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Literature poverty essay
Silas Marner summary by George Eliot
Literature poverty essay
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Gold completely consumes Silas’ life, but the spell is broken once Eppie enters his life. What is keeping him in isolation is his gold, “His gold, as he hung over it and saw it grow, gathered his power of loving together into a hard isolation like its own” (Eliot 40).21 Hoarding, counting, and loving his money restricts his heart to love. The following quote describes Silas’ metamorphosis from having a cold heart filled with gold to a heart dependent on human interaction, “Formerly, his heart had been as a locked casket with its treasure inside; but now the casket was empty, and the lock was broke. …And there was a slight stirring of expectation at the sight of his fellow men, a faint consciousness of dependence on their good will” (Eliot 81).22 Dunsey stealing Silas’ gold is the biggest blessing in disguise. Silas’ heart does not have room for both his treasures: gold and Eppie. Silas’ change of heart “…also reveals that the human spirit within him is not quite dead” (Milne and Sisler).23 Silas permitting that “human spirit” to fill his heart again is the reason for his happiness in the end.
The wandering child Eppie who Silas first mistakes her glowing blonde locks as his stolen gold becomes Silas’ true source of happiness, “Eppie, of course, functions as the catalyst for the release of Silas’ energy” (Shuttleworth 90).24 The community of Raveloe helps Silas raise Eppie; in doing so, Silas “Under the influence of Eppie Silas moves beyond the “ever-repeated circle” of thought established by his gold to look for links and ties with his neighbours” (Shuttleworth 88).25 His first treasure, gold, never does not allow Silas to live a happy, fulfilled life as Eliot describes in the following quote,“… had asked that he should sit weavi...
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Holloway, John. “George Eliot.” The Victorian Sage Studies in Argument. New York: Norton, 1953. 111-153. Print.
Milne, Ira Mark and Sisler, Timothy, ed. “Silas Marner.” Novels for Students. Vol. 20. Detroit: Gale, 2005. 166-182. Print.
Shakespeare, William. Ed. Gayle Holste. Othello. New York: Barron’s, 2002. Print.
Shuttleworth, Sally. “Silas Marner: A dividend Eden.” George Eliot and Nineteenth-Century Science The Make-Believe of a Beginning. London: Cambridge UP, 1984. 78-95. Print.
“Silas Marner.” 1,300 Critical Evaluation of Selected Novels and Plays: Offprints of All the New Material from the 12-volume Revised Edition of Masterplots. Ed. Frank N. Magil. Vol. Four. Englewood Cliffs: Salem, 1978. 2073-074. Print.
Thale, Jerome. “George Eliot’s Fable for Her Times: Silas Marner.” The Novels of George Eliot. New York: Columbia UP, 1959. 58-69. Print.
One major theme that runs through The Pearl, The Good Earth, and Silas Marner is the impact of money on the lives of the characters. All three books vividly incorporate this theme in different ways. Money can greatly alter the way of life of any individual. It can be an advantage or a disadvantage. These three authors used this theme in these novels to show the reader the impact money can have on a person.
The story of Silas Lapham is an odd one in that when Silas is greedy and dishonest he gains everything, but as he starts to change into an honest person he loses everything. Silas lost everything as he became a better person because everything that he wished to obtain was hollow and could only be attained through deception and lies. By building he company off of greed and hate Silas set himself up for failure in that the only way that his company would have kept on prospering and growing was through more lies and more deception. The change from no morals to a caring person triggered everything around Silas that he thought was worth something to collapse.
Goode, John. "Adam Bede: A Critical Essay," in Ed. Barbara Hardy, Critical Essays on George Eliot, (1970).
Paris, Bernard J. Experiments in Life: George Eliot's Quest for Values. Detroit: Wayne State University Press, 1965.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
In fact, Dunstan is the main reason why greed is an issue. He steals Silas’s life earnings from weaving so that he can run away. “Do we not wile away moments of inanity or fatigued waiting by repeating some trivial movement or sound, until the repetition has bred a want, which is incipient habit? That will help us to understand how the love of accumulating money grows an absorbing passion in men whose imaginations, even in the very beginning of their hoard, showed them no purpose beyond it” (Eliot 24). This quote explains that one’s desire for money is not obtained from the want to pursue a rich life, rather from obtaining wealth and wanting more. This fits Dunstan because he comes from an upper class family, but he finds the greed in his heart to want more. Molly is another character that is filled with this sin. She makes efforts to put herself and her baby in danger just so that she can confront Godfrey in order to obtain money. Similarly, both of these characters end up dying which is a consequence for their greed. Another very prominent deadly sin in this novel is envy which is portrayed by Godfrey and Nancy. They both are in despair that Silas is raising Eppie after all of these years of Godfrey knowing she is his child. At this point, they make an attempt to reconcile with Silas in order to take Eppie back. They become envious of the parenting Silas got to do and wish to have her back as their
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Hawthorn, Nathaniel. "Young Goodman Brown" The Norton Anthology of American Literature. Vol. I. Shorter Seventh Edition. Ed. Nina Baym. New York: W.W. Norton and Co., 2008. 620-629. Print.
Thomas Stearns Eliot was perhaps one of the most critical writers in the English language’s history. Youngest of seven children and born to the owner of a Brick Company, he wasn’t exactly bathed in poverty at all. Once he graduated from Harvard, he went on to found the Unitarian church of St. Luis. Soon after, Eliot became more serious about literature. As previously stated, his literature works were possibly some of the most famous in history. Dr. Tim McGee of Worland High School said that he would be the richest writer in history if he was still alive, and I have no choice but to believe him. In the past week many of his works have been observed in my English literature class. Of Thomas Stearns Eliot’s poems Preludes, The Journey of the Magi, The Hollow Men, The Waste Land, and Four Quartets, I personally find his poem The Hollow men to be the most relatable because of its musical allusions, use of inclusive language, and his opinion on society.
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
After an unfortunate series of events that shaped Silas into a withdrawn and jaded soul, he cannot trust anyone or anything beyond the guineas in front of him. For example, Silas conducts day-by-day activities "in solitude . . . [and] his life [is] reduced to the mere functions of weaving and hoarding." These menial tasks engage Silas' mind and keep him from thinking about his troubles and worries. In addition, by placing value on money and weaving, he convinces himself that there is little time to "[seek] man or woman, save for the purposes of his calling or in order to supply himself with necessaries." As a result of his hermit-like behavior, Silas becomes a lonely and depressed outcast of his community. Moreover, Silas judges his happiness by "his guineas rising in the iron pot, [while] his life narrow[s] and harden[s] itself more and more into a mere pulsation of desire and satisfaction." This cycle thrusts him further into an impenetrable state of mind that will seemingly be his downfall if he continues in this manner. Fortunately for Silas, a life-changing event causes him to reevaluate his miserly goals and aspirations.
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Chapman, Raymond. The Victorian Debate: English Literature and Society, 1832-1901. New York: Basic Books, Inc., Publishers, 1968.