Abandoned by her husband and left penniless, Amanda Wingfield in The Glass Menagerie by Tennessee Williams, lived in a small alley apartment on the lower middle-class section of town with her two adult children Tom and Laura, which was far cry from Amanda’s youth during the Victorian era at Blue Mountain to her present situation of poverty and uncertainty. As a single mother, Amanda was worried about her family’s financial security along with concerns about her daughter’s lack of marital prospects; for that reason, her need to enrich her life by molding the lives of her children resulted in illusions overpowering reality that also brought out destructive illusions within herself, her son Tom, and her daughter Laura. Endowed with beauty, charm, and elegance, Amanda remembered living an affluent life at Blue Mountain where she was courted by several prospective suitors and spent many nights attending social balls and galas. The world she envisioned was one of formality and manners in which high expectations of a person were part of being a socialite. As time went by, she married a man who did not fulfill the expectations of sophistication and monetary abundance that she had visualized; hence, shattering the lifestyle she imagined for herself and her children. Amanda’s demanding and idealistic views, along with the stories of past suitors were too much for her husband to bear so he ultimately abandoned her and their children for another woman he had had a long distance affair. Poverty stricken, Amanda and her family relied heavily on the meek income that her son Tom bought in from his job at a shoe warehouse and what little money she would occasionally make selling magazine subscription, whereas Laura was unable to contribute to... ... middle of paper ... ...da loved her children and had the best intentions for their future, her idealistic views of the past interfered with the realities of the world that they lived in. The worries and expectations she placed upon them were so damaging that it held her son’s confidence in himself back and diminish any dreams of a normal life for the daughter. Amanda’s illusion affected the family and herself the most because she did not want to appreciate the bright, beautiful, and kind children she had around her because she was too blinded by paranoia and the belief that nothing and nobody was ever good enough. The result of her actions drove her son Tom to finally leave home to join the Merchant marines and her daughter to seek shelter in her own world of fantasy with no hope for a normal life. Amanda was a mother trapped in her perception of a reality that was only an illusion.
To start, Amanda Wingfield displays different characteristics from Troy. Amanda lives with her son and daughter who are in their 20’s and are supposed to be starting their lives. Amanda wants Laura to succeed in life and be a remarkable wife to one of her future gentleman callers. When Amanda discovers Laura has stopped going to her typewriting class, Amanda realizes her dreams of Laura succeeding are flickering away, “My hopes and ambitions for you”(Williams 14). Through this quote Williams incorporates heartache into Amanda’s voice depicting her ambition for Laura to succeed. She also feels, “So weak I could barely keep on my feet!”(Williams 14). These two quotes illustrate that Laura’s own being is extremely important to Amanda and to an extent, acts as if Laura’s failure is her own failure. This sense of care that Amanda shows is essential to help Laura make something of herself and appears to the reader as a deep aspiration of Amanda’s conscious. While Troy only cares for Cory because , “It is my job...cause it’s my duty”(Wilson 38). Another way Amanda wants Laura to be blissful is through her efforts in trying to get Laura a gentleman c...
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
The Glass Menagerie is a play written by Tennessee Williams. It involves a mother, Amanda, and her two children, Tom and Laura. They are faced with many problems throughout the play. Some of these problems involve: Amanda, the mother, only wants to see her kids succeed and do well for themselves. How does her drive for success lead the book?
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Amanda's reality check comes from another dreamer, her son, Tom who is totally annoyed by Amanda's nagging and domineering, he thinks that everything will be better if he can just get away. Amanda and her family go on living their fantasy lives.
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
...o have an employed man in her life. Amanda served as a perfect model to exemplify this belief, and the way that Williams’ makes use of naturalistic themes in his play. He proves that without a strong man in the house to support Amanda and Laura, the women would not survive. While Amanda tries to raise her children without a husband, she exhibits many naturalist mannerisms. Williams’ reveals examples of Charles Darwin’s theories of “survival of the fittest”, and of natural selection through Amanda, and her interactions with her son, her daughter, and her character and disposition. Williams’ also demonstrates the naturalistic principle that character traits and personalities are hereditary. Tom Wingfield was the main provider for the family, and when he followed his father’s footsteps and abandoned Laura and Amanda, the women were left unaided and hopeless.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Moreover, Doyle would consider the impacts of this awful child rearing on Amanda's future. She could build up a failure to keep up stable connections, a low confidence, melancholy, or even certain mental issue from her mom’s mishandle (Lindsay, R. A. 2005.). By restoring her to her "legitimate" home, he has consequently guaranteed her future decimation. This is at last indecent.
Amanda, somehow, finds a way to be both selfish and selfless when it comes to Laura. Amanda wants Laura to be happy and successful, but does not understand that Laura is too shy and unmotivated to be either. When Amanda discovers that Laura has stopped going to typing class she is beyond disappointing. When discovered Amanda yells at her daughter saying, “Fifty dollars’ tuition, all our plans- my hopes and ambitions for you- just gone up the spout, just gone up the spout like that.” Laura quit something as simple as learning how to type; this realization struck Amanda because if she cannot do that there is no way Laura could provide for herself without a husband. Mrs. Wingfield’s worst nightmare is is for her children to become dependent on relatives and not being able to take care of themselves. After Laura drops out of typing school Amanda says, “What is there left but dependency all our lives? I know so well what becomes of unmarried women who aren’t prepared to occupy a position. I’ve seen such pitiful cases in the South—barely tolerated spinsters living upon the grudging patronage of sister’s husband or brother’s wife!—stuck away in some little mousetrap of a room—encouraged by one in-law to visit another—little birdlike women without any nest—eating the crust of humility all their life!. Amanda had always wanted for Laura to find a nice husband, but then the situation became desperate when the younger women
Amanda Wingfield (mother) is the most unrealistic of all the characters. She clings desperately to the past as she repeatedly relives the memories of receivin...
Amanda also finds herself being overwehlemed with the huge lifestyle changes as a result of moving away from the only place she's ever lived (Ohio) and finds it very difficult to concentrate/adjust to her new surroundings. Amanda’s grades begin to severely slip in one of her classes which she then tries to fix by paying more attention towards that class and putting her other classes on the back burner. This causes her to have poor attendance in some of her classes and results in her not being present for a few exams that were given. For the next few weeks Amanda works on getting back into the “groove” she was in when she was a great student but by the time she is back on track it is too late and she is unable to bring her grades up before the semester ends. The following semester Amanda much more confident in herself and decides to really push herself to make up for doing so poorly and enrolls into courses she failed to retake then for a far better grade as well as new courses.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...