The Taming of the Shrew and Henry V by Shakespeare

Upon reading Shakespeare’s The Taming of the Shrew and Henry V, I have noticed that the issue of gender ideology and identity has been an intriguing study in both Shakespearean comedies and histories. These traditional Western views have, in a sense deemed which roles are appropriate and socially acceptable, in regards to both males and females. This practice of ‘social typecasting’ has given men and women certain socially acceptable characteristics, which has influenced how they should think and act. In this essay I take an in-depth look regarding how Shakespeare dealt with gender identity, and if certain characters in The Taming of the Shrew and Henry V accepted their socially predetermined gender identity or if they rejected it.
In Shakespearean time and even up to the turn of the 20th Century men were expected to be the sole provider of the family, entailing them to be either well educated or hard working. They were also expected to be good with the handling of finances and property. It was also acceptable for them to be barbaric, boisterous and socially well connected. This has given the men of this time an overwhelming sense of power, respect and freedom; rights which were not given to women at this time. Far from what was socially acceptable in regards to men, the gender identity of women was of a somewhat weaker nature. Women during Shakespearean time were regarded as docile, quiet and non-opinionated. Their socially acceptable role in many cases was to be domestic, entailing them to spend countless hours in the home, tending to basic familial needs, such as cooking and cleaning. This position prevented many women to receive an education or to socialize outside of the home. As a result of their inferior social status, they were expected to be submissive and to cater to her husband’s needs at all times. Women in Shakespearean time were also treated as property, either by their husbands or fathers, which diminished any sense of self-worth they may have possessed. This gender ideology ultimately paralyzed women, as the majority were helpless to alter their social standing or designated familial role.
In Act One of The Taming of the Shrew we catch a glimpse into the life of the Minola family. Baptista, the father is forced with a dilemma, as he needs to find a suitor for his daughter Katherine in order to marry off his other daughter Bianca.