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Orange is the new black analysis
Orange is the new black analysis
Orange is the new black analysis
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Orange Is the New Black (2013-) is a web-series created by Jenji Kohan for Netflix. Based on the real-life experiences of Piper Kerman from her autobiography Orange Is the New Black: My Year in a Women’s Prison (2010), the American comedy-drama (Wilson, 2014) follows Piper Chapman, played by Taylor Schilling, and her interaction with the women in Litchfield Penitentiary, a prison in upstate New York; a fictional version of the Federal Bureau of Prisons. Orange Is the New Black “portrays characters in ways that perpetuate stereotypes and dominant ideologies” (Chavez, 2015) of gender, sexuality, race and the body. The show explores gender and sexuality in regards to identity, the hegemony of idyllic masculinity, femininity and its effect on the lives of the characters.
In the media, women are typically beheld through the “male gaze”, which sexualises how female characters in popular media are viewed through the eyes of heterosexual males (Mulvey, 1975). This was often seen in print and advertisements, where women were hypersexualised, though also portrayed as submissive and innocent. In contemporary media, specifically, in television, film, and even pornography, lesbian characters
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For example, Piscatella exhibits an exaggerated form of masculinity by being violent and aggressive, as well as George Mendez, another prison guard who sexually assaults some of the prisoners, representing the idea of unapologetic male sexuality. On the other hand, Joe Caputo, the prison warden, is characterised to be non-confrontational and rather weak – traits that would not typically be seen as masculine. It is argued that these men are strategically represented as negative portrayals of masculinity to directly contrast the portrayals of femininity, inciting a critical approach from the
Sex and Gender was the subject of the two movies Dreamworlds 3 and Further Off The Straight & Narrow. In Dreamworlds 3 Sex is portrayed as a status of life and happiness in the media. This media displays people as objects that can be manipulated for sexual pleasure. As the media is populated with sex it tiptoes around gender, specifically that of gays or lesbians. The film Further Off The Straight & Narrow emphasized the movement through media gay and lesbian topics. This text analyzes iconic television programs and how they reflect the societal stance during that time. As a member of a generation that has had the topic of these issues prominent I believe they are important but are banal. In this reflection I will be responding to two questions, what would woman driven Dreamworlds look like? And Do you agree with the statement that if you are not on television you don’t exist?
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Michael Abernathy’s article “Male Bashing on TV” uses many television sources and percentages to explain how men are treated like idiots inside of the media. Abernathy is a television reviewer, cultural critic, and queer culture commentator (350). While Heather Havrilesky's article “TV’s New Wave of Women:Smart, Strong, Borderline Insane” is the opposite and uses television sources to explain how women are treated as smart yet crazy inside of the media. These two articles describe how men and women are portrayed differently in television shows and the media. The articles have smaller subtopics in common which are the portrayal of men and women in the media, the comparison of men and women in each article, and how Abernathy and Havrilesky want
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
Topics which relate to the subjects in the article can be found in chapter 5 of textbook Social Psychology, Second Canadian Edition (Kassin, Fein, Markus & Burke, 2013). This chapter contains information on ambivalent sexism and effects on media on gender. These topics help to gain an advanced understanding on the effects of hypersexualizing or of objectifying the female body
There are so many codes of cultural context to learn, social rulebooks to observe and accept norms to understand. It’s flung at us in disjointed bits and pieces, seemingly offhand phrases and at informal moments. Maybe the core stereotyping role we are all passed from birth is based on gender and the norms that surround it, that never leaves our side. Director Siebel Newsom is no newcomer to gender issues. With 2011’s “Miss Representation,” a study of the damaging effects of mainstream media on women and girls, she addressed the frequently accepted underdog gender in an inspirational
“Portraying African-American women as stereotypical mammies, matriarchs, welfare recipients, and hot mommas helps justify U.S. black women’s oppression” (Patricia Hill Collins, Feminist Thought Sister Citizen 51). In early American history, racial stereotypes played a significant role in shaping the attitude African Americans. Stereotypes such a mammy, jezebel, sapphire and Aunt Jemimah were used to characterize African American women. Mammy was a black masculine nursemaid who was in charge of the white children. The stereotype jezebel, is a woman who wants sex all the time. White Americans saw black women as loose, oversexed and immoral. This stereotype still lives today because men especially whites look for black women to be their prostitutes.
Women celebrities often remark that the media negatively displays women and sexually objectifies them through many mediums such as film, TV, video games, and advertisements. However, there are many female stars that are willing to pose provocatively for a wide variety of men’s magazines such as Maxim, a European magazine targeted at men. Their hypocrisy in shooting the pictures invalidates the argument that men exploit female sexuality, as they are likewise eager to take those pictures. These women are so quick to jump at an opportunity to pose seductively for the camera, a...
Aasif Mandavi once said, “If you don’t acknowledge differences, it’s as bad as stereotyping or reducing someone.” Queer representation in the media has been a point of contention for the last several decades. Throughout history, media critics have studied how lesbian, bisexual, transgendered, and gay individuals have been portrayed as villains or victims in television shows and movies. By having these individuals take on the role of a victim or villain, it enhances stereotypes present that gay men are effeminate and flamboyant and lesbian women are manly and unattractive. Because society is prone to think in terms of gender binary and heteronormativity (through not acknowledging differences), lesbian, gay, bisexual, transgendered, and queer (LGBTQ) individuals have been marginalized from traditional culture today. “Gender beliefs only allow for the existence of two sexes.” Because of this, I will discuss how the representation of queer individuals in media and society consists of false stereotypes and fabricated images. This will be done through a discussion of heteronormativity and gender stereotypes present in today’s culture as well as through specific episodes and examples from the show Modern Family on ABC.
A common trend in the entertainment industry today is the objectification of women in society. Sexualizing women are seen in media such as; movies, advertisement, television show and music video, where their main focus is providing the audience with an image of women as sexual objects rather than a human. This is detrimental to society since the media is producing social stereotypes for both genders, which can further result in corrupted social habits. Objectification in media are more focused on females than male, these false images of women leave individuals with the wrong idea of the opposite sex. As media continuously use sexual contents regarding women, the audience starts underestimating women. Specifically movies, it allows media to shape the culture’s idea of romance, sex and what seems
Gender stereotypes and biasses exist in media. In most situations, women are associated with more negative stereotypes and their portrayals can “undermine their presence by being “hyper-attractive” or “hyper-sexual” and/or passive” (Smith, 2008). In The Wolf of Wall Street women are objectified. They are treated
The TV series “Orange is the New Black” is a captivating series Piper Chapman (Taylor Schilling) who is the ‘star’ of the show. Piper is a public relations executive with a career and a fiance when her past suddenly catches up to her. In her mid-30s she is sentenced to spend time in a minimum-security women's prison in Connecticut for her association with a drug runner 10 years earlier. This Netflix Original series is based on the book of the same title. Forced to trade power suits for Prison Orange, Chapman makes her way through the corrections system and adjusts to life behind bars, making friends with the many eccentric, unusual and unexpected people she meets.
The emergence of the concept ‘male gaze’ is due to the embedment of patriarchy in the societal system of beliefs in which males or masculine individuals have been exerting the social power or dominance. It also has relation to the fact that heterosexual men have been dominating the film industry especially for the position as directors or producers. As time elapses, when such notion goes unchallenged, it evolves to become the social convention and is regarded as ‘natural’ or ‘normal’, which is reflected in movies, one of the cultural products in our
middle of paper ... ... Works Cited Adam Sharpiro, Megan Schultz, Christina Roush, Cassandra Schofar, Emily Shilling, Tawnia Simpson, Natalie Sampiller. Portrayal of Homosexuality in Media. 26 March 2014 http://www.bgsu.edu/departments/tcom103fall2004/gp16.pdf>. Huegel, Kelly.