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Essay on emotions in psychology
Essay on emotions in psychology
Essay on emotions in psychology
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A long breath leaves pale, cracked lips. Glassy grey eyes look longingly into the night sky. Dark hair splayed out beneath her in the crimson liquid that was soaking into the ground. A long gash from her shoulder to her ear. "Shit...." she mumbled, tears gathering behind her lashes. "Shit, I'm so sorry..." Her mind was going a mile a minute, ears still ringing from the impact. Finally it stopped on one person, a dark haired girl of the same age, staring at her with a sad look. "I'm sorry..." She whispered, weaker this time. "You were my purpose..." She said quietly. Her eyes blinked slowly as to accommodate the black spots dancing across her vision. As soon as that girl had left, she stopped counting the pills she took, stopped looking both ways before crossing the road. Because she had no will anymore, no joy. And now, no life left in her body. The lights of an ambulance were approaching fast, …show more content…
the screeching of wheels fading from her senses as she fell into what she thought, was oblivion. June 15th, 2020 She lay wrapped in warmth, the soft but growing sound of rain tapping against the bedroom window. As she moved her head and let out a small whine of protest as her mind woke itself up. Opening gray eyes to the dim light of the bleary dawn she turned, with a bit of a struggle as the arm around her waist tightened. Once she was turned over, she traced the outline of the other's face, a small, fond smile growing on her features. She let out a small breath and closed her eyes, feeling content. "Good morning." The girl jerked, startled by the sleepy, gravely voice of her partner for a moment. She let out a small laugh and returned the greeting, "Good morning, Naomi." Dark brown almond eyes opened to stare at her, unfocused and glossy. The girl reached a hand up, cupping Naomi's face for a moment before moving up to her black, bed mussed hair. In retaliation, the young Asian girl groaned out a string of curses, scrunching up her nose. "Jupiter, stop! My hair is gross!" A laugh bubbled up from the brown haired girl's throat, her gray eyes becoming bright crescents. "You took a shower last night, what are you saying?" "But I just woke up and I look bad!" She protested, wrapping her arms tightly around Jupiter's waist again, letting out a soft groan of distaste as she continued to stroke her unruly hair.
"I don't care, you always look good to me, so your argument in invalid." Jupiter said, voice taking a turn for a more 'matter of fact' tone. Naomi stared at her blankly for a moment, before her bangs fell into her eyes and they both laughed. Untangling herself from the mess of limbs Jupiter stood and smiled down at Naomi. "I'm going to make coffee, want some milk tea?" She said. Naomi looked up at her, a face of contemplation over her soft features. And as a small smile grew on her mouth she nodded in affirmation. "That'd be nice, thanks babe," she paused, "I'll be down in a moment to help with breakfast, okay?" Jupiter turned to the other, her eyes sparkling, "Sure," she said, moving to tie her hair into a bun. Walking around to Naomi's side of the bed she leaned over, giving her a chaste kiss on the cheek. "Hurry up." She said, grinning as she left the room with a slight skip in her
step. The dark haired girl nodded and pulled the blanket up to her chin, "I know, I know," She sat up, stretching her arms above her head, her back popping. Her eyes were still unfocused, sleep filled. A long groan passing her lips at the relief of pressure the simple action brought upon her. Looking through the window she noted, the rain was still pretty easy going, the sun was tinging the sky a light pink. It was probably around six. And with a glance across the room she had guessed right, 6:40. Close to sunrise time. She smiled, Naomi could always
She thought about her family, and the neighbors, and the town, and the dogs next door, and everyone and everything she has ever met or seen. As she began to cry harder, she looked out the window at the stores and buildings drifting past, becoming intoxicated suddenly with the view before her. She noticed a young woman at the bus stop, juggling her children on one side of her, shielding them from the bus fumes.
This book was chosen to show that coming from a dysfunctional family does not have to hinder the success of a person’s future. Jeannette Walls is a journalist, writer, and former gossip columnist contributor to MSNBC.com. Despite living her childhood in the hands of neglectful parents, Jeannette Walls and her siblings have developed strength and achieved admirable success through their unconventional life of poverty.
Rex Walls While growing up in life, children need their parents to teach them and lead them on the path to a successful future. In the Glass Castle Rex Walls, Jeannette’s father, neglects to take care of his duties as a father figure in Jeannette’s life. In the same way, he teaches her to be strong and independent at a very young age. As we read through the story, we see the special relationship that Jeannette shares with her father. Even though he, in many instances, failed to protect his children, refused to take responsibility for them, and even stole from them, Jeannette still loved him until his death for two reasons: one, for his ability to make her feel special, and two, because he is a never-ending source of inspiration.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
In The Glass Castle you can see that there are families who don't have it all as you can see with the Walls family in this memoir. There are multiple themes you see throughout the memoir such as: family, creativity, and struggle, etc. But in this essay I will be talking about the differences and similarities of these themes from the memoir and movie. I will be focusing more on Jeanette Walls, and her father, Rex Walls. The first theme I will cover is “Creativity”.
The Fantasy World of The Glass Menagerie In The Glass Menagerie, Tennessee Williams creates a world in which the characters are disillusioned by the present. Amanda, Tom, and Laura achieve this disillusionment by resorting to separate worlds where they can find sanctuary. Each character develops their own world, far away from reality. Amanda frees herself from the harsh realities of life by constantly reminding herself of the past. To begin with, she continuously repeats the story of the "one Sunday afternoon in Blue Mountain" when she received seventeen gentlemen callers (1195).
really a place for someone like him and his mind rebelled. Lastly you can see
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
We live in a world where millions of people live their daily lives relying on their family, friends, and education. But most importantly, people tend to rely on their hopes and dreams of achieving a better life for themselves and/or for their families. Hope is what drives people to obtain a better life, but sometimes this “light,” or hope, can be put out by obstacles as it was done in Tennessee Williams’ play, The Glass Menagerie. Williams characterizes Tom Wingfield as the narrator, as well as an actor of the play in order to assist in the transition of the tone throughout the play. Tom’s narration at the beginning is characterized with nostalgic regret and tender memory, which then transitions to irony and bitter sarcasm. This shift of ambivalence serves to give the audience a sense of realization that dreams cannot always be relied on hope for hope can be put out by overwhelming obstacles, which may include family matters or moral values.
Abuse that begins during early childhood is very detrimental to the one being abused. The child is just beginning to learn who they are as a person. Children who are abused or made fun of often feel that they are unworthy and have little or no power and that the bullies are superior and have all the power. They often grow into depressed teenagers. In addition, many of the children abused or tormented of lose all hope and become abusers themselves. Sometimes a mental disability is developed. Either way, childhood abuse has a lifetime effect on the personality of the abused. It is very unlikely that anything positive will bloom out of someone being abused or tormented as a child.
In an interview, Tennessee Williams once said, "I have always been more interested in creating a character that contains something crippled... They have a certain appearance of fragility, these neurotic people I write about, but they are really strong." In Tennessee Williams' The Glass Menagerie, the strengths and weaknesses of the characters is the focus of the play.
To what extent does Williams create characters as merely symbolic representations used to teach the audience about human nature? And what other techniques does he use in the Glass Menagerie?
Abandoned by her husband and left penniless, Amanda Wingfield in The Glass Menagerie by Tennessee Williams, lived in a small alley apartment on the lower middle-class section of town with her two adult children Tom and Laura, which was far cry from Amanda’s youth during the Victorian era at Blue Mountain to her present situation of poverty and uncertainty. As a single mother, Amanda was worried about her family’s financial security along with concerns about her daughter’s lack of marital prospects; for that reason, her need to enrich her life by molding the lives of her children resulted in illusions overpowering reality that also brought out destructive illusions within herself, her son Tom, and her daughter Laura.
Tennessee Williams’s character Amanda Wingfield, in The Glass Menagerie, is a bold and persuasive personality devoted to the past. Amanda was forsaken by her husband, and faced with raising two children alone during the great depression. Haunted by the rejection of her husband, she is determined to keep her children close. Even if keeping her children close means using guilt and criticism to manipulate every aspect of their lives. Amanda’s domineering behavior drove Mr. Wingfield away, and is now steering her son toward a similar escape.
The play the Glass Menagerie supports the theme of illusions. A menagerie, a zoo, refers to a group of inhuman creatures. Since the creatures are glass, they are very fragile and not real. The title specifically refers to Laura’s collection of glass animals mainly horses. To escape the harshness of reality, Laura spends hours playing with the menagerie; this is an imaginary world for her. It is not only Laura, it is all of the Wingfields, they are all fragile enough to break easily. They burn with the slow and impeccable fires of human desperation.