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Significance of women in beowulf
Significance of women in beowulf
Significance of women in beowulf
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Shattered dreams, crippled bodies, and pulverized bones paint the scene as the devil’s spawn slaughters everyone in sight. In Beowulf, the unknown poet tells the tale of Beowulf, king of the Geats, and his afflictions. Throughout the poem, Beowulf endures hardships that take him on a journey of a lifetime. Beowulf grows stronger spiritually and physically through every tribulation he prevails. The reader travels the journey alongside Beowulf through the author’s use of alliteration, epithets, and vivid imagery. These literary devices convey the concept that, against the worst odds, God’s presence is more powerful than any weapon in existence.
The author depicts Beowulf’s importance through alliteration, epithets and vivid imagery. As a
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boy, Beowulf was poorly regarded and viewed worthless by the Geats. But battle by battle, Beowulf earned his worth and was crowned as the mightiest of men and the strongest soldier of any other on Earth. Every failure and success Beowulf had, fabricated the respected warrior he turned out to be. One honorable battle that added to Beowulf’s worth was with the devil’s spawn. Beowulf traveled to Danish soil in hopes of purging Herot, the dwelling place of the Danish king Hrothgar. After the Danes and the Geats introduced themselves, they trusted each other with friendship. Hrothgar welcomed Beowulf and his men into Herot and asked for protection from the horrendous monster. When the day was over and everyone fell into a deep sleep, Beowulf eagerly waited for his enemy to arrive. The author uses vivid imagery to orchestrate a mental image of the confrontation between Grendel and Beowulf. “Out from the marsh, from the foot of misty hills and bogs, bearing God’s hatred” (710-711), Grendel entered Herot hoping to kill anyone he could find. The author goes on to tell us that Grendel snatched up the first Geat he came to and “cut his body to bits with powerful jaws, drank the blood from his veins and bolted him down...snapping life shut” (739-745). Through these examples, the poet reveals what a life without God is like. The imagery allows the reader to understand how hellish Grendel is. Because Grendel descended from a long line of nefarious creatures, he had no presence of God inside him and therefore was a true creation of evil. The author then used the epithet “shepherd of evil” (750), to describe Beowulf. This epithet expresses that Beowulf is a protector of men and that no evil, not even Grendel, is a match for his strength. Beowulf acknowledged that all his victories came from God’s guidance and that without God he would not be the shepherd of anything. Living with God’s presence inside him, Beowulf was able to defeat Grendel. Not only does the author use epithets, to show how victories come from God’s help, but he also uses alliteration. Beowulf remembered “God’s grace and the strength he’d given him” (1269-1270) and was able to injure his enemy so badly that the “tears..” were “...torn out of Grendel’s taut throat” (787-788). The use of alliteration in this passage of the poem is to prove that with God’s presence, the most monstrous demons can be defeated. The purpose of these literary devices during this battle is to show how Beowulf’s trust in God allowed him to fight for the good of others and protect them in a selfless way. After Beowulf inflicted a fatal blow upon Grendel, that sent him running in fear, the people began to feel safe again. However, they got too comfortable too soon. Beowulf’s second honorable battle is also described through a series of alliterations, epithets, and imagery.
Beowulf’s new problem was Grendel’s mother. She had a heart full of sadness and greed that sent her on the pathway of revenge. The “female horror” (1259) and “mighty water witch” (1519) took it upon herself to avenge her son’s death. The she-wolf inhabited a “...murky cold lake assigned her since Cain had killed his only brother… God drove him off… and branded him with a murderer’s mark” (1260-1264). This section of the poem exhibits all three literary devices. The first literary devices that can be identified are epithets. The two epithets classify Grendel’s mother as the awful horror and witch she is. Nobody with the presence of God inside them could be so disgraceful. Secondly, vivid imagery is used to illustrate the home of Grendel’s mother. The imagery also gives a little history of how and why she occupies the lake The lines of the poem explain that Grendel’s mother was assigned to the cold murky lake since Cain killed his brother. Lastly, alliteration emphasizes how dishonorable Cain’s descendants are by their murderer’s mark.. Each of these literary devices have their own way of supporting the idea that God grants victory. Grendel and his mother were so blinded by their own wishes and did not know the love of God. In fighting Grendel’s mom, and even Grendel, Beowulf had trust in God. For a moment however, during the battle with Grendel’s mother, he was …show more content…
blinded by fame and losing his battle. The author describes that Holy God sent Beowulf victory, protected him from death, gave judgement, and gave Beowulf the strength to keep on fighting. Without God inside his heart, Beowulf ultimately would have lost the battle with Grendel’s mother. But with the blessings of God, Beowulf made it out of the lake safely and all was peaceful in Denmark. And so Beowulf’s work in Denmark was done and it was time for him to return home. Hrothgar thanked and rewarded Beowulf with a banquet and the finest of treasures. Everything was going good for Beowulf until selfishness consumed him and he cared more about himself than the good of others. Beowulf’s time as king of Geatland had come after his lord had fallen.
Beowulf served as king for fifty winters until a dragon denied him victory in battle, and ended his reign. The dragon was awoken from its slumber when a runaway slave stumbled upon a hidden path that led to its’ den. The slave stole a cup from the dragon’s treasure in hopes to buy his master’s forgiveness. The cup pardoned the slave’s punishment from his master but resulted in terror for the rest of Geatland. Beowulf’s pride and supremacy led him to fight the dragon alone. Beowulf did not fight the dragon to protect others, but rather for fame. The poet’s narration of the battle includes literary devices that reinforce the concept that failures occur when we lose sight of God.The battle begins with the dragon breathing fire as Beowulf repeatedly swings his sword. Beowulf struck the dragon with his sword, but the sword broke before injuring the dragon. The vivid imagery, “the dragon leaped with pain, thrashed and beat at him, spouting murderous flames, spreading them everywhere” (2580-2582), allows the reader to imagine Beowulf’s last battle. Alliteration also proves that Beowulf is losing the battle. The author says, “and for the first time in his life that famous prince fought with fate against him” (2573-2574), to emphasize Beowulf’s decline and defeat. Beowulf knew that his life was coming to an end, for he had lost God’s presence and started fighting for his own gain and glory. The last piece of
evidence that proves God is the most powerful weapon to have is an epithet that describes Beowulf at the end of the battle. At the dragon’s last breath, Beowulf fell and suffered as the “beaten warrior” (2596) he now was. Throughout his lifetime Beowulf was many things, king of the Geats, strongest of all soldiers, and even the protector of men. God made all those things possible and at the end of his time, Beowulf became prideful and lost sight of what was right. The epithet confirms that straying God’s guidance inevitably caused Beowulf to lose the fight with life.
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
Beowulf is a poem about strength and courage. This is illustrated in the eighth section of the story called “Beowulf and the Dragon.” A slave, a hero and a dragon play a big role in this section. The characters are well developed, as is the setup for the conclusion of the poem.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
In the epic Beowulf, the reader can clearly find the very distinct conflicts, although some go unnoticed. This poem came to be around the birth of Christianity and the dying out of paganism. In Beowulf, the battles between the monsters and the warriors are interpreted as a battle between the old way of faith and the coming of Christianity. Beowulf himself comes across many conflicts of his own. A literary critic, Alfred Bammesberger, analyzed the person who gives Beowulf the idea to go to Herot and fight Grendel, “.... Beowulf wanting to fight single-handed and challenge Grendel based on the information he had given to his uncle, the Great King Hygelac” (Bammesberger). The Danish king asks not for help however, Beowulf goes anyways. While he has many physical battles with enemies, he also has internal conflicts that seem to hold heavy in his mind. These conflicts include but are not limited to, “Battle of Grendel”, “The Battle with Grendel’s Mother” and “The Last Battle.”
In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,
This final battle proves to be the most difficult for Beowulf; he is pushed to the brink, but, “inspired again by the thought of glory”, he musters just enough strength to strike down the dragon (Heaney 19). This language proposes that Beowulf’s chief motive for fighting the dragon is “the thought of glory”. Additionally, this depicts Beowulf as selfish, as he seemingly neglects his people. Niles opposes this viewpoint, stating that “nothing suggests that the king enters [the fight] as a way of winning personal glory”(Niles 94). Rather than for solely personal gain, Niles correctly asserts that Beowulf is focused on saving his people, as that is his first duty as an Anglo Saxon king. However, Beowulf accomplishes this very goal by carrying out his desire to uphold his heroic image. It was Beowulf’s own “thought of glory” that spurred his rally to kill off the dragon; in effect, Beowulf’s desire to preserve his image saved his people. Even though the narrator uses the story of the dragon to emphasize Beowulf’s greediness and lust for glory, it is the outcome of the fight reveals the true reason for Beowulf’s bravery. By striving to retain his honorous reputation, Beowulf simultaneously protects his people, effectively fulfilling his role as king as both a servant and an esteemed
This illustrates an inner problem of a suppressed evil side to society. Beowulf and other men that battled Grendel had trouble defeating him with weapons. They all had to tussle with Grendel and everyone except for Beowulf failed at this challenge. Symbolically meaning that that evil side to society will always be there no matter how much people try to fight it. Grendel also plays the role of envy. Imagine him being an outcast with no joy in his life hearing the mead-hall at night and all the laughter, he must have felt envious and longed to be a part of that world. Another symbolic role is revenge. Upon learning that Beowulf has hurt her only child Grendel’s mother becomes angered and seeks revenge. Her and Beowulf battle it out and the mother loses the battle. Relating this back to Cain, Grendel’s mother wants to kill Beowulf and get revenge and just like Cain, she faced her punishment, for her it was
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
The last battle in Beowulf was against the fierce dragon that could also be saw as the power of Satan. During this battle Beowulf chooses to use a weapon because of the dragon’s deadly venom, it would only be fair. It was a hard fight but Beowulf wasn’t capable of defeating the dragon. This battle could be compared to the will of Christ, in which Christ gave his life for the people, while Beowulf did the same. The dragon now represents the evil a man must fight in order to preserve the good in life. Although Beowulf was defeated, it was not shamelessly, just like Christ he saved the people. Beowulf had a good heart but was sometimes overturned by the bad influences in life. He represents the fact that everyone makes mistakes, you can’t be perfect all the time, everyone’s bound to lose.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
The hero of Beowulf, one of the oldest written Germanic epics, is a leader of the Geats and a hero unlike all others before him. He is able to conquer foes that no one else can, and he charges into every battle with the full force that he can muster, without any of the encumbrances that others may have. His greatest desire is fame and glory, and he performs whatever difficult tasks he believes will bring him closer to that goal. Beowulf’s quest for power drives him to seek fame by challenging Grendel, Grendel’s mother, and finally a giant dragon that causes his death. Though Beowulf’s strength and courage lead him to power and its accompanying responsibility, the power that he accumulates has negative consequences for those who rely on him. This very thirst for power is Beowulf’s fatal flaw, causing him to ignore his duties towards his people and leave his kingdom unprotected and vulnerable; however, it also serves as the force that allows him to accomplish unbelievable feats.
Beowulf, one of the greatest heroic tales, opens with a historical account of the Danes, followed by the introduction of its first monster, Grendel. This section of verse, from lines 88-144, acquaint us with the demon and his first series of attacks on Heorot. The passage of Grendel’s introduction works within Beowulf by introducing complex themes and a complex antagonist. Other facets of this passage such as context, versification, point of view, figurative language, character, and theme are all important to consider when assessing the purpose of the passage within the poem as a whole. The content and context of this passage...
A compelling ending of a literary work does not simply end; it continues evolving in the minds of the readers well past its final pages. In the epic poem Beowulf written by an English monk and translated by Seamus Heaney, the hero Beowulf meets his death as he fights a dragon during the final pages. Previously, Beowulf displays many heroic traits defending King Hrothgar and the Danes against the evil, God-cursed monster, Grendel, and Grendel’s malignant mother. Beowulf returns to his home in Geatland where he rules as king for fifty years. The epic closes with Beowulf defeating the dragon and dying in the process. Beowulf hastily passes on the kingship to Wiglaf before his death since Beowulf has no son who would automatically receive
Beowulf’s first accomplishment as an epic hero was his battle with Grendel. Grendel was a huge beast, a descendent of Cain, who ruthlessly murdered innocent Danes because he felt pity for himself. Upon hearing of the Dane’s problem, Beowulf set off to help the Danish without having been called upon. Even though Beowulf had men backing him, He drew battle with Grendel alone and without armor or weapons. Yet, Beowulf emerged victorious with the arm of Grendel as his trophy. Beowulf then went on to kill Grendel’s vengeful mother and a huge fire-breathing dragon who thought it had been done wrong by the Geats. Alas, the killing of the dragon would be Beowulf’s last great battle for the dragon took Beowulf’s life in the struggle for his own.