feminist work, showing the power of the overlooked woman. As Gretchen's life is drastically altered by a mysteriously androgynous devil figure, the strength Margaret shows in the end after he has broken all of her own moral codes and unknowingly served the devil shows her to be a great feminine character and a step forward for the literature of the period.

    Read More

  • The Romantic Hero in Goethe's Faust

    1559 Words  | 4 Pages

    emption, despite her sins, because “all her crime was love” (line 4501). Goethe’s Faust is a work in which a new type of hero emerges to satisfy the needs of a changing society. With Faust, Goethe succeeded in representing a microcosm of the tensions that accompanied the shift from rationalism to Romanticism. Complex and dynamic, Faust, like the great men of his era, is a hero whose most notable achievement is his

    Read More

  • A Divided Self: The Many Facets of Faustus

    2087 Words  | 5 Pages

    Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.

    Read More

  • Character of Mephistopheles in Goethe's Faust

    644 Words  | 2 Pages

    Mephistopheles, from the epic poem Faust, by Goethe, is one of the most interesting characters if examined carefully. Much like today's crude interpretations of the devil, Mephistopheles was a skeptic, a gambler, self- confident, witty, stubborn, smart, creative, tempting and of course, evil. There were very ironic things about him. Though he was evil, he was a force of goodness. The evil in him was portrayed in the negative aspects of Faust's personality, which showed that no matter how powerful the Lord was, the devil would always have an impact on a persons life and decisions.

    Read More

  • Doctor Faustus - Analysis

    1782 Words  | 4 Pages

    III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.

    Read More

  • The Religious Motivations of Christopher Marlowe's Dr Faustus

    1785 Words  | 4 Pages

    Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.

    Read More

  • Analysis of Doctor Faustus by Christopher Marlowe

    1145 Words  | 3 Pages

    Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.

    Read More

  • Doctor Faustus Essays: Critical Analysis of Faustus

    610 Words  | 2 Pages

    This play is about how Faustus puts on a performance for the Emperor and the Duke of Vanholt.  The main thesis or climax of this play is when Faustus two friends Valdes and Cornelius who are magicians, teaches him the ways of magic.  Faustus uses this magic to summon up a devil named Mephistophilis.  Faustus signs over his soul to Lucifer (Satan), in return to keep Mephistophilis for 24 years.  We also see what happens when magic power gets in the wrong hands when Mephistophilis punishes Robin, who is a clown and his friend Ralph for trying to make magic with a book they have stolen from Faustus.  In the beginning angels visit Faustus, and each time he wonders whether or not to repent, but the devil appears and warns him not too by tempting him of magic to posses.  In the end of the play the two good and evil angels have been replaced by an old man, who urges Faustus to repent?  But it is to late for and the play ends with the devil carrying him off the hell.

    Read More

  • The Concept Of Romanticism In Faust By Johann Wolfgang Von Faust

    974 Words  | 2 Pages

    The Romanticism period is marked by changes in societal beliefs as a rejection of the values and scientific thought pursued during the Age of Enlightenment. During this period, art, music, and literature are seen as high achievement, rather than the science and logic previously held in esteem. Nature is a profound subject in the art and literature and is viewed as a powerful force. Searching for the meaning of self becomes a noble quest to undertake. In the dramatic tragedy of “Faust” by Johann Wolfgang von Goethe, we find a masterpiece of Romanticism writing that includes the concepts that man is essentially good, the snare of pride, and dealing with the supernatural.

    Read More

  • Elements of Tragedy in Hamlet

    1012 Words  | 3 Pages

    In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.

    Read More

  • Doctor Faustus Essays: Dr. Faustus and the Christian Moral

    534 Words  | 2 Pages

    In the play Doctor Faustus the main character sells his soul to the devil and later dies and is sent to hell. A question that comes to mind when reading this book is, "Does Doctor Faustus have a Christian moral?" Even though he is persuaded to sell his soul to the devil he still may have some Christian beliefs. Some of the dialogue in the play gives some signals that tell the reader if Faustus has a Christian moral. The Cultural Studies method is shown in this paper because we are talking about someone's beliefs or morals. In this play, Marlowe shows Dr. Faustus's religious beliefs.

    Read More

More about Goethe's Faust - Mocking Religion

Open Document