“The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function,” F. Scott Fitzgerald wrote, but a survival trait for those who live in the Borderlands. Gloria Anzalda's account of her life growing up near the U.S./Mexico border and taming her cultural multiplicity in “Borderlands” advises her readers of the consequences of disparaging traditional ideologies. Anzalda’s concept of the “consciousness of the Borderlands” validates those of a unique identity that cannot be repressed into a single archetype and encourages the amalgamation of both. This consciousness celebrates one's fluidity and contradictions, allowing them to embrace their complex and challenging …show more content…
This consciousness ends up cultivating individuals who understand the complex identities of others because of the inherent multiplicities of one's own identity. The people of the borderlands are witness to the repercussions of heritage marginalization, barriers, and cultural limitations, along with the ever-present pressing for conformity. This heightened awareness of the borderland consciousness encourages individuals to evolve their perspective of identity, belonging, and cultural politics. By bringing light to these issues, she loosens the binds cast on mestiza by misguided and traditional views of heritage and proclaims her own freedom. It is empowering for the mestiza, or someone of several cultures, to guide their own misapprehending beliefs of culture and to have the knowledge to resist the black-and-white thinking that undermines the complex societal structure of …show more content…
Anzalda offers a “new mestiza consciousness” to combat the pain of the borderlands–a consciousness, unwilling to suppress people into a single identity that isn’t fit, that welcomes the convergence of diverse and unique cultures within individuals, something that is ever-present in borderlands. She continues this preponement by mentioning that “the future depends on the breaking down of paradigms.creating a new mythos.” Anzalda reasons that in order to heal the wounds of the borderland, individuals must choose to create new paradigms to honor their complex heritage and turn away from the traditional thinking we are used to surrounding culture. The celebration of one's multiplicity challenges the painful beliefs raised by inhabiting the borderlands– that one's identity is a single and conventional unit, and what falls out of line should be pruned. This evolved perspective of identity, new mestiza consciousness, embraces the fluidity and contradictions that wed to one's
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
Gloria Anzaldúa’s unique writing style in Borderlands/La Frontera creates a more simple understanding of the complexities of identity through the eyes of a feminist-Chicana writer. Anzaldúa uses long, fast paced descriptions, alternating languages, and feminist perspective to really keep readers engaged throughout the passages. Anzaldúa often allows readers into her intimate memories to create a better understanding of living as a Mexican-American in Texas.
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
Have you ever disobeyed your families culture? Or ever wanted to forget about something in your past culture? It’s not always easy, to follow traditions, sometimes you want to create or change your lifestyle.In the poem ‘’El Olvido’’ by Judith Ortiz Cofer and ‘’Life In The Age Of The Mimis’’ by Domingo Martinez. The authors of these texts indicate the idea that trying to hide your cultures identity is defiance against your heritage.
In Borderlands, the realities of what happens by the border instill the true terror that people face every day. They are unable to escape and trapped in a tragic situation. After reading my three classmates’ papers, I was able to learn a lot more about this piece than I originally encountered just on my own. I was able to read this piece in a completely new light and expand on ideas that I did not even think of.
Traditionally history of the Americas and American population has been taught in a direction heading west from Europe to the California frontier. In Recovering History, Constructing Race, Martha Mencahca locates the origins of the history of the Americas in a floral pattern where migration from Asia, Europe, and Africa both voluntary and forced converge magnetically in Mexico then spreads out again to the north and northeast. By creating this patters she complicates the idea of race, history, and nationality. The term Mexican, which today refers to a specific nationality in Central America, is instead used as a shared historic and cultural identity of a people who spread from Mexico across the southwest United States. To create this shared identity Menchaca carefully constructs the Mexican race from prehistoric records to current battles for Civil Rights. What emerges is a story in which Anglo-Americans become the illegal immigrants crossing the border into Texas and mestizo Mexicans can earn an upgrade in class distinction through heroic military acts. In short what emerges is a sometimes upside down always creative reinvention of history and the creation of the Mexican "race (?)".
Islas, Arturo. From Migrant Souls. American Mosaic: Multicultural Readings in Context. Eds. Gabriele Rico, Barbara Roche and Sandra Mano. Boston: Houghton Mifflin Co. 1995. 483-491.
Gloria Anzaldúa was a Chicana, lesbian feminist writer whose work exemplifies both the difficulties and beauty in living as one’s authentic self. She published her most prominent work in 1987, a book titled Borderlands/La Frontera: The New Mestiza. In Borderlands, she write of her own struggle with coming to terms with her identify as a Chicana, an identity that lies at the border between Mexican and American. For instance, she writes,“we are a synergy of two cultures with various degrees of Mexicanness or Angloness. I have so internalized the borderland conflict that sometimes I feel like one cancel out the other and we are zero” However, even as she details this struggle she asserts pride in her identity, declaring, “I will no longer be
The normalization of being a heterosexual presence would classify you as normal and you’d feel accepted by many different groups and communities by default. Certainly no one would deny that being true. What seems to be the issue is why is being heterosexual is the only type of normality society seems to accept. While reading Gloria Anzaldua’s Borderlands/ La Frontera, the author brought up her personal struggles with her sexuality within her culture and with society. As well as other difficulties when being a female and being lesbian (Anzaldúa and Saldívar-Hull, 41). The scope of this essay should cover the many different borders we face as humans when it comes to where we draw the line on sexuality.
Martinez, Oscar. Border People: Life and Society in the U.S.-Mexico Borderlands. (Tucson: The University of Arizona Press, 1994), 232.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Being so naïve about the country I came from being influenced by the way other people look at Mexico made me ashamed of who I was. Even taking it as far as dreading the color of my skin and despising the blood that ran through my veins. Not knowing of course that blood and the way I am and look is what ties me to my ancestors and my future family. Now, having the ability to block out the unnecessary opinions of outsiders and finally having the courage to love myself and my roots; I’m able to fill my own head with information. Learning from how people in Mexico treated the land like a part a part of themselves, I decided that I’m as important as the seasonal fruits, as intricate as el mole, sweet life the pineapple, and as bright and persuading as the sunflower. For the first time everything I see and am is as beautiful as it should be.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Hawthorne Studies have been subjected to many criticisms. Yet, the evolvement of many of the management theories today would not have come about without the experiments done by Elton Mayo. This essay will cover the various aspects of management that has been refined through the findings of the tests conducted and how improvements were made to aid in the development of organisational behaviour. It will also discuss the various studies and will show how these theories implement Hawthorne studies as the foundation and the basis of the human relations movement. It will also investigate the criticisms that arise within it.