Ghost Dog problems with format Ghost Dog (Forest Whitaker) is a self-taught samurai, living by an 18th century code which is written in the book ?Hagakure: The Book of the Samurai?t. Living on a rooftop within the skyline of a modern day city, with a coop of homing pigeons that he uses to communicate with Louie (John Tormey) a lower member of the local Mafia. Their strange relationship formed when Louie saved Ghost Dog as a teenager, and then in way of the samurai became his Master with Ghost Dog as the Retainer. From then on Ghost Dog has been Louie?s hitman for his special tasks, which have been executed flawless. He is ordered to execute Handsome Frank and the task is performed in front of Louise (Tricia Vessey), the daughter of Mafia don Ray Vargo (Henry Silva). Though Frank?s death was contracted, it is against the order of their society and Louise should not have witnessed this, so Vargo assigns whole Mafia after the man responsible, and if Ghost Dog can?t be found then Louie is to be dealt with. Ghost Dog realises he is being hunted and has to deal with the whole organisation, tackling them head on and just leaving Louie to revenge the death of his boss. The film plays off the rules and morals of the samurai against the gangster?s, showing the success of an ancient tradition in co��rison to a dying way of life. Jim Jarmusch, the writer and director wanted to make a film around Forest Whitaker; to make use of his large powerfiul figure and appearance while yet still having a softer side within his manner of speech. So after taking in Whitaker?s interests in ancient tradition and martial arts, he added other ideas from his own interests to form the story of an assassin stuck within the genre?s of Marti... ... middle of paper ... ...role that does not follow the rules of society or of the criminals. Along Bibliography with all the iconography, as outlined by film theorist McArthur, such as the physical appearance of the characters, the urban environment in which the fiction is played out, and the technology at the characters? disposal; principally the guns and cars. But the physical threat comes in the form of Ghost Dog and not the ageing Mafia, the genre of Gangster seems to be the backdrop for a story of higher morals and greater levels of fate. The way of the Samurai is brought in terms of comparison with today?s society and exposes the gangsters as frauds when it comes to living by methods of violence. The Course Reader http://www.geocities.com/SoHo/Cafe/l280/ http://www.bostonphoenix.com/archive/movies/OO/O3/1 6/filmculture.html http://www.kamera.co.uk/features/ghostdog.htrnl
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
Director Jim Jarmusch’s film Deadman displays many of the accepted conventions for Western genre films, but manipulated in such a way as to create a revisionist, rather than a classical, western. The most obvious example of this manipulation are the characterizations of the hero, William Blake, and his Native American partner, Nobody. Blake is an awkward easterner who travels westward unaware of the different rules governing western life, instead of the rugged, knowledgeable outdoorsman who “does what he has to do” to defend justice and honor. Nobody’s character is unusually independent, educated, and kind towards Blake, instead of the traditional Western genre’s violent, unintelligent Indian.
Howarth, William. "Putting Columbus in his place." Southwest Review, Spring/Summer 92, Volume 77, Issue 2/3, p153.
Trade liberalization in Great Britain signaled an era of intense change in the European economy. The document that triggered this change was the Cobden-Chevalier Treaty of 1860. Anglo-French trade antagonisms had reached an agonizing level for the two countries, beginning with the Congress of Vienna and climaxing with the introduction and eventual repeal of the Corn Laws. For more than 30 years, Great Britain engaged France in tariff wars that only served to limit both countries’ trade potential. Accominotti and Flandreau (2008) describe this as a “period of generalized protectionism” (p. 152).
Giallo is a slasher genre that was prominent in the late twentieth century especially in Italy where the genre was made up of mystery and horror elements. The origin of the term is from cheap mystery novels, similar to penny dreadfuls, where they were adorned in bright yellow covers of which the genre was suitably named after as "giallo" is yellow in Italian. Though the term "giallo" is not just recognized in just Europe as internationally it is considered to have greatly influenced the sudden influx of American slasher and splatter films in the latter 1970s period. Films such as Blood and Black Lace and Black Belly of a Tarantula are classified as early giallo due to their "distinctive characteristics" that will be explored in this essay.
Any generic film hero is a model of their community and culture. They help to clearly define and outline the community’s values and cultural conflicts by embodying prime characteristics in their persona. The western hero, like Ethan in The Searchers, is always a figure for civilization amongst the savagery of the wild west. By portraying the roles of a civilization, the hero ...
Every year in America, countless citizens celebrate Columbus day, but not everyone knows the truth about this adventurer. Italian explorer Christopher Columbus was born in 1451, and he began sailing when he was 14 years old. In his later years, Columbus wanted to find a westward passage from Spain to India, which led to his accidental discovery of the Americas. Although Columbus paved the way for other explorers and risked everything for the unknown, contributing to the knowledge of the new world, he was blinded by his obsession to the needs of others and the way his decisions affected them, making him a less than ideal captain. He was stubborn and too confident in himself, not listening to the ideas of others, and was abusive to the natives.
Just like movies in the 1980s and 1990s (and, to be fair, the 2000s and 2010s as well), The Hitman's Bodyguard places us squarely in the middle of a conflict between a Belarus (i.e. Russian) warlord Vladislav Dukhovich (Gary Oldman, backpacking through the terrain here with a big ol' Russian accent), hitman Darius Kincaid (Jackson), and Michael Bryce (Reynolds), a special agent who valets and protects pretty much anyone who will hire him.
“The Godfather II” is an American crime film that depicts the early life and criminal career of Vito Corleone in the 1920s, while in 1958, his son, Michael tries to expand the family crime syndicate while trying to protect the family business. The execution of the story of the “The Godfather II” stands out among many movies as retaining meritorious and lasting aesthetic values. The aesthetic merits that should be recognized in this film are the execution of the story in terms of its cinematography, the depiction of the relationship between power and corruption in human nature, and the film’s ability to convey the family values central to the Italian-American family. These aesthetic values help define the movie’s greatness of being superior to the rest of “The Godfather” movies.
In 1493, Christopher Columbus writes the “Report of the First Voyage” (Perkins 28). In this letter to the King Ferdinand and Queen Isabella, Columbus explains the events that took place during his first exploration of the New World. The significance of Columbus’s letter to Ferdinand and Isabella was that it set the tone for how writers described the New World. The historical impact of the “Report of the First Voyage” is insurmountable as it paved the way for future settlers, writers, and explores of the New World. Once published, Columbus’s letter to the King and Queen enabled all of Europe with a destiny to head towards the New World in search of exploration, conquest, and settlement.
The first character introduced by Leone to the audience is Colonel Douglas Mortimer (Lee Van Cleef), “a retired soldier and bounty hunter motivated not only by profit but also the thirst for revenge” (Bondanella, 257) of his sister’s rape and death. He is a professional, who stalks his target from a distance with an assortment of rifles rolled up in his saddlebags; but to contrast with this cold delusion, Mortimer dresses in his black preacher’s costume and is a habitual reader of the Bible. He represents the older, wiser generation, which is destined to be extinct. Next, Leone introduces Mortimer’s competition and opposite, Manco (Clint Eastwood), a young stranger with his cigars and poncho, who blends with his surroundings. He is a bounty hunter who kills purely for profit and approaches his victims directly. Finally, the audience is introduced to a doped-up Mexican killer, Indio (Gian Maria Volonté), whose degenerate pleasure in violence is linked to the moment, years before, when the death of Mortimer’s sister traumatized him sexually, and is constantly reminded of the incident by the chiming of the musical watch he carries, which matches Mortimer’s. (Bondanella, 257)
To understand the difficulties of an autistic individual is like finding two snowflakes with identical lattices. Only 1% of the entire world population is diagnosed with a variation of autism according to Autism Society, and Mark Haddon strives to replicate the perspective of an autistic Christopher Boone in The Curious Incident of the Dog in the Night-Time. Haddon’s writing style in this novel is quite unique and different to other contemporary novels of the 21st century. The pictures, use of prime numbers as chapters, and interruption of stream of consciousness display the true adversity that autistic people face daily.
Since its initial 1954 release Akira Kurosawa's Seven Samurai has always been considered one of the greatest motion pictures of all time. In this Japanese action epic Kurosawa set the standard for modern action, editing, and storytelling. The setup of the story is as follows: a poor farm village that struggles to survive is plagued by a ruthless group of bandits. Fed up with their oppressors the villagers go to the city to recruit samurai to help them defeat the bandits once and for all. From this basic premise comes one of the cinema's defining motion pictures.
For an effective implementation of HR strategies, it is necessary to engage top level management, also commitment, cooperation and involvement of line managers and staff is important. The problem with strategic HRM is that too often there is a gap between the rhetoric of the strategy and the reality of what happens to it. Factors contributing to gaps are:
Paranormal activity dates back to the late 1800’s and early 1900’s. According to Triangle Paranormal Investigators (2000) “a predominant number of paranormal investigators were testing alleged psychics and mediums in order to debunk their claims of phenomenon” (p.1). The most paranormal activity stories are found in folklore, popular culture, and experience from individual people. The most influential paranormal investigator is Harry Price because of his experience with Borley Rectory which is the most haunted house in England. According to Bob Larson (1997) “in the eighties new agers were busy channeling the spirits of Ramtha and a host of other entities” (p.80). Paranormal activity can relate to Christianity in a sense of way because the cleaning of evil ghosts involves Christian people. Anecdotal, experimental, and scientific approach are all ways to approach paranormal activity. Paranormal activity will continue to live on in our world today.