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Importance of art for Egyptians
Importance of art for Egyptians
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Masks of the dead are part of the traditional culture of many countries. A death mask is a wax cast made of a person’s face soon after the person dies. In ancient times, death masks were sculpted masks that were actually put on the faces of the dead. It was believed that ancient people used these masks to protect the dead from evil spirits on their way to the afterworld. The best known of these are the masks used by ancient Egyptians, such as that of Tutankhamun. His death mask is the main reason we still know what Tutankhamun looked like. In the Middle Ages, sculpted masks became true death masks made of wax. These masks were not buried with the dead. Instead, they were used in funerals and were later kept in libraries, museums and universities.
The mask is part of the ceremony known as "the Dance of the Goats” or La Danza de los Chivos. The mask on masksoftheworld.com is from Chilpancingo, State of Guerrero, Mexico. However, the traditional Dance of the Goats began in Zitlala, State of Guerrero, Mexico. The villagers created the dance after the Mexican Revolution in 1910. After the war, an epidemic took place that eliminated almost all livestock in the area. Even with the epidemic, the people were able to complete the construction of their primary church, but afterwards were left with nothing. They decided to approach the patron saint of the village, St. Nicholas to express their concerns and worries. Once they were before him, they dressed and danced as goats. Afterwards, the villagers believed that Saint Nicholas had performed a miracle. From then on, they perform the ceremony every year on the day of St. Nicholas on September 10th. The dance represents the tradition of rural life that portrays peasant life and the daily struggle to keep the heritage of peasant families alive. The idea is to capture daily life through art. The purpose of the mask used in this dance is to transform the dancers into the character of a goat.
A theme in “Our Secret,” by Susan Griffin that is developed through the character of Himmler, and the symbolism with the development of a cell is that if individuals hide constantly behind masks, they will struggle internally.
Traditionally, Chinese face masks were used in folk art performances before the Song Dynasty, which eventually transform into a facial paint masks in the Song and Yuan Dynasties. During the Qing Dynasty the arrival of European culture and the opera provided a way to merge Chinese and European culture in the use of painted folk art facial masks. The meaning of the mask focuses on the heart and soul of the mythological or fictional character being represented on the stage. In this manner, the design and color of the mask imbues a powerful sense of emotive and symbolic meaning for the audience to observe in the actions of the performers. Certainly, the “heart and soul” of painted facial mask defines the foundation of Chinese folk art culture to project a profound sense of drama in the Beijing Opera medium. In essence, these are the important aspects of the meaning of the Beijing Opera painted facial mask, which define the powerful emotive and cultural transmission of folk art into the modern setting of the European-styled
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
“Be a man”, is on of the most destructive phrases to tell boys and men. The Mask You Live In explains the struggles boys and men have growing up in a patriarchal society. I chose to watch this to understand how men feel oppressed. All year, I became aware of females and their struggles in the patriarchy. It is interesting to see that men are affected too. The documentary should have had more personal stories because it allows the audience to connect with and have empathy for men. On the other hand, the movie thoroughly demonstrated the inner conflict boys and men face in society. Men feel they must be strong and dominate. They feel they need to hide emotion and empathy in order to fit in. They must be manly in order to
About four and a half thousand years ago, the ancient Egyptians started a tradition that would last for thousands of years. The practice of preserving the bodies of the dead was both ritualistic and spiritual. Their intricate burial procedures and elaborate tombs were also a crucial part of laying the deceased to rest.
They, in fact, believed in an afterlife where earthly work had to go on. For this reason, the Ancient Egyptians constructed Shabti figurines for their tombs that could be magically called to life and do their work for them. These figurines fulfilled in death the tasks that ordinary human beings did in life. The Ancient Egyptians were very industrious, after all. However, the Shabti figurines were called to life with a spell inscribed onto their bodies. These Shabti dolls could be purchased from temple workshops and each one was hand-carved. In addition, the Shabti dolls represented a certain job and were carved in a specific way. For example, sold in these temple shops, were Shabti figurines looking like farmers, construction workers, or sculptors. Even so, if tombs had an abundance of Shabti dolls, it helped archaeologists determine the stature of the tomb owner. Of course, a pharaoh or person of noble status would have plenty of Shabti dolls to serve them in the afterlife. But, in the tomb of King Tutankhamon, the Shabti dolls were more intricately carved and sculpted in contrast to the Shabti dolls of the less fortunate. In short, an abundance of Shabti dolls displayed wealth and status, reflecting the Ancient Egyptian’s concept of life continuing in
The funerary rituals introduced by the Egyptians were the most intricate, spiritual rites in their times and, perhaps, even to this day. Their elaborate customs, tombs, and gifts to the dead were representative of their pious, devoted nature. Albeit not all were as imposing as the oldest and still remaining Seven Wonder of the World, the Pyramids of Giza, all were meaningful and sacred. The Egyptians, highly reverent of their dead, adopted ornate, religious burial practices to fit to every member of their society.
Masks have been mentioned in Venetian history dating back to the thirteenth century. They are formed out of paper-mache and decorated with various paints, gems, feathers, and other decorations (Magic of Venezia Mask Story). The Venetian Republic was composed of intensive social and economic inequality, making for a unique culture. Such inequalities resulted in the use of masks for the purpose of concealing an individual’s identity. Venice, being such a small city, made it difficult to keep secrets but the use of the mask helped make it a bit easier. The masks served the social purpose of keeping all citize...
Masks form an important part of Chinese culture. The earliest Chinese masks were created nearly 3500 years ago, and served as spiritual symbols. They have been used in Chinese rituals to propitiate the Gods and to seek blessings. Sorcerer’s masks were common in the Yunan and Guangzhou provinces to seek solace for souls, which had passed from the earth, or to seek fortune. Masks continue to be worn in China today during weddings, funerals, religious ceremonies and cultural events (Traditions). As Chinese opera is but a representation of Chinese culture, masks too became prominent leitmotifs within the overall framework of the art form.
What is the purpose of King Tutankhamun’s Death Mask? Tutankhamun’s tomb buried away in the valley of kings. Found by Howard Carter, one of the most accomplished Archaeologists. ‘At first, I could see nothing, the hot air
Archeologists believe this mask dates back to about 1250-1100 BCE. The mask is completely made out of bronze and stands about 66cm high and 138cm wide. This mask consists of many different forms that differ from most of the art we have reviewed in class. It resembles many human and supernatural features such as protruding eyes and halberd-shaped ears. The protruding eyes definitely stand out on the mask and resemble a form that seems celestial. The true purpose to why the eyes protrude is still under debate, but it is definitely something we have not explored in our readings so far. Most of the artifacts we reviewed in class have been mostly human in nature or represent their gods in human forms with animal like features, like the sphinx. The ears are in the shape of a bronze wing or halberd which is a hacking weapon that was commonly used in Northern China during this time. What makes the ears significant in this piece is how they are in the shape of a weapon and not of a human or animal. Besides the ears and the eyes, the entire mask was molded, chiseled, and fused together which is why there are several rectangular holes on the sides and forehead of the mask. The front rectangular hole is possibly believed to once hold a large bronzed conspicuous feather, trunk, or other decoration while the rectangular holes on the sides of the mask were probably once used to fasten
For example, according to mythology, Dionysus died a violent death. “Festival of Dionysus” states that after mocking his father, the Titans attacked the god with knives and continued to change his form: first to a young man, then to a lion, a horse, a serpent, and finally he was killed in the form of a bull. His later resurrection was believed to be the cause of the regeneration of plants and the fertility of animals. On the first day of the Festival of Dionysus, wine was celebrated when his death and resurrection were reenacted through the killing of a bull (“Festival”). An additional important aspect was the honoring of Dionysus’s statue. One of his most known qualities was his appearance; he was extremely handsome, and many famous statues, sculptures, and paintings were made to honor him. “Birth of the Masks of Comedy and Tragedy” illustrates that people also participated in the wearing of masks in performances to impersonate the god; Dionysus concealed both his identity and his power, represented by the wearing of masks. People believed it would free them from secret desires and buried regrets. Tragic masks showed mournful or pained expressions, while comic masks were smiling. The shape of masks amplified actors’ voices, so the audience could hear the words easier. (“Ancient”). The purpose of these and other happenings mentioned were to
Embalming is the art and science of preserving human remains by treating them from decomposition. The intention of embalming is to keep them suitable for public display at a funeral or a religious part of one’s life. Although many people do not get to witness the process of embalming, it has been used since the ancient Egyptians era of mummification (Britannica, 2014). It is required for the body to be embalmed, the embalming fluid preserves the body indefinitely, and smoking the embalming fluid are three unknown facts about the embalming.