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George gershwin influence
George gershwin sinfluence on music
“rhapsody in blue” by george gershwin writing assignment
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George Gershwin’s Life
George Gershwin was a popular and successful American pianist and composer. He composed music for movies, Broadway musicals, opera and the concert hall. He combined classical music and jazz to create his style and was well known for his composition, “Rhapsody in Blue.” As a result of George Gershwin’s composition which included adding jazz elements to classical music, this classical music became popularized.
George Gershwin was born on the 26th of September, 1898 in Brooklyn, New York. His original name was Jacob Gershwin. He was the son of Russian immigrants. His dad, Morris (Moishe) Gershowitz changed his last name to Gershwin when he came to the United States from Russia. His mother, Rosa Bruskin was also a Russian immigrant. His parents were poor and they lived in New York in harsh conditions due to their poverty, often struggling to find enough food for the family. George Gershwin had three siblings and they all had musical talents. Ira Gershwin was George Gershwin’s older brother and later he wrote lyrics for George Gershwin’s famous songs, including Strike Up The Band, Shall We Dance and A Foggy Day. Frances Gershwin, his younger sister, also had musical talents. Arthur Gershwin was his younger brother and was also a composer.
George Gershwin began formal piano lessons in 1910, when he was 12. His family had bought a piano for his older brother Ira. Before this, he had already learnt to play some pieces, having been thought by his friend, Max Rosenzweig. Gershwin’s first teacher was Charles Hambitzer. Hambitzer wrote a letter to his sister and said, “I have a new pupil who will make his mark if anybody will. The boy is a genius.” (A+E Television Networks, 2013) George Gershwin reported that Charle...
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...rshwin. http://www.atencionsanmiguel.org/2013/08/16/a-special-concert-tribute-to-george-gershwin/
National Arts Centre. 2013. George Gershwin. http://www.artsalive.ca/en/mus/greatcomposers/gershwin.html
Paul Helm. 2013. George Gershwin. http://www.52composers.com/gershwin.html
Schiff, D. 1997. Gershwin: Rhapsody in Blue. Cambridge University Press. 10 Stamford Road, Oakleigh, Melbourne 3166, Australia.
Schwarz, Frederick D. (1999). Time Machine: 1924 Seventy-five Years Ago: Gershwin's Rhapsody. American Heritage 50(1), February/March 1999. Retrieved Feb 17 2007.
Thomsen, C. 2013. George Gershwin An Analysis of His Style and Influence on Music Through Rhapsody in Blue. http://prezi.com/m23drmpkgbcp/george-gershwin-an-analysis-of-his-style-and-influence-on-music-through-rhapsody-in-blue/
Wikipedia. 2013. Rhapsody in Blue. http://en.wikipedia.org/wiki/Rhapsody_in_Blue
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
3. Davis, Nathan T. Writings in Jazz. Kendall/Hunt Publishing Company. Dubuque, IA. 1996. p. 152-153, 163, 166.
Baldwin, James. "Sonny's Blues." Miller, Quentin and Julie Nash. Connections: Literature for Composition. Boston, New York: Houghton Mifflin Company, 2008. 984-1006.
“All our dreams can come true if we have the courage to pursue them.” This quote from Walt Disney addressing the concept of achieving dreams is very accurate, and can be seen throughout literature today and in the past. Dreams can give people power or take away hope, and influence how people live their lives based upon whether they have the determination to attack their dreams or not; as seen through characters like the speaker in Harlem by Langston Hughes and Lena and Walter Younger in Lorraine Hansberry’s A Raisin in The Sun.
... Bohlman, Philip V. Music and the Racial Imagination. University Of Chicago Press, Chicago. 2001. Print.
Georgi Melitonovich Balnchivadze, George Balanchine, was born on January 22, 1904 in St. Petersburg. He was born into a highly musical family. His father, Meliton, was a singer and composer and his mother Marie, was a pianist. His mother encouraged her children to have musical education. He began to take piano lesson at age 5. He also received a classical education with his sister, Tamara and his younger brother, Andrei. Ironically, Balanchine had no desire to dance at all. His sister and brother were dancers. Music was young Balanchine's passion he hated anything to do with performing.
If you are part of society, I think it is safe to make the assumption you are familiar
8. V. Bogdanov, C. Woodstra, S. T. Erlewine. 2003. All Music Guide to the Blues: The Definitive
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Louis Armstrong’s rendition of “(What Did I Do to Be So) Black and Blue” altered various components of the original tune as he incorporated several jazz techniques typical of the 1920’s and pulled the piece out of its original context of Broadway. Doing so greatly changed the piece as a whole and its meaning, to call attention to the necessity of civil rights for the black population. Armstrong’s life was not purely devoted to music. As a civil rights advocate for the black population in the U.S., he grabbed the attention of the government through his fame and helped to bring equal rights to his brethren. But at times, Armstrong allowed his actions to undermine the importance of African American civil rights, which created negative sentiments
life, and began composing for himself. In 1916, Gershwin had his first song printed and
George Gershwin, also known as Jacob Gershowitz, was one of the most popular and significant American composers of all time. He was born on September 26, 1898, in Brooklyn NY and died on July 11, 1937, in Hollywood California. Gershwin wrote mostly for the Broadway musical theatre, but he also composed orchestral and piano compositions in which he blended the techniques and forms of classical music with the stylistic nuances and techniques of popular music and jazz. As a composer of jazz, opera and popular songs for stage and screen, many of his works are now standards. Perhaps his most well-known and greatest work is “Rhapsody in Blue”, which at the time was strikingly different than what people were accustomed to.
Rhapsody in Blue was composed by American composer George Gershwin for solo piano and jazz band in 1924. When the piece introduced to the world at Aeolian Hall on February 12, 1924, on the afternoon of Lincoln’s Birthday, there was no doubt that Rhapsody was unprecedented, and outshined everything else on the previous Jazz form. The editors of the Cambridge Music Handbooks opined that "The Rhapsody in Blue established Gershwin's reputation as a serious composer and has since become one of the most popular of all American concert works." As we know, Gershwin’s Rhapsody has been one of the most popular and representative pieces in American music history. Rhapsody was considered as the most profitable piece of concert music ever composed. Gershwin could earn more than a quarter of a million dollars just for royalties and rental fees from recording and performance during the first ten years. He became the most celebrated American composer not only by audiences but also by leading modernist composers. He was the most remarkable American musician who conquered
Laurents, A. (2000) Leonard Bernstein West Side Story. Leonard Bernstein Music Publishing Company LLC and Boosey & Hawkes.