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What were the masks for romeo and juliet
Masks in romeo and juliet
Masks romeo and juliet used to hide ones persona
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Venetian Masks: the Deception and Protection of One’s Identity
Wearing a mask helps create a hidden identity. When wearing one, you disclose who you truly are. Your social status can no longer be revealed. Your family is unknown. You are able to act freely. Throughout centuries Venetian masks have been used on many occasions for such purposes. The mask wearer can carry about freely and interact with others without the boundaries of their identity and social structure to keep them apart. The mask has an extensive history in Venice, Italy. There are several designs, all serving different purposes. Shakespeare often incorporated masks into his plays, including Romeo and Juliet and Othello. In Othello, Shakespeare uses the concept of a mask throughout the play to reveal the different identities of Iago and his true intentions. In Romeo and Juliet, however, actual masks are worn to conceal the identity of Romeo at the Capulet Ball and Juliet metaphorically wears a mask to create a façade about her relationship with Romeo. The tradition of the mask is one that still lives on in Venice today with the annual celebration of Carnival.
Masks have been mentioned in Venetian history dating back to the thirteenth century. They are formed out of paper-mache and decorated with various paints, gems, feathers, and other decorations (Magic of Venezia Mask Story). The Venetian Republic was composed of intensive social and economic inequality, making for a unique culture. Such inequalities resulted in the use of masks for the purpose of concealing an individual’s identity. Venice, being such a small city, made it difficult to keep secrets but the use of the mask helped make it a bit easier. The masks served the social purpose of keeping all citize...
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...s used in a metaphoric sense.
The use of the mask in Romeo and Juliet was to keep Romeo’s true identity hidden (Romeo and Juliet, I.iv.). Romeo, Benvolio, and Mercutio, along with the other guests, all wore masks while attending the Capulet’s feast. Romeo agreed to go to the event after his friends convinced him that it would be a good way to get Rosaline, the girl who Romeo claimed he loved but did not love him in return, off his mind. Being a Montague, it was important for Romeo to keep his identity concealed. It was crucial for Romeo’s Montague identity to remain hidden simply because the Capulets and Montagues had been feuding families for an extended period. Tybalt, a Capulet, recognized Romeo’s voice and became enraged by his attendance. Tybalt’s anger eventually leads to a scene that results in his own death and Romeo’s banishment (Romeo and Juliet, I.v.).
Lord Capulet subconsciously throws the party Romeo and Juliet meet at, which leads to their continual meet ups and eventually, their deaths. He originally throws it for Paris to court Juliet, which is slightly ironic, but many other things transpire during the masque. Tybalt regonizes Romeo’s voice; and would’ve confronted him if Lord Capulet didn’t step in to attempt to make the ‘proper’ decision, explaining it off as Romeo having a good reputation:
A mask makes one unknown, unrecognized, and mysterious. When the first mask was put on, Jack "looked no longer at himself but at an awesome stranger" (Golding page #). At the formation of Jack's tribe, all who join wear a mask from that time on and become a part of the savages. As three savages return to steal fire, they are driven because they are "demoniac figures with faces of white and red" (Golding page #) not individual boys. The mask becomes such an anonymous symbol that, towards the end of the story, Ralph "gazed at the green and black mask before him trying to remember what Jack looked like" (Golding page #). Whether stealing, fighting, or hunting, the savages found their courage because they "looked like something else" "hidden behind the mask of paint" (Golding page #).
Though a mask may just be a paper cut out, a molded piece of plastic, or in the Lord of the Flies, a painted face, they all have the same ability to create a feeling of freedom from responsibility. They may make they wearer feel more important or powerful and too good for work, leading to a lack of fulfillment of their responsibility. This belief in freedom from responsibility is best exemplified by Jack, the first one on the island to begin wearing a mask. He used a mask because he felt it gave him power and skill, giving him reason to take up hunting as a prime responsibility, opposed to keeping the fire going. In their...
Although he knew it was not wise to attend the Capulet ball, Romeo chose to do so anyway, carrying out his personal desire. “Romeo: And we mean well in going to this mask; But ’tis no wit to go.” (Act 1, scene 4, line 48-49). He was expected by his family to conform to the centuries of feuding with the Capulets, but he instead sought out the Capulet daughter, thus fulfilling his lust. In order to do this, he had to wear a mask to hide his
During the post-bellum period, both Blacks and Whites fought to define the social structure of the New South following the passage of the Thirteenth Amendment. Blacks sought to express their freedom in the simplest terms through the control of their own political, economic, and social life. Nonetheless, humiliation and injustice defined freedom for Blacks in the New South as institutions, both federal and local, failed to support the rule of law. A rigid framework crafted through means of power and fear came to define the social status of the “New Negro”. However, within the framework existed a small amount of fluidity which acted as the motive power for African Americans as they transitioned from a long freedom struggle into the Civil Rights movement. The rigid social framework coupled with the small amount of fluidity acknowledges the harsh realities awaiting Blacks daily during the Jim Crow era while suggesting the opportunities afforded to Blacks indicates an overall improvement in quality life as opposed to the institution of slavery.
A way that the saying “Character is what you are in the dark” by Dwight Lyman Moody, can relate to the play is by, “You are most yourself when no one is watching”, meaning in the play of “Romeo and Juliet” that they both did act differently when they were alone. Meaning that in the story Juliet was a Capulet, and Romeo was a Montague, their families were enemies, meaning they did not at all like each other. Romeo and Juliet both had to act differently when they were around people because the Capulet’s and the Montague’s hated each other. Romeo and Juliet loved each other very, very deeply, only a few trusted individuals knew of their love between each other. So, they had to keep their relationship pretty hidden and quiet, they didn’t want barely anyone knowing.
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
In Act 2 Scene 5 the narrator tells us that “Romeo and Juliet are secretly married in Friar Lawrence’s chapel.” The only person who knows about Romeo and Juliet’s wedding is the Nurse. The blue feathers at the top of the mask represent Juliet being the boss of the Nurse, but still having manners. Paris was at the chapel to tell Friar Lawrence that he and Juliet were getting married on Thursday.
Everyone knows about the famous Capulet-Montague rivalry but does anyone actually know where it came from? Neither do we, but we have used facts to take a pretty good “stab” at what has been causing all the commotion in the streets of Verona for years. The best guess we have is that a Capulet was murdered in a party that they most likely hosted. A noteworthy fact is that the Capulets held parties where most everyone wore masks. This would have been a unpassable opportunity for someone plotting a crime. Maybe someone was claiming revenge, or quite possibly someone digested a little too much of “ye olde wine”.
It is Act I Scene V in the play and Shakespeare starts it with the servant’s talking and welcoming the guests. This part is completely cut out in the adaptation, it is substituted with dances and Mercutio singing. The substitution wasn’t a loss, in fact it brought more action to the film and introduced character’s costumes. This part is also shown from Romeo’s point of view. The characters is one thing that really gives the director a credit. He made them all really interesting. On the costume feast the costumes symbolically represent the inner worlds of the characters. Lord and Lady Capulet thinking of themselves as the supreme dressed up as Caesar and Cleopatra respectively, Benvolio and his friends are shown as barbarians, not seeing anything around himself Paris wearing a space suit and Tybalt is shown as a devil. Romeo dressed as a knight in shining armor, whom each girl waits for. Leonardo Di Caprio played Romeo as no other actor could, he fully represented the image of Shakespeare’s Romeo. Juliet dresses as light angel as she is. Juliet played by Claire Danes and she is symbol of love. Sweet, young Juliet is not a perfect beauty, she is the girl-next-door. Shakespeare’s Juliet is young and not looking for love, and Lhurmann’s Juliet is romantic, dreamy, innocent, not capable of hypocrisy and betrayal. Mercutio dressed up as a diva from cabaret. The director was able to make this character really interesting. Drugs and indifference help him to hide from the outside world very well. The way he dressed up for the party is another symbol of modernism. High heels, make-up, diva’s wig help make him a great example of a showman of the twentieth century. And the thing that he dressed as a woman not just shows how much fun Mercutio is, but also that he hasn’t come to terms with his sexuality
The affluence of the Capulets is apparent in the first act, when the stage is continually adomed, between scenes, for the family's banquet. First, before Juliet's initial appearance in 1.3, long crimson tapestries are unfurled from the gallery to coverthe cracked marble ofthe facade, and the bench is given an ornate cushion and the fountain a decorative cover. Before 1.4, a festive garland is strung acrossthe gallery, and additional benches are carried onstage. Finally, before the masque begins in 1.5, candelabra with burning candles are brought in to flank the gallery. Romeo is seen brooding alone on the balcony. His first sighting of Juliet is then strikingly staged. All the revelers below, except Juliet, suddenly freeze in their motions, ghostly white masks held up to conceal their faces, and the stage darkens except for spotlights upon Romeo and Juliet. The grandeur of the Capulet home is dimmed into relative non-existence as Romeo and Juliet's sudden love springs to life.
Romeo denies the fate of Mercutio who fought against Tybalt and lost, so he challenges Tybalt to fight in defense of his honor. His sense of honor would not allow himself to ignore the death of Mercutio. It mandated his absurd behavior to take Tybalt’s life which even further separated the Montague and Capulet family. Moreover, Romeo still decides to marry Juliet after he takes Tybalt’s life. His sense of honor leads him to find Father Lawrence who will marry both Juliet
After making the plan to fake her death with Friar Laurence, Juliet tells her father, “Pardon, I beseech you! / Henceforward I am ever rul’d by you” (4.2.22-23). Here, Juliet is lying to her father by telling him she will marry Paris when she really plans to fake her death. This is important because it reveals that Juliet’s eagerness to be with Romeo causes her to lie to her parents, putting the person she just met above the parents that raised her and love her very much. Not caring about how her actions will affect them may also cause conflicts later on in the play. Romeo is also deceptive to his role model, Friar Laurence. After learning that Juliet has “died”, Romeo tells Balthasar, “Is it e’en so? Then I defy you, stars! / Thou knowest my lodging. Get me ink and paper / And hire posthorses. I will hence to-night” (5.1.24-26). Here, Romeo is being deceptive of Friar Laurence by not staying at Mantua like Friar Laurence told him to. This is important since Romeo is still banished, so going back to Verona may cause even more conflicts later in the
Venetian masks can be made of leather, porcelain or using the original glass technique. The original masks were rather simple in design, decoration, and often had a symbolic and practical function. Nowadays, most Italian masks are made with the application of and and are hand-painted using natural feathers and gems to decorate.However, this makes them rather expensive when compared to the widespread, low-quality masks produced mainly by American factories. This competition accelerates the decline of this historical craftsmanship peculiar to the city of Venice.
The most traditional one is the Bauta mask, it covers the whole face. Also have a stubborn chin line that was a square shape, so it was easy for them to talk and everything. People that wore the mask paired it with red cape and a tricorn. It was a standardized mask that everyone wore to be free and equal. The volto masks is like the Bauta mask but a little different. It was only white and made from fine wax cloth , so it was light and comfortable. They can dance all night long. The columbina mask was the only mask that was not a full face. It only cover the eyes and some of the nose. Was decorate with gold, sliver, crystals , and feathers. Women mostly wore this type of mask. They either had to hold it up with a balton or try it around their head with a ribbon. The designed was made by an actress, Commedia dell’artde, because she did not want to hide her