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Cultural festivals day of the dead
Critically analyses the essay the day of the dead as a mexican festival
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Her 1938 painting The Girl with Death Mask (She plays alone) resides in Nagoya City Art Museum and it is said to be a self-portrait of Kahlo as a child. In the painting the child is wearing a mask of the dead while holding a flower. Right beside her foot rests another horrific looking mask of an animal that looks like a demon, but it is said that it could represent a tiger. The masks are a traditional symbol for the annual Mexican Festival called “The Day of the Dead”. The “Day of the Dead” is considered to be a joyful holiday, where families celebrate the death of their love ones instead of mourning over them. It is the celebration of life and rebirth and they believe on that day their loved ones’ spirits would come alive and partake in the festivities with them such as dancing and …show more content…
They would also make decorated altars in their homes to welcome the spirits before they leave. There is a strong connection with this painting and this holiday; people would flood the streets wearing bright colorful clothing with masks on their faces such as the little girl in the painting. Another symbol that is shown in the painting is the yellow flower the child is holding. This flower is most likely to be a tagete flower, which people place on their loved ones’ graves to mark the celebration. This painting is also a depiction of Kahlo’s feelings and the life she had to live, hence the paintings subtitle “She plays alone”. Frida Kahlo often felt alone, whether it have been physical or being alone in her mind with her thoughts. I get the impression that Kahlo did not have much of a childhood and that the young innocent girl of who she once was has died when the troubles of her life became too much to bare. The masks could also be represented as her demons that she had to face and hide behind all her life. The flower that she is holding could be seen has the only happiness or a sense of joy that she had while being in
The piece shows Marie posing with her three children, the reason for this painting was to create a public message depicting her as more than just elegance and put her on the same level as the general public. Because the painting was meant for the eyes of the general public the painting is rather bland and lacks detail. Instead of Marie looking down on the population showing off her lavish and extravagant items she has just her children attempting to depict herself as a regular mother just like every other female raising children. There is very little details in the paint except for the empty baby carriage which was most likely only included to honor the death of one of her children at a young
word “art” which may imply something about the materialistic world that she tries to be a part of. Interestingly, and perhaps most symbolic, is the fact that the lily is the “flower of death”, an outcome that her whirlwind, uptight, unrealistic life inevitably led her to.
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Foreigners have more trouble understanding Dia de Los Muertos than any of Mexico's other celebrations. At first glance, they see Day of the Dead decorations which are colored paper garlands, little skeletons performing daily tasks and sugar skulls inscribed with names, which remind them of Halloween. Other tourists discover that much like Memorial or Remembrance Day in the US, families here visit, clean and decorate graves of loved ones for the November 1 and 2 holidays. Many families honor their ancestors and dead with different traditions, which I will be telling u about.
...parts of the celebration, October 31st, November 1st, and finally November 2nd. On October 31st, it is seen that the kid’s souls return. November 1st is considered the adult’s day of returning, and November 2nd is when all souls have returned from the dead and there is a big celebration. People of Mexico celebrate by making many baked goods and cooking meals, making objects such as masks and decorating papers and toy coffins to prepare for the return of the souls.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Frida Kahlo was an amazing woman whose many tragedies influenced her to put her stories into her paintings. She was born in July 6th 1907 to a Mexican Roman Catholic mother who was of Indian and Spanish decent and a German photographer father. Frida had three sisters, Mitilde and Adriana, who were older and Christina who was younger. She learned about Mexican history, art and architecture by looking at her father’s photography. When Frida was six she got polio and it was a long time before she would heal completely. After surviving polio, Frida’s right leg became weak and thin, so her father encouraged her to play sports to help her.
Born in 1910, Frida was a woman that was not about preserving young beauty. She loved to acquaint herself with Mexico, where she was born. Being a great painter, she loved to paint pictures of herself. A quote by her is as follows “I paint myself because I am so often alone and because I am the subject I know best”. In other words, she can paint and feel free, because she knows herself well and can paint the
The main piece of symbolism that carried itself through the music video was a teddy bear that was once only a little girl’s stuffed animal, but later turns into a meaningful and sentimental piece of hope and a sort of light at the end of the tunnel. The teddy bear was first stolen, taunted, and teased with, in the beginning of the video. Fighting back, the little girl was punished and restrained by the teacher. Building up to the second time the teddy bear is shown in the music video, the girl goes through many traumatic situations. When she is looking outside a window to the neighbors house where there are kids playing inside a castle, she immediately ducks down as she is spotted. She doesn’t know she is being alienated and isolated from the kids next door. All she feels is that she is on her own. So as she grows up, she decides to become “herself”, dressed in dark, grim and Goth looking clothes, but is stopped immediately by her mother. She is being influenced that she can’t be her self without the world not accepting her as she is. The excuse for parents when they see their kids going through sudden changes that are actually a sign of depression is that they are kids or teens acting like regular “their age”. Yet, there are many ways depression and other social problems could be treated but there is no one there to notice the problems itself, “Many parents don 't recognize when adolescents are depressed…” (Hosansky para.
Frida Kahlo was an amazing woman whose many tragedies influenced her to put her stories into her paintings. She was born in July 6th 1907 to a Mexican Roman Catholic mother who was of Indian and Spanish decent and a German photographer father (Fabiny). Frida had three sisters, Mitilde and Adriana, who were older and Christina who was younger. She learned about Mexican history, art and architecture by looking at her father’s photography. When Frida was six she contracted polio and it was a long time before she would heal completely. After surviving polio, Frida’s right leg became weak and thin, so her father encouraged her to play sports to help her (Fabiny).
Death Day is a woman that is standing underneath a weeping willow. In the woman’s hands she is holding a flower. While standing underneath the tree she is looking down at a gravestone. By her feet there are two wreaths. There are also some blue flowers. The woman is wearing a black dress with a black veil. At the bottom of the woman’s dress there are white symbols. The white symbols on her dress look like crosses, hearts, some type of tree leaves separating the hearts, and some type of smoke separating the crosses and hearts. In this painting the brushstrokes were very fine. You cannot see the brush strokes at all.
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a
Masks of the dead are part of the traditional culture of many countries. A death mask is a wax cast made of a person’s face soon after the person dies.
...rit of the dead, watches over her. Gauguin, in this painting, created a supernatural and fearful aura in this painting. Gauguin experimented with color to arouse deep emotion. Besides the upsetting color, the general composition of the painting is disturbing. The old woman in the background that is watching the girl is eerie.