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Gender in literature
Gender role in literature
Gender in literature
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During the 16th Century, women were fundamentally the property of their fathers and eventually their husbands; women were expected to support their husbands’ endeavours and it was expected that their primary obligation in life was to bear children. Although women aren’t seen so much as ‘objects’ in today’s society, women are still often imprisoned within the male-dominated civilisation around them with regular cynicism and mockery. King Lear and A Thousand Acres explore both the hidden and the oppressed power of the feminine through challenging conventional gender roles.
William Shakespeare’s King Lear follows the story of King Lear and his three daughters, Cordelia, Goneril and Regan. King Lear decides to resign from the throne and distribute his kingdom amongst his daughters but their amount is decided based on how they answer his question; “Tell me, my daughters (since now we will divest us both of rule, interest of territory, cares of state), which of you shall we say doth love us most, that we our largest bounty may extend.”
When construed from a feministic evaluation, it is apparent that Shakespeare’s King Lear encompasses misogynistic implications. Goneril and Regan both answer him with flattery and excessive devotion but Cordelia answers with
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Jane Smiley parallels female fertility with the fertility of farmland itself. “Fertile” land is capable of bearing healthy crops, and fertile women are capable of bearing children. This says that fertile women embodies healthy crops. However, the two senses of fertility can conflict with one another. Ginny, who has had 5 miscarriages throughout the novel, suspects that the farmland itself is making her infertile because the very water that she drinks every day is polluted with chemicals to ward off pests used on the country. Ginny struggles throughout the novel to maintain being a good farmer and a good
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Before the Middle Ages, women were societally submissive to male supremacy. As the Middle Ages progressed, one develops a sense that women sought a change in societal order. Upset that they are not able to share their beliefs due to their position, women began to become more vocal. In comparing two great poets Geoffrey Chaucer and William Shakespeare, one sees a connection in their most well known works. Chaucer's view on women, demonstrated by the “Wife of Bath’s Tale” and the Wife’s belief that all women desire sovereignty, is welcomed by William Shakespeare but not achievable by Hamlet’s female protagonists, Gertrude and Ophelia.
In Shakespearean time and even up to the turn of the 20th Century men were expected to be the sole provider of the family, entailing them to be either well educated or hard working. They were also expected to be good with the handling of finances and property. It was also acceptable for them to be barbaric, boisterous and socially well connected. This has given the men of this time an overwhelming sense of power, respect and freedom; rights which were not given to women at this time. Far from what was socially acceptable in regards to men, the gender identity of women was of a somewhat weaker nature. Women during Shakespearean time were regarded as docile, quiet and non-opinionated. Their socially acceptable role in many cases was to be domestic, entailing them to spend countless hours in the home, tending to basic familial needs, such as cooking and cleaning. This position prevented many women to receive an education or to socialize outside of the home. As a result of their inferior social status, they were expected to be submissive and to cater to her husband’s needs at all times. Women in Shakespearean time were also treated as property, either by their husbands or fathers, which diminished any sense of self-worth they may have possessed. This gender ideology ultimately paralyzed women, as the majority were helpless to alter their social standing or designated familial role.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
With so many basic plot similarities, Smiley manages to convey a new take on an old-fashioned story. At the end of King Lear, Lear traditionally is believed to be a changed man. Smiley doesn't buy into this common belief; therefore Larry Cook remains a static character throughout the novel. He never changes his attitude towards his possessions, his daughters and his land. Another difference that contributes to Smiley's new interpretation is the point of view from which the story is told. King Lear is told from a strictly male point of view. A Thousand Acres is told through the viewpoint of Ginny, Smiley's parallel to Goneril. Through Ginny's self-revelation, the reader is made aware of many circumstances that would cause a daughter to hate her father. Smiley believes that Lear's daughters must have had some reason for hating him. This is why, in her novel, she includes a childhood of incest.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Shakespeare and his works questioned and presented the Elizabethan society, the stage used as a tool to represent larger ideas. Gender in the play is largely linked with morality, sin, redemption, fall and passionate pleasure. In King Lear there is an abuse of power, especially in regards to woman. The devouring feminine, and a fall from grace by the patriarchy ensued through incestuous behaviour, adultery and unnatural relationships leads to a fluidity in gender and generational roles. The violation of the natural order awakens divine retribution, leading to the collapse of the kingdom and chastisement eventually resulting in the rebirth of the patriarchy. In King Lear gender issues resolve from a power struggle, a deviation by the paternal
The theme of King Lear is the characters’ search for their “true selves”, the character Cordelia in particular has already found her “true self” through her love for her father, King Lear, but she is also the key to King Lear’s “true self”. In King Lear, Cordelia and her two sisters are asked by King Lear “Which of you shall we say doth love us most” (Brown, Act I Scene i), so that he may determine their shares of the kingdom and money. While the women will gain the benefits of these riches, the actual ownership will go to husband in the form of a dowry. Women are consid...
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
Brown, Steve. 'The Boyhood of Shakespeare's Heroines: Notes on Gender Ambiguity in The Sixteenth Century.' Studies In English Literature 30 (Spring 1990): 243-264.
During the Elizabethan Era, women were oppressed to men and had no authority and power to make their own decisions. This idealistic view of gender is defied in William Shakespeare’s well-known tragedy, King Lear, for female empowerment is central to the play. Firstly, the bold characteristics of the women contribute greatly in enhancing the plot. Furthermore, women play a major role in developing the theme of power. Moreover, when power is given to the female characters, they reveal their true nature, thus aiding with their character development.
The feminism of Shakespeare’s time is still largely unrecognized. Drama from the 1590’s to the mid-1600’s is feminist in sympathy. The author
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
While plenty of interpretations can be drawn from Shakespeare’s King Lear, what I personally drew from the text was his warnings against the dangers of vying for instant gratification. This is shown at the start of the play, King Lear immediately beseeching his daughters to draw out elaborate arguments for why they love him more than their two other siblings. While this competition seems legitimate at first, the audience goes on to find out that Lear already had the land divided, the majority of as much going to his youngest and most loved daughter, Cordelia. Knowing this information, it becomes clear that Lear’s attempt to pit his daughters against one another was simply a ploy for affection—in short, he wanted his daughters to inflate his ego. It is this attempt at instant gratification from his daughters that ultimately causes him to banish Cordelia and leads to his demise.