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African American music and slavery
Research about the blues
African American music and slavery
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Genre History: Blues The musical genre of blues is one that has continued to be a prolific style of music for many years. The blues began as working songs and field hollers sung by African American slave communities, beginning in the late 1800’s to early 1900’s. The blues genre has since become a major influence on other developing genres. Most modern genres can be traced back to the genre, originating in the deep south of the United States. The musical style of blues is very distinct, and is identifiable to almost anyone. The many instruments generally used include acoustic guitar, bass, body and voice, piano and harmonica, as well as several others. In terms of production elements, traditional blues music is produced using minimal mics, and room ambiance plays a large role in producing the sound of the music. Some of the first major names in blues music was Ma Rainey, Bessie Smith, Leadbelly and Robert Johnson; all of whom were major influences on the blues as a musical style. Towards the end of the 19th century, music brought over to the states by African slaves began to develop. Work songs, chants and shouts were the beginnings of the earliest form of blues: Delta blues. Delta blues was so called after the Mississippi Delta, where the towns and plantations that the original blues men and women worked were located. “The guitar and the harmonica were the primary tool of the Delta bluesman, mostly due to the ease of carrying them around, and many of the musicians of the Early Blues era (1910-1950) were sharecroppers, or worked on one of the many plantations that were located across the Mississippi Delta.” (Gordon, 2014) As well as guitar and harmonica, homemade instruments such as the diddley bow were very common amongst Delt... ... middle of paper ... ...h Boy’. The song includes electric guitar, harmonica, bass, piano, drums and vocals. Importantly, the electric guitar, bass and drums are the most distinguishable instruments as ‘Chicago blues instruments’. These formed the basis of many future blues bands and left a legacy for Muddy Waters, who was the one of the famous bluesman to pioneer and popularise modern, or ‘urban’ blues styles. Later styles of the genre were influenced not only by Muddy Waters, but also names such as B.B. King and T-Bone Walker; shaping the westside subgenre which often included more classical brass instruments. Many styles of blues demonstrate similar sonic characteristics. Additionally, these techniques and ideas carry on to many different genres. Repeated progressions of chords and a cyclic form pair with the call and response song scheme to form an easily distinguishable style.
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
As time progressed, music had to continue to evolve to keep up with the ever-changing styles. Blues slowly began to morph into Rock and Roll to engage people of a new era. While many changes occurred in creating Rock and Roll, it continued to carry undertones of the Blues. This can be heard while comparing Son House’s, “Walking Blues” and Elvis Presley’s, “Blue Moon of Kentucky.” These two songs show many similarities, while also having their own identities.
Rhythm and Blues also known as R&B has become one of the most identifiable art-forms of the 20th Century, with an enormous influence on the development of both the sound and attitude of modern music. The history of R&B series of box sets investigates the accidental synthesis of Jazz, Gospel, Blues, Ragtime, Latin, Country and Pop into a definable from of Black music. The hardship of segregation caused by the Jim Crow laws caused a cultural revolution within Afro-American society. In the 1900s, as a method of self-expression in the southern states, the Blues gradually became a form of public entertainment in juke joints and dance halls picking up new rhythm along the way. In 1910, nearly five million African Americans left the south for the
Perhaps the blues was representation of optimism and faith for the entire city of Harlem and all of African-American descent. Music is portrayed fluently and abundantly throughout the entire story of “Sonny’s Blues”. Despite the fact that Sonny frequently plays the piano, there is always a juke box playing, the “humming an old church song”, a “jangling beat of a tambourine”, a tune being whistled, or a revival meeting with the singing of religious words (Baldwin 293-307). The repetition of music in the short story is a realistic portrayal of how regular the blues, musically and emotionally, was present in an African-American’s life during the era of racial discrimination. Flibbert explains that the rooted, burdensome emotion felt by African Americans is difficult to put to words, other than describing it as the blues. He best defines the blues as “a mental and emotional state arising from recognition of limitation imposed-in the case of African-Americans-by racial barriers to the community” (Flibbert). Though a definite definition exists, the blues cannot simply be construed. To cope with this unexplainable feeling of blue, the African-American folk genre of jazz music was created. Finally, the blues was something African-Americans owned and that the white man could not strip them of. Though music appears to show up at the most troublesome times in “Sonny’s Blues”, it brings along “a glimmer of life within the
Thesis Statement: Men and women were in different social classes, women were expected to be in charge of running the household, the hardships of motherhood.
the blues were a type of black folk song little known beyond the southern United
Although folk music played a big role in most of these artists’ performances, folk links back to the blues, and is similar...
It is very difficult to determine the exact origin of the blues. Although its earliest roots evolved from West Africa, the blues probably emerged in the United States around the 1800's relative to the African America plight into slavery, as spirituals, work songs, and "arhoolies" (traditional, vernacular, or regional music) (The Arhoolie Foundation). All had some form of influence on the blues as a distinct form of music. The emergence of the blues would have occurred with the social and economic circumstances of the African Americans. (Crosby) Blues was a way of communicating discontent. But it was the spiritual blues that was the music of an unhappy people - the music that told of death, and suffering, and a cry for some hope of freedom and liberation from their torment. Yes, the slaves did get their freedom but were still bound to their "Chains" by racism.
In the years after slavery, the blues developed and expanded just as the bluesmen could spread it from place to place. It has a long history and stemmed during times of slavery which means it has to be this world for at least 200 years. And because of the blues, there are lots of best artists come out at that time,what African American black women like Ma Rainey, Bessie Smith. Alberta Hunter could perform on stage, amazed their new American audience who were stunned by this soulful new genre. These good artists make the blues spray all over the world, let people enjoy this kind of music, and open a new gene music.
Mississippi- a birth place of the blues music. Blues were born in the Mississippi Delta as a call-and response lyrical pattern “sorrow” slave songs and haunting “field hollers” (Wilson). First introduction of blues was in 1912 when a black composer W.C. Andy recorded “The Memphis Blues” which later became popular in 1914. But it was in the twenties, that nation got the craze of blues when singers like Ma Rainey and Bessie Smith recorded classic blues with jazz bands. While Blues falls into its own category, there are many different kinds of blues. Early emerging were Delta Blues and Chicago Blues. Three early pioneer of Delta Blues were Eddie “Son” House, Bukka White, and Big Joe Williams. During the great depression many African-Americans migrated towards the north giving Blues a new identity with the advent of the electric guitar – Chicago Blues. Then in 1960’s and 70’s Blues increasingly merged with rock music. American culture started to wake up to racism and discrimination. People started looking and experiencing the African-American culture in earnest and music was one part of it. Blues also helped in the development of Rock-N-Roll. It may have been just a form of expression in its infancy, but it became an identity for African-Americans for deca...
To many Rock musicians who have helped popularize Rock in the modern era, they describe rock as having a blues genre mixed in it. It is characterized as music with heavy beats and melodies when it first started to come up. It is also described as Black Rhythm, blues, and country white music. These bands usually consist of a guitar, drums, bass, and keyboard or their instrument that gives Rock it’s uniqueness. It is generally based on twelve-bar blues, and the first and third beats are heavily accented.
Listening to blues music is like listening to the artist’s soul. Early blues music had an influence on a large number of artists in Texas to make music that is still heard to this day. There are many noteworthy blues musicians in Texas. Some of the greatest include Stevie Ray Vaughan, Janis Joplin, Freddie King, Billy Gibbons, and T-Bone Walker.
The manifestation of roots music from African immigrants developed into American musical genres such as spirituals, blues, and gospel music. As the centuries progressed, spirituals and work songs extended to comprise distinctive song genres, particularly the blues of southern blacks. Work songs and spirituals from African Americans are regarded as a window into their cultural life, their songs interconnect the optimisms, burdens, and beliefs of slavery. Music was imbedded into life, songs were hummed on front porches, chanted in churches, and caroled in the fields. Melodies were passed down from parent to child and through connotations they mirrored the changing times.
The main influence of blues music was African music which has a strong and steady beat using drums or other instruments. Its beat and singing showed in the blues. Work songs and field hollers were an influence on blues. They were mostly made up as the musicians were singing.
In the formally standardized, instrumentally accompanied form of “city blues”(as opposed the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-lin...