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Analysis of for that he looked not upon her by George Gascoigne
Analysis of for that he looked not upon her by George Gascoigne
Poems based on love, life or loss that use poetic devices
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Through Desire Comes Depression
The speaker of George Gascoigne's "For That He Looked Not upon Her" agonizes over by his loss of trust in his lover and discusses the distress he experiences due to her betrayal. The poem itself is a sonnet with distinct quatrains and rhyming couplet which all are interconnected to portray the speaker's suffering and agony. Gascoigne's depressing and bitter word choice reflects the melancholy attitude of the scorned speaker, which helps set the tone of the poem. Vivid imagery throughout the sonnet depicts the deceit and betrayal experienced by the speaker by the hands of his lover. The form, diction, and imagery of "For That He Looked Not upon Her" develop the betrayed disheartened and guarded attitude of the
He states, "The mouse which once hath broken out of trap / Is seldom 'ticed with trustless bait" (5-6) to express how he is still weary of trusting people because of how badly he was hurt by his lover. In the next quatrain, he compares himself to a scorched fly "which once hath 'scaped the flame / Will hardly come to play again with fire" (9-10) in order to convey that he will never again fall into the same trap as before. Because the speaker was hurt by love, he is now cautious with it. Just as flies and mice want to avoid being hurt by the same traps as before, the speaker wants to learn from his mistakes, and it now leery of other people and their intentions. However, he still loves this woman which is why he "[winks] or else [holds] down [his] head" (13) when he is around her; he knows he cannot resist her, but does not want to get hurt again.
Throughout the poem, "For That He Looked Not upon Her", the speaker creates a guarded and betrayed tone. He explains to his lover why he avoids looking at her face and laments over how desire causes agony and despair. Through the usage of imagery, diction, and form, the speaker successfully conveys his distraught and guarded warning based in past experience to all those who are tempted by desire while also expressing to his lover why he is hurt by her
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
This duality is concealed within a character because the darkness(truth) conflicts with the light(dreams/hopes) when we hold onto our desire to unite ourselves with our true lover. The author reveals that the light of the “sunset” represents the strength, by illuminating that days are going by, but the true lover still sticks to their strength. The author portrays darkness through the “death” of the“lilacs” representing the inevitable truth that one has to face when holding onto their desire to meet their true love. Parker illustrates that one whose “eyes are deep with yearning”, will persist to their strength until their determination does not overcome the obstacles preventing one from accessing true love, embracing love as a natural and beautiful thing. “Deep” represents her strength and “yearning” is symbolic of her desire to meet her husband. “Yearning” adds a sense of beauty and “deep” illuminates a depth to her strength and how it can overpower obstacles in her life. The author blends “deep” with “yearning” to enhance and illustrate that when we hold a desire we have to deepen our strength and embrace it to achieve what we aspire. The image of “an old, old, gate” where “the lady wait[s]” emphasizes the idea that her husband’s death is “old”; it occurred many years ago, but
This poem simply explains Lorena’s true feelings towards the situation. How by her taking action she becomes free of the being under the control and mistreatment of her husband.
The poem's speaker mistreated,gloomy and being isolated. She is a person who loss and assimilation if not loose your self. “That this
This is shown through the tone changing from being disappointed and critical to acceptance and appreciative. The speaker’s friend, who after listening to the speaker’s complaints, says that it seems like she was “a child who had been wanted” (line 12). This statement resonates with the speaker and slowly begins to change her thinking. This is apparent from the following line where the speaker states that “I took the wine against my lips as if my mouth were moving along that valved wall in my mother's body” (line 13 to line 15). The speaker is imagining her mother’s experience while creating her and giving birth to her. In the next several lines the speakers describe what she sees. She expresses that she can see her mother as “she was bearing down, and then breathing from the mask, and then bearing down, pressing me out into the world” (line 15 to line 18). The speaker can finally understand that to her mother the world and life she currently lived weren't enough for her. The imagery in the final lines of this poem list all the things that weren’t enough for the mother. They express that “the moon, the sun, Orion cartwheeling across the dark, not the earth, the sea” (line 19 to 21) none of those things matter to the mother. The only thing that matter was giving birth and having her child. Only then will she be satisfied with her life and
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
The diction of this poem influences the imagery with the tone of the words . They are used to convey the message of how it feels to not feel the spark of love
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
The poem is a Shakespearean sonnet, a style which often involves people falling in love or recovering from the heartbreak of love. “For That He Looked Not Upon Her” is no different, as the speaker is talking about the hurt he is has felt from love. It follows an ABAB rhyme scheme and ends with a couplet to complete his argument. By using this level of organization, the speaker gives the poem a sense of elegance, as the style remains uniform and orderly, and makes the poem easy to understand for the reader. The author mentions, paradoxically, that he “takes no delight” in looking at his love, despite the beautiful “gleams” that show on her face. As the reader continues reading the poem, they see where he mentions the situations of the mouse and the fly, which explain his reasoning for not looking at the woman he loves.
Though they were written thousands of years apart, Sappho’s “Fragment 16” and Edgar Allen Poe’s “Bridal Ballad” each show how infatuation can often be mistaken for true love. In order to do this, each author depicts a character who is tormented by regret. In “Fragment 16”, Sappho points out that power can often become synonymous with beauty. Sappho is quick to disagree with this notion, instead arguing that love trumps power every time when it comes to beauty. To prove her point, Sappho uses the story of Helen to show how a desire for true love can lead Helen to abandon all that she knows. Similarly, “Bridal Ballad” depicts a woman who has made the fatal mistake of assuming that love should come with marriage, not the other way around. By contrasting this woman’s husband with the man she
...e been his emotions and is lusftful image of her has been destroyed and died. That he finally realized that no matter his delusions and misinterpetation of this coy lady that his lustful thought would have to come to an end someday. “ Thus we cannot make our sun stand still, yet we will make him run. The end of his desporation finnally ended and can now see that the sun will never stand still, that he will always be chasing.
A Divine Image gives human characteristics to the feelings of cruelty, jealousy, terror, and secrecy. The poem begins, "Cruelty has a human heart...
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
The first quatrain In this sonnet the speaker starts to reveal more about the relationship between him and the Dark Lady, and also his fear of growing old. He starts the sonnet by saying “When my love swears she is made of truth/ I do believe her, though I know she lies” (1-2). In these first two lines the speaker contradicts himself right away by saying that he believes her, but knows she is not telling the truth. He is very aware of the delusion he is in, but he is willing to let it pass. He is willing to let it pass because of the mutual dishonesty that exists in the relationship. In the next two lines, he talks about youth, and age. He is talking about the Dark Lady considering him a younger ma...
...o not finish reading the poem, then she would have filed a divorce because it is only at the end that one can fully understand this poem and what the speaker is trying to say by making all of those comparisons. Throughout the poem, the speaker seems to see the glass half empty instead of half full because he likes some of the qualities that his woman has, but then he turns it around like with her breath not being as pleasant as perfume or the way that she talks. The rhetorical structure of Shakespeare's “My mistress' eyes are nothing like the sun” is important because it creates the effect of an expanding and developing argument, and prevents the poem from becoming stagnant by relying on funny comparisons between the speaker's mistress with several objects and things for its first twelve lines, which keeps the sonnet flowing smoothly while also stating a clear theme.