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Satan as hero by literary devices
Character of satan essay
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Glen Duncan's novel I, Lucifer can be read as an infernal reply to the divinely inspired Paradise Lost. This is particularity apparent when comparing the separate accounts of the fall of Satan and the garden of Eden, as well as countless details throughout the stories. These accounts are incredibly similar, but unsurprisingly, due to his use of Satan as narrator, Duncan spins the stories to play up the lack of justice in Satan's treatment. In many ways I, Lucifer can be considered a sequel to Paradise Lost. One passage in particular suggests this to me,
“But say I could repent and could obtain
By act of grace my former state. How soon
would heighth recall high thoughts? How soon unsay
What feigned submission swore? Ease would recant
Vows made in pain as violent and void...
Which would lead me but to a worse relapse
And heavier fall. So should I purchase dear
Short intermission bought with double smart.” (IV:93-102)
In this passage Satan comes to the understanding that if he were to be given a chance for forgiveness, he would simply fall again twice as hard, which is exactly what occurs in I, Lucifer. He accepts the trial run on earth and at the end of the month rejects it, dooming himself again, and having to face the pain of his fall anew. While Satan's accounts of his fall, the garden of eden, and other biblically based stories seem plausible enough, he is still shown throughout as a completely unreliable narrator through obvious and intentional contradictions. This directly conflicts with Milton's narrator who claims divine inspiration for his work, suggesting a very reliable narrator. Due to this discrepancy in narration, I, Lucifer serves as an intriguing foil to Paradise Lost that continues the c...
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...al abyss with nothing but him in it. To which he replies, “if God were to get rid of everything except little old me, I'd be in exactly the position he was in at the beginning. Rich, don't you think? Lucifer ends up where God started.”(257)
Works Cited
Blake, William. "The Marriage of Heaven Hell." The Complete Poetry and Prose of William Blake. 'Ed'. David V. Erdman. New York, NY: Random House, 1982. Print.
Duncan, Glenn. I, Lucifer. New York, NY: Grove Press, 2002. Print.
Lewis, C.S.. "A Preface to Paradise Lost." Paradise Lost. '1st Ed'. Gordon Teskey. New York: W W Norton & Company, 2005. Print.
Mandel, Oscar. "What's so funny? : The Nature of the Comic." Antioch Review. 30.1 (1970): 73-89. Print.
Milton, John. Paradise Lost. 1st ed. New York, NY: Norton & Company, 2005. Print.
Webber, Joan. "Milton's God." ELH. 40.4 (1973): 514-31. Print
Milton, John. Paradise Lost. 1674. Ed. Scott Elledge. New York: W.W. Norton & Co., 1993.
Shmoop Editorial Team. "Paradise Lost." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 21 Mar. 2014.
Satan’s temptations failed for no incentive could make The Son of God bow before any other than God, the Father in Milton’s Paradise Regained. Ultimately, Milton emulates 4 James 7, “Therefore submit to God. Resist the devil and he will flee from you” in the final book of Paradise Regained, “So Satan fell and straight a fiery globe (PR.4.581).” The Son of God then returns home to his mother’s home.
Defining a character such as Satan, or Lucifer, is extremely difficult because of the sheer amount of emotion, and the immense personality that he portrays. Most think he is simply an evil being that was never really capable of feeling or doing good things. What most do not think about is that he was once an archangel and was amongst the tops ranks of the angels. Satan's personality traits are very deep but yet his motivations seem so childish. He is thrown from Heaven with his legions because he started a war over Christ. It was his pride that got him banished. Yet, it is persistence that humans value so much in a hero. So was he or was he not a heroic figure? Satan's personality helps this debate. Satan's characteristics and actions in Milton's Paradise Lost books one through four will be further investigated within this essay, to help see things in a different light.
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
Milton, John. Paradise Lost. The Norton Anthology of English Literature. 8th ed. Vol. A. gen
In John Milton's paradise lost, Satan, the antihero is a very complex character. His character changes dramatically from his first appearance till his last. He is the main reason of the fall of mankind, and he is the main reason for this whole poem. Satan, whom angel name was Lucifer, is a fallen angel. Due to his great pride, he defied god and tried to overthrow him and he was thrown out of heaven, after his failed attempt.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Seeing paradise only reminds Satan of what he lost as a result of his fall from Heaven. Satan comes to the conclusion that he is the very embodiment of hell, bringing it everywhere he goes : “The Hell within him, for within him Hell /He brings, and round about him, nor from Hell/One step no more then from himself can fly (20-22).” Compared to the Bible, we actually get to see the torment Satan suffers as he lives his life as God’s adversary. Satan actually takes responsibility for his fall , pointing out the flaws that led to it: “Till Pride and worse Ambition threw me down” ( 40 ) . Unlike the Satan in Genesis and Job, Milton’s Satan clearly understands why he has fallen. As Satan continues to ponder his situation , he realizes that even if there was a chance for his redemption, he would never be comfortable being God’s servant. Sooner or later, the same feelings of inferiority and the desire to overthrow God would rise. Satan becomes bitterer as his soliloquy goes on and resolves that his fate is sealed : “So farwel Hope, and with Hope farwel Fear,/ Farwel Remorse: all Good to me is lost;/Evil be thou my Good;”( 108-110). He then goes on to continue his revenge plot on God. Angry with God for putting him in the position to fall , Satan sees the same potential for failure in Adam and Eve. He then explains that it is in fact God’s fault that he must corrupt them and tells them to “ Thank him
Loewenstein, David A Student Guide: Milton-Paradise Lost, 2nd Edition Cambridge University Press, 1993, Second Edition 2004.
...nowing (Satan is just hunk of mass with no free will) and that Satan is our epic hero (Satan is head the rebel angels). Satan also loses because of the fact that due to his trickery he would be a snake forever, and that The Son was going to come down to earth and die to save Adam & Eve, so that Satan’s action would be eliminated. Break down Paradise Lost to it bare essentials, removing all religious overtones, and all that remains is an epic poem. The hero of this poem is a man named Satan who is banished for challenging the leadership of the clan. This man Satan makes a vow to destroy or corrupt anything created by the clan. This Satan was resourceful, making the best of what he had, very little, and accomplishing his goal. Satan may just be the nonconformist who could not abide by what was considered normal. In any case, one must show their admiration for Satan in his unwillingness to serve in Heaven, and then in the way he accepted his resulting role in Hell.
The. “Paradise Lost.” The Norton Anthology of English Literature. Ed. Stephen Greenblatt, M.H. Abrams.
Milton shows that the potential for evil was innate in these beings and was not the result of corruption from an external force. Lucifer believes himself to be God’s equal and desires omnipotence for himself. Lucifer’s pride is his undoing, and he is cast into hell where he becomes Satan. The pride is intrinsic to Lucifer’s nature and results from God giving angels free will. Indeed, Satan later considers repenting and seeking God’s forgiveness upon seeing Earth and all of God’s creation and being overwhelmed by emotion. However, he realizes that even if he did receive forgiveness, he would grow dissatisfied with his position in heaven once again and fall a second time “book four quote “ . This establishes evil as being a constant part of Satan; the evil could not exist without the good, but it is an inherent part of
It could be argued that the flaws in Satan’s character is such that we should feel no admiration toward him and neither fear or pity him but he can be seeming to inspire these emotions. Clearly this is seen when Milton states Satan’s tragic flaws such as envy, pride, and his ambition towards self-glorification. Satan’s pride is stressed throughout Paradise Lost. The important part to remember here is that Satan knows his weaknesses and flaws in his character through out the book. In Heaven, Satan’s pride convinces him that he is equal to God and thus sparks his ambition to defy God and challenges him for a democracy, while being envy at God’s appointment of his Son, this gives Satan the final excuse to challenge God’s
It is important, before continuing with an examination of Paradise Lost and its epic characteristics and conventions (specifically, those in Book I), to review for a moment exactly what an "epic" is. Again, according to Lewalski, "Renaissance critics generally thought of epics as long poems treating heroic actions or other weighty matters in a high style, thereby evoking awe or wonder" (12).