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Recommended: The first genesis
Gobekli Tepe:The Original Eden
In the chapter of genesis, the creation story of the bible, the first man and woman had been created in the likeness of God within the Garden of Eden; along with a diversity of animals that would co-exist under the dominion of the “first ever” recorded human beings. However, the question remains; where had this elusive Garden of Eden been located? Was it an actual physical location on this earth, or was it otherworldly? Perhaps, the answer will be uncovered within the ruins of Gobekli Tepe, the oldest known Neolithic site known to humankind. There are many points of correlation between the story of Genesis and the data unearthed at Gobekli Tepe, such as how both are coincidently the origin of religion and culture, both widely emphasize the symbol of the snake, and most importantly, both regard the human being as superior to the animal. Gobekli Tepe, a site located in Turkey, appears to be the origin of human culture, which dates at 12,000 years ago, a time when humans were hunter-gatherers that did not settle in one place for too long, and had discovered stone tools and fire. The nomadic people of Anatolia had managed to create a spectacular site that had been the revolutionary point that served as an introduction to religion and the “supernatural.” What convinced many scholars to view Gobekli Tepe as an early place of worship had been the many temples that had been discovered; however, most of them remain unearthed. There is convincing evidence that these ruins did not serve as permanent shelter for the Neolithic people of Anatolia, but rather as a point turning point that defined the human being. There is an opposite school of thought, however, ...
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...mal relief pillars surrounding the t-shape pillars. The ancient Anatolian human gained the mentality that he was superior to the animals that co-existed with him. The two t-shaped pillars had been single stones that were carved into “human-like” figures as stated by Schmidt. It is believed that these pillars represented the early deities that frequenters came to worship. Perhaps the animal reliefs served as representations of the qualities that these deities harbored, such as how the Egyptian culture displayed their gods as anthropomorphic, by displaying their god with the head of a certain animal on top of the body of a man. There is also speculation that the animal relief system served as early totems that were assigned to certain people. The wolf, fox, bear, and snake serve as universal symbols to many cultures, particularly the American Indian culture.
Creation stories have profound effects on humans. Those associated with ancient cultures/civilizations aim to ensure the successful survival or well-being of themselves and that particular culture/civilization of their association, but not all are beneficial, prosperous, or fortunate. Mesopotamia’s “The Gilgamesh Epic”, Egypt’s “Hymn to the Nile-Documents”, and Mesoamerica’s Mayan and Aztec creation stories/religion are influential to establishing significant relationships within society, whether that is between humans and nature or humans and their “god(s).”
The Egyptians often included lions to symbolize strength, leadership, loyalty, and war. The top of the palette also includes a human face with bull horns. This was done in attempt to represent the gods the ancient Egyptians believed in. These gods are associated with power, masculinity, and fertility.
A piece of art can leave distinct impressions with the viewer. The Assyrian Winged Protective Deity provides a plethora of stimulants for the eye. The relief emulates brute strength and power through the overall stature of the figure. The cuneiform writing above the relief greatly influenced the impression a viewer can receive through its narration about the figure. Other than Gilgamesh and the Assyrian Winged Protective Deity both being from Mesopotamia, they have numerous similarities.
In placing humankind within this world, it is the intent of God that humans enjoy this world and flourish in it through a continuing relationship with Him. And God said, “Let us make a human in our image, by our likeness, to hold sway over the fish of the sea and the fowl of the heavens and the cattle and the wild beasts and all the crawling things that crawl upon the earth” (Genesis 158-159). Therefore, He creates a human in His image, the image of God. God did not want man to be alone and decides to fashion a companion from the rib of man. “And the Lord God cast a deep slumber on the human, and he slept, and He took one of his ribs and closed over the flesh where it had been, and the Lord God built the rib He had taken from the human into a woman” (Genesis 160). Upon learning of this the human said, “This one at last, bone of my bones / and flesh of my flesh, / This one shall be called Woman, / for from man was this one taken” (Genesis 160). Human beings occupy center stage in this account of the world’s origin, but are held in low regard in Mesopotamian and Greek creation stories. In Enuma Elish, Marduk spoke to Ea of his idea for the creation of humankind, but Ea was the actual creator who devised how it should come about. In the Sixth Tablet, Marduk says, “My blood will I take and bone will I fashion / I will make man, that man may… / I will create man who shall
Creation texts and most early pieces of literature all share many of the same themes, mythology, and to an extent, the same characters. In the days that early texts like The Epic of Gilgamesh, The Bible, and Popol Vuh, epistemology was of high interest to many philosophers and writers. To answer the questions of “How did we get here,” “Why are we here,” “What do we do here,” and other ontological ponderings, texts like these were written to give some reason. One consistent theme from early literature and creation texts is that early people had the tragic flaw of a thirst for knowledge and a lack of willpower, which is shown in The Epic of Gilgamesh, The Bible, and Popol Vuh.
Genesis reads that “In the beginning, God created the heavens and earth,” then “God’s spirit was hovering over the surface of the waters.” Another characteristic is how, after the water, came land. How the World Was Made, describes how the “soft mud,” from under the water “began to grow and to spread out on every side until it became the island we call the earth.” In The Sky Tree, the soil was “placed...until they made an island of great size.” A final similarity, is how after land came animals and how the animals helped to take care of the people on the earth. In How the World Was Made, the world the animals lived in was called Galun’lati. Galun’lati “was very much crowded,” and “the animals wanted more room;” Water Beetle left to find land so that the animals could have more space. While Water Beetle helped find land for the animals, in The Sky Tree a turtle sees a woman falling from the sky after she had jumped after a sacred tree. Turtle told his friends what he had seen and had them “bring up pawfuls of wet soil,” and place it on his back which created a “new earth,” for the woman to “settle gently on.” In Genesis, God created the animals
Throughout the world there are various cultures with varying religions and creation stories to explain the creation of the Earth and it’s inhabitants. Of these creation stories two with similar and also different characteristics is the Creation story in the book of Genesis which is a part of the 1st Testament in the Hebrew Bible and explains the creation of Earth and humans, and the Theogony which is the greek creation story that describes the origins of the Earth and the Greek Gods. Both the Theogony and the Creation in Genesis show nature as a blessing for humans but it can also affect them negatively, However the myths differ in the ways that the Earth and humans were created and how humans interact with the deities of the creation stories.
When analyzing ancient civilization and how it began, there are many elements and aspects that should be considered. Questions such as how did civilization begin? What lead to its creation? Where did it begin, and why in that particular location? Many of these questions can be examined and answered by researching what many believe is the world’s earliest civilization, Mesopotamia. It is widely believed that this region was chosen and supported one of the world’s first civilizations. This area was settled over 10,000 years ago by a group of people known as the Sumerians (Cunningham & Reich, 2010).
Since the beginning of time, societies have created stories to explain the mystery of the origin of man and the universe. In the Babylonian text, Enuma Elish and the book of Genesis-which originated in the same part of the world-one finds two very different stories about the creation of man. These two creation stories contrast the two societies that created them: the chaotic lives of servitude of the Babylonians and the lives of the recently freed Jewish people.
In this paper I will discuss three similarities and four differences between Enuma Elish-The Epic of Creation (King,1902) and Genesis 1:1-3:24 as described by Michael Fishbane (Fishbane, 1979). These writings are selected to describe the story of creation of the earth and the inhabitants of the earth. However, each author has a very different view and way of explaining what they have interpreted the sacred texts to mean.
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
The questions about the existence of life and the creation of the world are always mind-boggling and fascinating, however, the real answer to these questions may never surface. All there is to rely on are the myths, stories and legends passed on from generation to generation by ancestors and the clues they have left. This essay will try to uncover the ancient Mesopotamian and Hebrew views on existence and creation by looking at sources like the Genesis and other ancient Mesopotamian texts and poems. Mesopotamians and Hebrews had contrasting views on how they explained the events in their lives, and through analysis of ancient sources, those differences will be outlined. In such populated and booming areas, human conflict was inevitable and some of the law codes that were placed in effect to establish order within the society will be examined. Throughout it all, god and religion played a central role in these ancient civilizations.
The majority of the gods and goddesses take a form that combines animal and human features. For example, rain and earth deities often have characteristics derived from crocodiles and snakes (Thompson, 1998). The Mayan deities also have a duality complex in which they could be both benevolent and malevolent, but this duality could also apply to age and sex such as a god or goddess being portrayed as youthful or aged or a masculine god sometimes being portrayed as feminine (Thompson, 199). Worship of animals, such as the Jaguar, was present (Thompson, 200) and numbers were seen as deities as well (Thompson, 239). Each deity corresponds to a number.
The “Sacred Tree,” (fig. 1) was originally positioned behind the king’s throne. The scene shows two genii, sometimes with birds’ heads and sometimes with men’s heads and the horned hats of gods. Each of the winged figures holds a bucket and reaches out with an oval object toward a stylized “tree.” The composition has been read as being based on bilateral symmetry, with the vertical stalk-like structure crowned by a palmette. A meticulous examination reveals that although balanced, it has many discrepancies on both sides that deviate from perfect mirror symmetry. Ashurnasirpal appears twice, shown from two sides, dressed in ceremonial robes and holding a mace connoting his authority. The figure of the king on the right makes an invocative gesture a god in a winged disk in the top center of the relief. Ashur, the national god or Shamash, the god of the sun and justice, may be identified as the god who confers the king divine right. On the left, the king holds a ring, an ancient Mesopotamian symbol of divine kingship, in one...
While the Hebrews and Egyptians creation theories bear resemblances and differences, the study and comparison of both the Egyptian myths and the biblical account allow us to comprehend the religious views of ancient civilizations in a better light. One may come to the conclusion that the Hebrews were influenced by the cultures of Egyptians by creating similarities in their own beliefs, or by drawing a line of defense of what is in their terms true, by separating from the mass ideals of the Egyptians and establishing distinct