“Shooting an Elephant”, was written by George Orwell in the 1940’s. Using his own personal experience, he establishes an essay that was and is a mind changing piece. The essay expresses to modern day readers how imperialism effected the world we now live in. In Orwell’s essay, he uses the dead coolie, the elephant, and the rifle to represent the effect on everyone in that time period, but also how imperialism affected Orwell himself. Orwell applies the dead native coolie to represent sacrifice, helplessness, and the effect evils have on humans. Illustrating the scene of the dead coolie as, “He was laying on his belly with his arms crucified and head sharply twisted to one side,” (Orwell, "Shooting an Elephant, 325) helps to give the image …show more content…
Setting the scene, Orwell begins by saying, “here was I, the white man with his gun, standing in front of the unarmed native crowd.” (Orwell, Shooting an Elephant, 327) Orwell had to shoot the elephant, even through the reality was that the Burmese had no weapons, they had Orwell himself. The native Burmese was anticipating the death of the elephant. He knew shooting the elephant was wrong, but at that moment, he had to be practical rather than choosing right from wrong. Sacrificing his own innocence, Orwell shot the elephant. In his extraordinarily detailed and vivid paragraph of the actual shooting, he describes the elephant to have “sagged flabbily to his knees” (Orwell, Shooting an Elephant, 329) He describes one detail of the death at a time. The elephant’s death was far from quick, his body dropped one part at a time, just as a building would fall. After living the experience, Orwell reports the elephant to have “not collapse, but climbed with desperate slowness.” (Orwell, Shooting an Elephant, 329) When discussing imperialism and its death, the first thing that comes to mind is the slow crumbling of a grand and historic building. Orwell vividly describes the death or the elephant to symbolize the fall of imperialism and the British power. The effect peer pressure can have is symbolized through the elephant. “I shoved the cartridges into the magazine and lay
For instance, when Orwell says, “I thought then and I think now that his attack of ‘must’ was already passing off; in which case he would merely wander harmlessly…” he is using logos. He is appealing to the reader's sense of logic and reasoning when it came to Orwell deciding on what to do with the elephant. He presents the conflict within himself of whether or not to shoot the elephant but was ‘peer pressured’ in doing so. This proves that imperialism not only affects the oppressed but the oppressor as well. Orwell also uses Pathos, for example, "The thick blood welled out of him like red velvet, but still, he did not die. His body did not even jerk when the shots hit him, the tortured breathing continued without a pause. He was dying, very slowly and in great agony, but in some world remote from me where not even a bullet could damage him further." This appeals the reader’s emotion of empathy. Orwell imprints the gruesome, pitiful image of the dying elephant, to reinforce the tragedy of imperialism. It also symbolizes one country killing and overpowering the other. Orwell, a policeman, killing the elephant is equivalent to Britain and its imperialistic obliteration of its
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
Orwell, George. “Shooting an Elephant.” Shooting an Elephant and Other Essays. Ed. Sonia Orwell. New York: Harcourt, Brace & World, Inc., 1950. 3-12.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
Orwell describes the coolie as flattened, beat, and disfigured with mud while at the same time making it clear that he died agonizingly. Orwell, clearly comparing the same defeat to Burma, notes “His face was coated with mud, the eyes wide open, the teeth bared and grinning with an expression of unendurable agony” (325). Furthermore, the symbol of the dead coolie serves as a martyr for Orwell resigning to ask for a gun in case he, too, gets trampled. This sets forth the action of Orwell having to shoot the elephant, as this begins to acquire the crowd’s attention. Orwell later realizes “I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle”
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
The glorious days of the imperial giants have passed, marking the death of the infamous and grandiose era of imperialism. George Orwell's essay, Shooting an Elephant, deals with the evils of imperialism. The unjust shooting of an elephant in Orwell's story is the central focus from which Orwell builds his argument through the two dominant characters, the elephant and its executioner. The British officer, the executioner, acts as a symbol of the imperial country, while the elephant symbolizes the victim of imperialism. Together, the solider and the elephant turns this tragic anecdote into an attack on the institution of imperialism.
Orwell is a very complex man, he begins to contradict himself by saying he hates what imperialism does but chooses to work for that government. Even though he states that he hated his job, his actions show imperialism. When having the choice to kill or not to kill the elephant, he chose death. This here specifies how imperialism took over; oddly enough not by the government but by the people. The people staring and waiting for him to ki...
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
Orwell, George. “Shooting an Elephant.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 334-339.
...o the wrong spot cause the poor animal to die "very slowly and in great agony." In spite of Orwell putting "shot after shot into his heart and down his throat," the elephant lives thirty minutes after its "tortured gasps" force Orwell to leave. Many years later, Orwell still seems bothered by the fact that pride, not necessity, caused him to destroy the animal.
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.