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Although In Cold Blood by Truman Capote, the book appears to be mainly concerned with the murder of the Clutter family, one of the hidden themes of the book is gender and how Dick and Perry correspond to the gender roles. The book also puts forward a rather interesting question regarding masculinity, is masculinity a legitimate scale to judge a person or is it just another absurd social standard which is created to categorize people? In Dick’s case, the reader can safely assume that he plays the “man” role in the relationship with Perry. Dick is considered the traditional masculine figure, “Dick was very literal-minded, very—he had no understanding of music, poetry,” (p.18). Dick represents the famous American macho figure with “his literalness” and “ his pragmatic approach to every subject” . He does not need to know music or poetry but he possesses the masculine and benevolent essence that makes people respect and even trust him completely. That is the reason why Perry is greatly …show more content…
attracted to Dick or to his masculinity. Dick is not only the masculine figure Perry looks up to but also the figure he desires to become, “the primary reason Perry had been attracted to him, for it made Dick seem, compared to himself, so authentically tough, invulnerable, ‘totally masculine.’"(p.19). Perry does not personally necessarily tolerate Dick and his ways of living but there is something about the other man that Perry cannot stop being attracted to, it is something Perry has been yearning for his whole life - masculinity and social acceptance. Yet, despite being idolized by Perry, Dick has to constantly remind the reader and even himself that he is “normal”, “That, to be sure, was something he [Dick] was certain he was - ‘a normal’.”(p232) However, Dick is not normal, he is sexually messed-up with his pedophile act. Dick knows this, Perry knows this and even the reader knows this yet, somehow, Dick is still seen as more “acceptable” because he has acted out the gender role that society has expected him to be. On the other end of the spectrum, in Perry’s case, one can see that Perry somehow plays the role of the “women” in their relationship.
Perry is often referred by Dick as “baby”, “honey” and “sweetheart.” This signifies that not only the reader can obviously division of gender role in their relationship but even the men themselves can see it. Dick is the “husband” and Perry is the “nagging wife.” And like any relationship, Dick soon became tired of Perry, “Dick was sick of him—his harmonica, his aches and ills, his superstitions, the weepy, womanly eyes, the nagging, whispering voice. Suspicious, self-righteous, spiteful, he was like a wife that must be got rid of.”(p.247). But unlike Dick, Perry has a great obsession with masculinity. His whole life, Perry is always trying to look for masculinity. Being greatly influenced by his father, a self-proclaimed “jack of all trades,”(p148), Perry sees himself inferior to a man with his malfunctioned legs and his problematic sleeping
habit. From the case of Dick and Perry, the book brings us to an even greater theme, what gender actually means and more specifically what masculinity signifies in the book and in the society. Judith Butler famously remarks gender as “performative”, which means our gender is determined by how we act, not the other way around. By repeatedly carrying out the specific requirements for the gender, we are constructing our own gender, and even when we fail to perform the societal assigned gender, we tend to imitate it. In “In Cold Blood”, the murderers do the same thing. Perry, on several occasions, has pathologically lied about his crimes, killing a negro or stealing, he does this not only to impress Dick but also to prove that he is also capable of being a “man”. Both men uses each other to identify their own gender role, Perry thinks of Dick as a trusting and impressive masculine role model, while Dick considers Perry a pawn in his scheme to rob the Clutters and often treats Perry like how he would treat a women. If so is the case then what is normal masculinity? Perry, who is sexually inexperienced and has never married before, is greatly prejudiced against “pervertedness”- homosexuality, adultery, pedophilia and rape. On the contrary, ironically, Dick - has married twice and has three children, the epitome of masculinity in Perry’s mind - is a pedophile and a rapist. Another contradictory example of masculinity is when Dick and Perry decide to kill Mr. Clutter. “He [Dick] was holding the knife. I asked him for it, and he gave it to me, and I said, ‘Leave them alive, and this won’t be any small rap. Ten years the very least.’ He still didn’t say anything. He was holding the knife. I asked him for it, and he gave it to me, and I said, ‘All right, Dick. Here goes.’ But I didn’t mean it. I meant to call his bluff, make him argue me out of it, make him admit he was a phony and a coward…But I didn’t realize what I’d done till I heard the sound. Like somebody drowning. Screaming under water.” (p.281) Although Dick is supposed to be the “manly” one, it is Perry that pulls the trigger. It seems like the “man” does not have what it takes to do the deeds. After the murder, Perry is the only one who shows remorse over their death, while Dick does not seem to care, “Deal me [Dick] out,baby. I’m a normal”(p.108). One can argue that because Dick is a heartless man without capability to show regret or that he is too much of a man, too much masculinity to actually consider the crime. However, in fact, Dick does not commit the crime, it is Perry that does all the killing. So why should Dick feel remorseful? He just stands there, using the flashlight to guild Perry to kill the Clutters. In this sense, Perry has become more “masculine” than Dick, but then he is also regarded as the cold-blooded murderer of the Clutter family. So in the end, probably masculinity does not mean anything at all. It is just one of the meaningless notions that the society creates to overcomplicate the concept of gender. Conclusively, there is no right way to determine one’s gender or masculinity because what is exactly gender and masculinity anyway? We are constantly in search of ourselves to determine what we should be and what we should become based on social standards, much like Perry, without realizing that eventually, gender, masculinity and femininity are all “performative” and more than often they are decided by ourselves.
In Cold Blood is the true story of a multiple murder that rocked the small town of Holcomb, Kansas and neighboring communities in 1959. It begins by introducing the reader to an ideal, all-American family, the Clutters; Herb (the father), Bonnie (the mother), Nancy (the teenage daughter), and Kenyon (the teenage son). The Clutters were prominent members of their community who gained admiration and respect for their neighborly demeanors.
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
Capote uses recurring themes in In Cold Blood to emphasize the role of family and egotism in criminals. “On their way, and never coming back - without regret, as far as he was concerned, for he was leaving nothing behind, and no one who might deeply wonder into what thin air he 'd spiraled. The same could not be said of Dick. There were those Dick claimed to love: three sons, a mother, a father, a brother,” (Capote 66). This quote is important because it shows the background of both Perry and Dick. Perry came from a “broken home” where no one had ever truly loved him, not even his father. Dick, on the other hand, came from a loving family, and the fact that he loved them back was a sign that he didn’t have a mental illness and he was rather committing these crimes for other reasons. The role of families is highlighted in a way that shows that while families can be a source of protection and love (such as the Clutters), a lack of one (Perry Smith) can make you a social misfit. Perry Smith had nothing to lose. On the other hand, Dick actually had a family who loved him. Both of these aspects give deeper insight into the characters and their minds. Egotism is also a motif within the novel. "Why should that sonofabitch have everything, while he had nothing? Why should that
The whole “robbery” was planned by Dick, the drive was planned by Dick, and even the cover up process was his idea. Although he wasn’t the one who pulled the trigger, Dick is equally responsible for the Clutter family murder as Perry. It would take a horrible person to murder a family, but it takes a vial beast to plan, examine, organize, and operate the murder. Dick grew up with loving parents who were no poorer than any other family in the neighborhood. According to both him and his parents, he was a good kid who did well in school and lettered in nine sports. Similar to Perry, he feels cheated in life and is willing to do anything he must to get what he deserves. Along with this, he has zero insight on how to life a normal life. Dick is the type of person to act on his impulses. He 's likes to have a good time and live in the moment. His aspirations are easy money and easy women. With this, he seems to have no ability to weigh the consequences of his actions, and he will do whatever it takes to get his way. This type of momentary reaction is prone to lead a life of “poor decision.” If he’s in need of money, he will write a few bad checks or maybe steal from a store. If this jig wasn’t plentiful enough, he hitches a ride with a stranger to basically rob and kill everyone in the car. Dick was known for being a terrible person as one man stated, “Dick Hickock! Don 't talk to me about
Truman Capote put-to-words a captivating tale of two monsters who committed four murders in cold blood. However, despite their atrocities, Capote still managed to sway his readers into a mood of compassion. Although, his tone may have transformed several times throughout the book, his overall purpose never altered.
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
He grew up in a different environment with a broken family with no apparent dreams. As a young boy his parents separated and he was forced to go with his mother. He later ran away to be with his father who turned him down and ended up being abandoned by his family completely. He then came to stay at a catholic orphanage, where he was abused by nuns and caregivers. His father finally decided to take him into his care and together they got away and traveled, ending his education before passing the third grade which bothered him as he became older. Perry joined the marines and army, then came back to relocate his father. Him and his father had a breakthrough over starvation, leaving Perry with no one else to turn to and therefore getting involved in committing crimes. Once he got caught and jailed, his mother had died and his brother and sister had both committed suicide. By all his experiences we can say Perry definitely lived a different life and his family portrayal was very different from the Clutters. After so much abandonment and abuse, we can understand why he almost feels nothing and how growing up has affected him. The American Dream for Perry might not have been a “perfect family” but may have been to find something with order, and control. The dream Perry’s family would be focused on is reaching a decent life as their past has been
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
The first relationships with the upper-class that Ragged Dick builds are with Mr. Whitney and his nephew Frank. “I may be rash in trusting a boy of whom I know nothing, but I like your looks…” says Mr. Whitney (Alger 23). Dick’s appearance at the time could not be called proper by any means; he truly lives up to the name Ragged. Whitney talks more about his inner features rather than his physical ones; he could see Dicks accountability and honesty. Before he lets Dick give his nephew a tour he lets him take a bath, gives him a new suit, and even grants him five dollars. Mr. Whitney leaves Dick with some advice, “your future position depends mainly upon yourself” (79). The next person of the upper-class Dick becomes acquainted with is Mr. Grayson. The day before he acquires the suit from Mr. Whitney, Mr. Grayson employs Dick to shine his shoes; he doesn’t have time to wait till Dick gets back with his change. When Dick comes by to drop off Mr. Grayson’s change the next day, dressed in his new suit, he is invited to attend Mr. Grayson’s Sunday school class where Mr. Grayson would “do what he can to help [Dick]” (102). Dick probably would not have gotten the invitation to Su...
In Truman Capote’s In Cold Blood, the author suggests the theme of crime along with his opinion of nature vs. nurture which asks the reader if the two main characters were born with evil or were raised in an environment with evil influencing them. First of all, Capote introduces one of the characters, Perry, as a “natural born killer” (55). Perry is seen as someone who possesses qualities that are ideal in order to be a successful killer. It is clearly seen that Perry’s feelings are almost absent and not there. He, himself would not be someone you would automatically think of persecuting and depicting of a killer. His gentle personality and intelligence
Some people house two distinctly opposing personalities, one moral and upstanding, and the other evil and heartless. Most of the time, one personality prevails over the other. Perry from In Cold Blood exemplifies someone who houses both of these personalities. When Perry talks to Dick about the murder of the Clutter family, he says “there’s got to be something wrong with somebody who’d do a thing like that” (Capote 108). Perry clearly feels strongly repulsed by the murder, as any person would. His morally upstanding personality comes out when he really thinks about what he had done but, still eludes his mind. Although his moral personality has shown slightly, his heartless personality is more prevalent because, in the end, he still committed
The novel, A Thousand Splendid Suns, written by Khaled Hosseini, is filled with pages of heart wrenching stories representing the roles of women in the Afghanistan community. Hosseini’s novel is a prime example of how literature portrays women and their role in society, specifically the Afghanistan society. The novel A Thousand Splendid Suns is an intense telling of gender roles that helps to uncover the ways in which women are painted in the literary world.(repetitive of what was just said) The women in Hosseini’s novel struggle to strengthen their individual self and fight for their human rights in a world dominated by men. This essay will aim to uncover how literature depicts gender specifically through education, societal expectations,
In the book Winter’s Bone by Daniel Woodrell, the author uses the main character Ree to explore and redefine the definition of gender roles within the Ozark rural community.
Character actor Fred Ward once stated, "I think we 're struggling with trying to redefine various positions at this point in history. To allow freedom for women, freedom for men, freedom from those sharply defined gender roles." This means that socially constructed gender roles give individuals pre-assigned characters to play throughout their life, not allowing them any personal growth. Governing the way an individual presents them self to the world, gender roles bind men and women alike to stereotypical, hackneyed characters. It is confinement to these gender roles that prevent our society from reaching its true potential. In the book Winter 's Bone by Daniel Woodrell, gender roles are prevalent in the form of hyper-femininity and hyper-masculinity.