Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender inequality in middle east
Oppression of women in Iran
Oppression of women in Iran
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender inequality in middle east
Conforming Catastrophe Gender roles have come a long way in the past 50 years from women getting the right to vote to women even being able to become the CEO of a company. However, in Marjane Satrapi’s “Persepolis” these achievements would have been seen as almost impossible in the setting and time frame of the graphic novel. In “Persepolis” the roles of women are fashioned and established under a strict regime that restricts the freedom of women. Before the Islamic Revolution, Marji went to a co educational, as well as bilingual, school. Unfortunately, the schools were split between male and female because bilingual schools were seen as symbols of capitalism and of decadence (4). Also, at this time, it was made obligatory that girls wear a veil to school. The veil is seen as a symbolism for oppression, it makes Marji, and probably other girls and women, feel like less of a person. The gender separation and the use of the veil can be seen as one of the first steps toward women’s oppression and how their roles became …show more content…
Although she wears the veils, Marji does not follow the rules that a women at the time should follow. Marji went to demonstrations to protest, she listened to punk rock music and wore jean jackets (symbols of decadence), she was educated, and she stood up for what she believed was right while women were expected to keep quiet. The new expectations of women just pushed Marji to rebel even more. “After the death of Baba-Levy, my life took a new turn in 1984, I was fourteen and a rebel. Nothing scared me anymore” (143). The need to restrict Marji’s freedom forced her to be the person she became.
Overall, the gender roles during the islamic revolution diminished. Women were more seen as objects that needed to be covered, quiet, obedient, and told what to do. Marji did not let this discourage her and fought for what was right, even if it put her life in
Professor Leila Ahmed, active Islamic feminist, in her article “Reinventing the veil” published in the Financial Times assumes that there is a connection between “advancement” and veiling, which means that unveiled women are advanced and vice versa. In addition, she supports that it led to increasing rate of violence. She questions why women wear veil, that is considered as “symbol of patriarchy and women’s oppression”. However, research changed her position towards wearing veil. Firstly, she states that wearing veil was essential for women, because it could be beneficial and influence to how people treat women, in terms of job, marriage and free movement in public. Secondly, her assumption was explained while interviewing women, who stated
Gender Roles in Ancient Greek Society Throughout history, the roles of women and men have always differed to some degree. In ancient Greece, the traditional roles were clear-cut and defined. Women stayed home to care for children and do housework while men left to work. This system of society was not too far off the hunter gatherer concept where women cared for the house and the men hunted.
She makes the case that Western feminists have radically misinterpreted the veil. For many Muslim women, the veil acts as a divide between the public and private. The veil may actually liberate women from “the intrusive, commodifying, basely sexualizing Western gaze”. The veil frees women from the oppressive hyper-sexualization of found in Western culture. Reducing the veil to a symbol of oppression disregards the possibility of female agency outside a Western feminist paradigm. The veil has the potential to liberate women in the public space. Projecting our Western notions of sexuality and gender roles denies the possibility of different forms of sexual
Muslims, Sikhs, and many other religious affiliations have often been targeted for hate crimes, racial slurs, and misfortunate events. We are all different in our own ways some are good and some are bad yet one event changes everything for everyone affiliated with the group. The book The Politics of the Veil by Joan Scott a renowned pioneer in gender studies gives a detailed and analytical book of about the French views towards the Muslim females in France during 2004. The author talks about why the French governments official embargo of wearing conspicuous signs is mainly towards the headscarves for Muslim girls under the age of eighteen in public schools. The main themes of book are gender inequality, sexism, and cultural inequality historical schools used in the book are history of below, woman’s history, cultural history, and political history. In this essay, I will talk about why Joan Scotts argument on why the French government’s ban on wearing conspicuous signs was
In Persepolis, Marjane Satrapi’s childhood experiences allow her to demonstrate the cultural changes that occurred in post-revolutionary Iran, as well as those perpetrated by western culture. In Persepolis, western culture plays a major role in the author’s attempt to dispel the
There are many examples throughout the text that specifically focus on the overbearing treatment of women. During the country's revolution there is a shift to extremely conservative religious conviction that force women to cover themselves head to toe while in public. Ultimately, Nafisi refuses to wear a veil while teaching at the University of Tehran which leads to her expulsion. These examples presented throughout the text along with various outside sources, can be a tool to interpret and scrutinize the oppressive treatment of people in unjust societies like that of Iran's.
Later in the novel Marjane’s mother argues with her father to allow Marji to come to a demonstration with them, she claims it is Marji’s time to “defend her rights as a woman” (76). Because her mother taught Marji that it is okay for a woman to rebel and speak her mind, Marji never hesitates to speak up and will not conform and allow herself to become just another veiled, female traditionalist. Marjane’s mother shows her acceptance of Marjane as an independent woman when she visits her in Austria and asks her for a cigarette (204). Marjane’s mother is not ignorant, nor does she hold her daughter back to the rules of society. She knows Marji is grown up and treats her as an adult, allowing Marji not only to view their relationship in a different way but also to view herself in a different way: an independent adult who can make her own choices.
The religion of Islam was imposed upon Iranians, whether they liked it or not. Marjane and her classmates “...didn’t like to wear the veil, especially since we didn’t understand why we had to”(Satrapi 3). The young girls were against wearing the veil because they were not practicing
The purpose of this paper is to analyze the effect of an oppressive regime on the child Marjane Satrapi as depicted the graphic novel Persepolis by Marjane Satrapi.
The way they dressed quickly changed as shown when Marji asserted that “In no time, the way people dressed became an ideological sign. There were two kinds of women. The fundamentalist woman [and] the modern woman. There were also two sorts of men. The fundamentalist man [and] the progressive man” (75). Satrapi uses the two frames on page 75 to illustrate the idea associated with the two different ways in which both men and women chose to dress whether it be tradition, or not. Satrapi expounds how their choice of dressing then depicts their view on the Islamic Revolution. She explains how the modern women rebelled by wearing heard scarves, instead of the traditional full veil, along with letting some hair slightly fall out to show opposition against the Iranian regime. She continues with how the progressive man also showed their opposition by tucking their shirts in and shaving their facial hair, in contrast to the fundamentalist man who leaves his shirt hung out, along with a full beard. Satrapi denotes that both genders of characters take the risk of not dressing like a fundamentalist, in order to show their form of rebellion in a settle way, knowing of course that there is always a possibility of
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
The Iranian Islamic Revolution of 1979 created a lasting affect on the societal role of women through modern day Iran. Women in Iran before the revolution were not entirely treated equal to men, but despite some cultural perceptions of women being inferior to men, they had made progress to become socially equal under the Shah. Several misconceptions and theories have been published and studied to show the inequality of women versus men because of Islam. However, contrasting theories have also been made to show that inequality has little to do with the religion, but instead with the forceful nature upon which it was implemented in the revolution. The purpose of this paper is to highlight the Islamic and political history of Iran and its social implications over Iranian women.
Feminists from various eras have shown moments of resignation, wondering whether they have become masculine in their struggle against male oppression. This struggle does not have an easy answer. One feminist retaliation to Lysistrata’s approach is that the marriage of beauty and submissiveness is a totalitarian quality invented by males to make women feel dependent or incomplete without male affection. At the same time, Lysistrata makes clear that militancy is a decisively male quality, as throughout history men have been the ones to initiate battles. During the Gulf War, it was common to find bumper stickers that said: “If Women Rule the World, There Would Be No
Throughout Persepolis, Marjane Satrapi displays the vital role that the women around her have in developing her character and becoming the woman she is today. Women such as her mother, her grandmother, her school teachers, the maid, the neighbors, and even the guardians of the revolution influenced Marjane and caused her to develop into an independent, educated, and ambitious woman. Throughout the novel, Marjane never completely conforms or lets go of her roots, this is strongly due to the women who have influenced her.
In present days gender equality seems ordinary around the world, but there are some areas male dominant and prejudice against women still exist, these areas include workplaces and strong cultural beliefs families. Gender inequality first surfaced in ancient world, the surviving physical evidence such as temples, buildings and battle memorials illustrate this phenomenon where they all speak of man’s world. Though there are many surviving works of art feature of ancient women in various forms, but has rarely given any insight into other kind of world except that in which women were controlled, contained, and often exploited (Scott, 2009).