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Propaganda art during the world war
Art propaganda in war
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Ghost Army
No one would've guessed actors could turn a war around and win. actors artists and designers all were recruited during the war for a job barely anyone knew about. Actors artists and designers all were recruited during the war for a job barely anyone knew about.
During world war 2 a project began to make an army of fake soldiers to fool hitler into thinking the american army was larger than it really was (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 1). The army started recruiting soldiers for this secret army but they weren't trained soldiers instead they were artists, actors, designers and other students from art schools and agencies (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 1). In these armies the artists
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and actors were equipped with inflatable tanks, props, real jeeps and soldiers to make their plays look more realistic (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 2). The jobs of the artists were to make and use tanks uniforms and designs that weren't actually what they were made to look like (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 2).
The purpose of all this is to trick hitler and cause him to react to illusions created by the ghost army and not notice the real armies in different places (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 2). Before these people would embark on their artistic journeys they would be known for serving in world war 2 (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 2). One job these men and women would do is create disguises to make them look like high ranking officers in the army, and the actors would wear these disguises in public where enemy spies would most likely be and give them fake information about the allies The artists would make and fill inflatable tanks to look like real ones and set them up where the enemies would see them to look like the allies were moving to set up in that location and the germans would set up to counter the attack that would never happen (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 3).. Another job that these people would do to trick hitler was to set up fake radio broadcasts between the allied forces that the germans could easily tap into and listen to the false information the actors on the radios were giving (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 3). The illusions set up my these actors
were improved by the army giving them real soldiers and jeeps that they would use to setup acts of soldiers and jeep going in circles around an area that would make it seem like there were more than there really was (“Ghost Army: The Inflatable Tanks That Fooled Hitler” 3). One example of this was with general Patton. Patton was a general in the allied forces and he was on the verge of getting thrown out but they higher officers gave him a deal that would assist them in defeating germany ("FUSAG: The Ghost Army of World War II." 1). FUSAG was the ghost army given to Patton by General Dwight Eisenhower the supreme commander of the allied forces("FUSAG: The Ghost Army of World War II." 1). Patton’s ghost army was based in areas of southeast england to make an illusion of the allies pushing across the english channel and leaving it vulnerable enough for germans to notice and look into the fake movement believing it to be an incoming attack("FUSAG: The Ghost Army of World War II." 1). FUSAG built a real looking allied base to convince the germans they were preparing to attack this base was made up of mess and hospital tents fuel depots and parking areas with jeeps and cars("FUSAG: The Ghost Army of World War II." 2). During the night soldiers would create tire tracks and move the vehicles in the lots around to look like they were driven to make the scene look more realistic ("FUSAG: The Ghost Army of World War II." 2). The harbors were filled with fake navy ships and oil rigs that would be moved around the channel to make a fake blockade against the germans ("FUSAG: The Ghost Army of World War II." 1). On June 6 the allies attack the germans in normandy, the germans expecting an attack from the other side with the fake ships and troops had moved their forces there to be prepared leaving the spot of the real attack open ("FUSAG: The Ghost Army of World War II." 1). In fear of the german reinforcements coming from behind the fake base and blockade moved and released smoke screens ("FUSAG: The Ghost Army of World War II." 1). Pattons real forces moved from the south and attacking the germans who were trying to withstand the assaults and false information finally losing normandy to the ghost army and patton ("FUSAG: The Ghost Army of World War II." 1). The Ghost army was an invisible army not many people knew about yet through their hard works and cunning they turned the tide of the war into the allies favor. These artists and actors were a huge asset to the war and their bravery should be remembered for centuries to come.
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
George Gittoes (b.1949) creates works that that communicate the issue of the graphic horror of war. A social realist painter, photographer and filmmaker, his approach to art is that ‘he layers and accumulates material until, out of apparent chaos, there is a synthesis of idea, passion and image’ (Mendelssohn, 2014). As an eyewitness to the world's war zones, Gittoes clearly uses his work as a means of communication to society.
The film brilliantly portrays the war with no enemy’s, just people and relationships. It is the story of friends, Paul Baumer (Lew Ayres) and his friends joining the war through propaganda, and leaving through death.
In the film Red Dawn of 1984, it depicts both a work of art and propaganda for various of reasons. To start off, propaganda is used to imply a negative impact on both Russia and Russian troops. The way they are portrayed in the film, illustrates them as savages and corrupted people who are ruthless. In the film, the United States is portrayed as the victim because of the the strong brave soldiers, who are trying to survive and would fight any obstacle in their way. In fact, this film of Red Dawn can also be considered a work of art, because this film uniquely symbolizes the acceptance of thinking like a child. For example, in many scenes in the movie seeing the world from a children’s point of view was a way to help the soldiers forget about their present situation. In this case, the war battles between Russian troops. Most importantly, what I consider a work of art in this film, would be that a group of teenagers get together as a team to defend their country from Soviet invaders. In this essay I will explain different examples that prove that the film of 1984 Red Dawn can be considered both a work of art and a of propaganda.
The crowd moves quietly to the seats. The area is silent except with the click of the guard’s shoes. The relief commander walks out and announces The Changing of the Guard ceremony is about to commence; as he is talking, a new guard walks out ready to take the place of the guard on duty. The Tomb of the Unknown Soldier contains three men: a testament to all of the unknown fallen soldiers. The tomb continues to honor these soldiers through the ceremonies and symbolism behind the guards’ movements.
Fort pillow massacre was one of the most controversial battles of the civil war. This battle was a gateway to the eventual fair treatment towards blacks. Although it was a controversial battle it helped unify the country by the end of the war. This massacre gave federalists more of a reason to fight and also gave confederates more reason to defend themselves.
Fuller, J.F.C. "Propaganda and War. The New Technique of Mendacity as a Psychological Weapon." Ordnance, Dec
the right cast. The war film was a popular genre to produce during the war
One may ask why would directors and filmmakers leave out the facts of war and focus on the drama? After reading The Faces of Battle by John Keegan and reviewing war movies such as Saving Private Ryan, and Pearl Harbor, one can clearly see what makes the Hollywood version of war different from real life war. When you watch a movie about war you are given a plot to the movie, like in saving Ryan the plot of the movie was to find a soldier named James Frances Ryan which takes place in Germany during World War II.
“One of the most durable buttresses of militarism is found in the world of sport” (Martin and Steuter p. 131). Popular culture normalizes militarism in various ways, such as even a normal part of American culture as sports. Sports have done a lot of things for me in my life including changing my perspective of how I look at militarism. The military uses sports to advertise to a large group of people across America that will create a positive feeling towards war. Sports make the war seem normal to Americans when they associate it to militarism because many Americans play sports and can relate, but there are also consequences when normalizing the war. Popular culture normalizes militarism in so many ways, but the one aspect of it that normalizes war would be sports, through advertising and professional athletes, not only in a positive way, but it also recognizes the negative side of war.
“Man O’ War was the kind of thoroughbred that brought you closer to divinity than most people had been before.” This quote by an unknown describes Man O’ War well; “Man O’ War was America’s legendary thoroughbred race-horse” (“Man O’ War 1917-1947”) and was the type of horse that taught his rider, the people around him, and the entire world that if you keep pushing you can reach any and all goals. Man O’ War was a loving horse that made many feel as if they were getting closer to God. To most people, Man O’ War was a work of art that was brought down to them straight from God because he was perfect; he was a gorgeous stallion that seemed to most as unbeatable. Man O’ War raced his heart out and dominated every race he was in, even the one race he lost. Man O’ War was an important figure in the 1920s American history because he changed the perspective of horse racing forever.
Hollywood played an important role in making the war seem like a positive thing to the public eye. The government teamed up with the film industry to produce motion pictures advertizing the war effort, and was able to hold a large influence over the American opinion. When the war started, many citizens were unenthusiastic and hesitant to enlist in the military; but as many famous actors—such as James Stewart and Ronald Reagan—began to enlist, it set a prime example for other American citizens to follow. Many actors received much praise for their accomplishments in the war effort, highly encouraging their fellow Americans to consider enlisting as well. This proved to be an excellent way to increase the number of United States soldiers in the war.
...ew war as a positive and inevitable part of life they act accordingly. If the public was shown the real horrors of war they would be shocked by what they see and view war for what it really is, a tool that governments uses for its own benefit regardless of how horrible it is. The public would act differently. There would be more protests against war because people would realize that it is not the most efficient or effective way of achieving goals. Congressmen would be less inclined to vote to engage in war for fear of displeasing their constituents and there would be less war, less lives lost, and more exploration in to diplomatic negotiations. War should be reserved for the defense of a nation. With war movies, the movie industry has a very large influence on public perception and as of now this influence is not being used appropriately for the good of humankind.
encapsulates the futility and horror of war through the use of vivid war images like
Throughout history, photography techniques impacted people’s perceptions in unimaginable ways. Initially, when Hitler first rose to power in 1933 and introduced his scapegoat, the Jews, he blamed them for economic and social downfall, though many citizens were skeptical and unconvinced. In order to gain support and power, photographic propaganda was crucial for implementing Nazi Policies and acquiring power. Hitler employed Joseph Goebbels as head of propaganda to ensure nothing degrading or harmful to the Nazi Party was released. To create support for his idea of the ‘Aryan’ race, Hitler had to create a common enemy: the Jews. By highlighting common Jewish features in photographs along with other photography techniques, “propaganda helped to define who would be excluded from the new society’’ (“Nazi and East German Propaganda Archive” 1). By doing so, actions against the Jews became justified to