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Critical Analysis of Heart of Darkness
Character of Kurtz in heart of darkness by Joseph conard
Character of Kurtz in heart of darkness by Joseph conard
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Recommended: Critical Analysis of Heart of Darkness
Kurtz’s last words are as ambiguous as they are terrifying. “The horror! The horror!” They may reveal a vision or just some madness induced outcry. Nevertheless, it is apparent that Kurtz has gone insane. Oxford dictionaries define insane as “in a state of mind that prevents normal perception, behavior, or social interaction.” His deteriorating physical appearance emits sickness as well as madness. Also, due to the lack of restraint, Kurtz assumes a god-like position as he takes control of various African villages that worship him. Paradoxically, the stated mission of the Company to civilize the natives turns into the literal and figurative degeneration of Kurtz. However, it’s certainly not as simple as “Kurtz goes into the jungle. Heads on sticks result.” Conrad uses him as an extreme example of what happens to people when they are taken away from their structured environment. Kurtz is an embodiment of madness that represents the effects of removal from society.
One of the effects of living in the wilderness is physical alteration. Kurtz is deathly ill by the time that Marlow’s steamboat can “rescue” him. Kurtz transforms into the very object he craves—ivory, with his bald, white head (Cox, 1974). He is sharply visualized to show his sickness: an “animated image of death” more than anything (Guerard, 1986). His ribs and bones stick out of his decrepit body to emphasize his illness. The physical changes reflect the spiritual and psychological battle that Kurtz struggles with. Marlow’s journey in Africa has also left him knocking on death’s door. Though the physical illness eventually leaves Marlow, his soul is haunted from the horrific incidents he encounters.
Without the restraints of society, temptation exists to give into pri...
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...m. (pp.239-242). New York, NY: Norton & Company.
Henrickson, Bruce. (1978). Heart of Darkness and the Gnostic Myth. In Harold Bloom (Ed.) Modern Critical Interpretations. (pp. 45-55). New York, NY: Chelsea House Publishers.
Insane [Def. 1]. (n.d.). In Oxford Dictionaries. Retrieved December 30, 2013, from http://www.oxforddictionaries.com/us/definition/american_english/insane?q=insane.
Singh, Frances B. (1988). The Colonialistic Bias of Heart of Darkness. In Robert Kimbrough (Ed.) Heart of Darkness: An Authoritative Text Backgrounds and Sources Criticism. (pp.268-280). New York, NY: Norton & Company.
Tessitore, John. (1980). Freud, Conrad, and Heart of Darkness. In Harold Bloom (Ed.) Modern Critical Interpretations. (pp. 91-103). New York, NY: Chelsea House Publishers.
Watt, Ian. (1979). Conrad in the Nineteenth Century. Berkeley, CA: University of California Press.
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
Guetti, James. 'Heart of Darkness and the Failure of the Imagination', Sewanee Review LXXIII, No. 3 (Summer 1965), pp. 488-502. Ed. C. B. Cox.
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
Henrikson, Bruce. "Heart of Darkness and the Gnostic Myth." Joseph Conrad's Heart of Darkness: Modern Critical Interpretations. Edited by Harold Bloom. New York: Chelsea House Publishers, 1986. 45-56.
Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817.
Levenson, Michael. "The Value of Facts in the Heart of Darkness." Nineteenth-Century Fiction 40 (1985):351-80.
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
Guetti, James. ‘Heart of Darkness and the Failure of the Imagination’, Sewanee Review LXXIII, No. 3 (Summer 1965), pp. 488-502. Ed. C. B. Cox.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
Kurtz's character is fully facet (in Conrad's Heart of Darkness), not because of his conventional roll of antagonist, but for his roll in a historical fiction as a character with important roll in society, influenced by those close to him. Kurtz makes some key developments in the way he interacts with others, in large part due to the words and actions of society and Kurtz's acquaintances.
Dintenfass, Mark. "Heart of Darkness: A Lawrence University Freshman Studies Lecture." 14 Mar. 1996. *http://www.acsu.buffalo.edu/~csicseri/dintenfass.htm* (2 Feb. 2000).
Two tin, mirrored figures are seated across from one another. Both are looking down toward the ground and sit on red, wooden chairs, one labeled lost and the other found. The figures are connected by their outstretched and entwined hair made of wire. The personified hair acts as a bridge between the state of being lost and found, and is introspective look at personal evolution or transition during a phase of the artist’s life.
Kurtz. Marlow retrieves an ailing Mr. Kurtz, who is holding onto life by a thread. In his last words, Mr. Kurtz screams, “The horror! The horror!” When reflecting upon this outcry Marlow states, “I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness.” Marlow admires Kurtz because Kurtz was able to break free from racism and wholeheartedly assimilate with all stretches of humanity. Perhaps Kurtz knowledge of the world comes at the cost of sanity. Marlow observes Kurtz’s universal perspective, but he himself does not quite attain it. Although he has taken steps in the direction of understanding for the natives, Marlow’s innate prejudices restrain him from crossing the bridge into the land of
Conrad, J. (2006). Heart of darkness. In P. B. Armstrong (Ed.), Heart of darkness (4th ed., p. 50). New York London: Norton Critical Editions.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).