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Giselle ballet analysis
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The Australian Ballet was outstanding in their performance of Giselle. The choreography in this production was first created by Jean Coralli and Jules Perrot and then restaged by Colin Peasley. The choreography beautifully mirrored the music composed by Adolphe Adam. Though the ballet company’s adaptation of the classic was originally performed it in 1991, I did not view it until 2017. The ballet is divided into two acts which well serves the length of the show and the contrast between the two acts. There was great use of principals, soloists, and a corps de ballet.
The ballet is about the young and beautiful peasant Giselle who falls in love with the Duke Albrecht, who disguises himself as a peasant to win her love. He is actually betrothed
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to the a noblewoman, Bathilde, but he hides this from Giselle. Berthe, the mother of Giselle, tells Giselle not too dance as much because it is bad for her health. She continues to dance and falls in love with Albrecht. When Hilarion, a peasant who is in love with her, reveals Albrecht’s secret to Giselle, she is distraught and dances herself to death.. After Giselle’s death, Hilarion comes to visit her grave and is danced to death by the leader of the Wilis, Myrtha. The Wilis are a group of virgins that died with unrequited love; they want Giselle to join them. The Wilis attempt to get Giselle to dance Albert to death upon his arrival at her grave, yet she does not go through with it. The climax is the Grand Pas de Deux, and when she chooses to forgive Albrecht. When daylight breaks, the Wilis disappear, leaving Albrecht to weep at Giselle’s grave. Romantic ballets were dominant in the early nineteenth century; Giselle is one of the most famous ones. It contains all the necessary elements for a romantic ballet. The ballerinas performed en pointe which was an idea introduced during the Romantic Period. The romantic ballet skirts were emerging as well, and these were worn by the dancers throughout the ballet. Giselle is concerned with the supernatural. This is a very prominent theme within the storyline about the Wilis. The performance of Giselle’s dancers looks very physically demanding for all everyone; it seems to require a lot of breath support.
There is a lot of fast-paced movement and jumping in the first act. Even with all of the difficult factors involved, Christine Walsh, who portrays Giselle makes her dancing look effortless and graceful. The choreography was a joy to observe and it paired with the orchestration beautifully. Aside from the role of Giselle being physically demanding, it is also emotionally demanding. The dancer playing Giselle must also be a talented actress, so that she can communicate the ideas through her movement and gestures. The role was originally created for famous ballerina Carlotta …show more content…
Grisi. The design elements for this show were perfect.
I really enjoyed the costuming for this show.. Most pieces of clothing were very elaborate and appeared to be very detailed. This is seen when Giselle admires Princess Balthilde’s dress when they first meet. I also really enjoyed the look of the corps de ballet. All of their costumes fit within the same color scheme which made it very pleasing to the eye. It was interesting to notice the stark contrast of the costumes between the different acts. Act one’s costumes were full of beautiful vibrant colors, whereas act two was filled with mostly white and neutral colors. There were very few props. There was a bench that was moved around in different scenes. There was also Princess Bathilde’s necklace that she gives to
Giselle. The set was very simplistic as well. In the first act, there was Giselle’s cottage with the Albrecht’s cottage opposing it across the stage. There was also a bridge in the back that the nobility walked on when they arrived. There was a bright forest backdrop as well. In act two, there was only a backdrop that made the darkness of night and death prevalent. The lighting in each acts mirrored the set. The lighting was bright and vibrant in the first act, then opposed in act two by being dark and eerie. The overall mood was interesting because, like everything else in the show, it shifted with the acts. The mood in act one was very happy and joyful until Giselle realizes that Albrecht lied to her about his identity. The show suddenly loses the lightheartedness that it had up until that moment, and it takes on a darker tone that continue throughout act two. Even though the show first premiered in 1841, its message is still relevant in modern day. I believe that Giselle’s willingness to forgive Albert can serve as a lesson to everyone about the importance of forgiveness. I really enjoyed viewing this ballet. The lead dancers, Christine Walsh and Kevin Coe were outstanding in their portrayal of their characters. I was not familiar with this story prior to my small introduction to it in ballet class, and I really liked it. I enjoyed the entire concept and the contrast between the two acts. Everything was absolutely breathtaking. It was amazing to watch these professional dancers perform because it reminds those who are still learning of what they train to accomplish. Seeing such a high level of excellence was very inspiring.
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
The sadness and seriousness of the dance is expressed by the color tones in the costumes and lighting. The whole scheme is dark and neutral; there is no color throughout the whole piece. The lighting the entire time is very dim. The background is completely black and a very dim light is shined on the dancers when they are dancing. This makes the tone very somber, and when paired with the music and costumes, really makes the entire mood of the dance come together. The costumes are very plain and simple. They are sleeveless tank tops and gaucho pants for the men, and a plain long brown dress for the girls. It should also be noted that they are barefoot, and have no accessories on. The choice of these costumes sets a realistic backdrop. Additionally, these costumes demonstrate their lack of individuality and freedom since they are all wearing identical
From the scene set up to the clothes each actor wore it was all very impressing. The scene set up was a beauty shop and was extremely accurate and realistic. The play had four scenes and each scene was a different season. For each season the “beauty shop” was filled with props. In December it was filled with Christmas trees and ornaments. The clothes each actor wore fit each character’s personality. For example, Annelle was seen as very quirky and always would wear “dorky” clothes. The use of spectacle in this play left no room for imagination because they had everything layer out for
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
I found the setting of the show to be visually amazing. One scene that I found interesting and heart touching, was when Elphaba and Glinda realize that it’s the end for the wicked witch. The hunters that have been chasing them have finally caught up to them and have come to kill her. Glenda and Elphaba share a moment of reflection and love that they know will be the final embrace they will ever share. At the end of the song “My life has changed forever” because I knew you, they share an embrace where you can feel the love radiate from the stage to the audience, I actually began to shed a few tears along with my girlfriend because, this scene was heart touching. Looking about at others in the audience and I noticed that they were emotional too both man and women had watery eyes or was
...tly, the costumes in this production of Wicked were incredible! There were so many beautiful costumes! Many were very elaborate and detailed, while there were also various simple and elegant costumes. This was extremely refreshing to see as an audience member. The costumes always matched the characters’ emotions, which made the plot go along much smoother. I noticed that in numerous scenes the costumes were the same color as the lighting in the scene. I think the director did this on purpose to emphasize certain moods, but in some cases, a variety of colors would have worked better.
My first choice was a ballet piece named La Sylphide. La Sylphide is a story about a young Scottish man named James who is soon to be wed. He falls asleep and has an intricate dream about a beautiful sylphide, which is a spirit. In his dream they dance and he soon falls in love with the sylphide. When he awakes, he soon forgets about the sylphide and focuses on his fiancée.
One of its numerous strengths was the costuming and set. This musical would not have been the same had these elements not come together to transport the viewer. In addition to the costuming and the set, the actors were very well cast. Each actor was in a role that fit them and they portrayed their characters very well. For example, the man who played Glen really seemed like a greedy Wall Street worker. The choreography was also well done. It fit true to the style of dance in the 1980s and added to the immersion experience. The only thing that could have made this experience better would be to add more music. This may just be a personal preference, but when I see a musical I like for the music to be central like it is in Hamilton or Les Miserables. However, this musical was very good and not much could be added to enhance the
The element that stood out the most to me was how effectively the music and the footwork corresponded. The best examples of this are seen through the dancers solos. Especially Albrecht's solo, his feet glide on the stage at the same tempo as the music. Similarly, Giselle's graceful footwork is truly amazing. I really like the similarities between the choreographed footwork and the music, it makes Giselle seem much more elegant and beautiful. This also seems to make the work look more put together and in sync because the dancers are dancing in harmony with the orchestra. The choreography by itself is amazing. The footwork is rapid and intricate, however, at the same time it is delicate and graceful. The ballerina (Giselle) made it look very easy to do the choreography, when it rea...
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
Since this is a review and its based on my opinion, I would have to say this was one of the worst plays I've ever seen in my life. I wasn't entertained by the play at all. The only good parts were the good-looking girls in the play. I like the main character Marisol based only on her looks. She played on ok job of acting. I realize she had a lot of lines to memorize which she had down, but she just didn't get to me. I think the costumes were ok. They had nothing special, or out of the ordinary except for the angel's wings, which were pretty nice. I didn't like the lighting or the scenery. I didn't know where the scene was supposed to be at some points.
...he ballerina both physically and narratively drew focus to the increasingly vital role of the supernatural, unattainable woman in ballet. The spectacle of Romantic ballet could not be so exuberant without its visual presentation in scenery and dance style, yet the pinnacle of Romantic ideals became the woman in her ethereal, supernatural presence. Giselle was built as a vision of Romanticism as changes in lighting and illusion centralized around her plotline, floating, skimming dance steps enhanced her ethereal qualities, and the narrative of the ballet itself projected her as an unattainable, otherworldly being. She was an isolated spectacle, both mysterious and alienated. The ballerina became the epitome of awe and mystical beauty in reflecting these Romanticism ideals. The ballerina was the most effective expression of a supernatural presence in Romantic ballet.
The theatre is full of young men and women. The gas lanterns dimly light the room and the silhouette of a figure can be seen in the shadows of the stage. As she emerges, she is like a dream: a tall, elegant body with a form fitting bodice and tutu. She is entrancing on her tiny pointe shoes as she floats across the stage. Love and passion fill the air as she moves in such a way that is almost magical. The Romantic Ballet Period introduced the aspects of theme, costume, and new technique to the dance world and its influences are still seen in contemporary works in ballet.
There wasn’t any particular scene on stage that made me doubt the integrative work of the director since all the staging work such as lighting, design, costumes and performance were well coordinated and blended for a very good production. The lights were well positioned with well fitted costumes and a very ideal scene to match. There wasn’t much change of scenes in the play except for some movement of tables and chairs. There was an entrance and exit for the performers which made their movements uninterrupted. There was a loud sound of a bell when school was over while the lights were dimmed whenever there was a change of scene. The pace of the production was very smooth since one scene followed the other without delay and most likely because most of the performers wore the same costume; especially all eight students wore the same costume for the entire