Strange Magic: The Importance of Love and Gender in A Midsummer Night’s Dream Shakespeare was a theatrical genius; bewitching audiences everywhere with his artful language. Even his lightest plays have serious undertones to them. Each one depicts life as it once was, complete with the rules and expectations which were common at the time. In A Midsummer Night’s Dream, Shakespeare reflects society’s views on love and gender, both in his own time and in ancient Athens. The play opens with a conversation between Theseus and his fiancée, queen Hippolyta. Both of them are important mythological figures. According to Athenian legend, Theseus seized the Amazonian queen with the help of Heracles: "I wooed thee with my sword / And won …show more content…
Theseus supports his argument, saying: “Be advised, fair maid / To you your father shall be as a god: / One that composed your beauties; yea, and one / To whom you are but as a form in wax / By him imprinted; and within his power / To leave the figure, or disfigure it” (I.i.48-53). Hermia faces much more serious consequences than her father’s wrath, however. When Hermia states that she loves Lysander, and not her father’s choice, Demetrius, Theseus tells her the full extent of the law. If she did not comply and marry Demetrius, they would send her to a nunnery or condemn her to …show more content…
Everything goes amuck with Puck. The situation is simply reversed, and both Demetrius and Lysander proclaim their love for Helena. Hermia is absolutely furious. Chaos ensues; with Helena viewing it as a cruel joke. “I pray you, though you mock me, gentlemen / Let her [Hermia] not hurt me. I was never curst; / I have no gift at all in shrewdness; / I am a right maid for cowardice” (II.ii.304-307). The young Athenians are possessed with the madness of love, so much that Hermia attacks Helena, an old and dear friend. As they watch the scene unfold, the fairies are horrified, and pledge to set things
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
By the end of the play Theseus feels differently towards Hermia's claim specially after the children run off into the woods. He turns in the favor of Hermia's claim which is for her to be able to choose whom she wishes to marry.
A Midsummer Night’s Dream, penned by the acclaimed author William Shakespeare, demonstrates erratic relationships in the form of a romantic comedy. The play takes place in ancient Athens where Theseus, duke of Athens, and his fiancé, Hippolyta, prepare for their grand wedding. During the preparations, Theseus must settle a dispute between a man named Eugeus and his daughter, Hermia. Hermia desires to marry a charming young man by the name of Lysander, however, her father forces her to wed Demetrius. Throughout the story, Hermia and many other women, battle with their love affairs. Through these chaotic love affairs, the predominant female characters show their strengths as well as their weaknesses through various events in the play. Two
Theseus, father of Hermia, disapproves of the romance between Hermia and Lysander, preferring the suitor Demetrius for his future son-in-law. The forbidden lovers seek freedom outside the walls of Athens, where Lysander believes “the sharp Athenian law cannot pursue us” (Shakespeare 1.1 162-163). Although what Lysander states is true, escaping the clutches of one powerful leader only leads them into the hands of another. The lovers, followed closely by Demetrius and Helena, flee to the wood outside the city, only to have the delicate fabric of their intertwined relationships torn apart by Oberon and the servant Puck. Though their desires are modified by the love poison, the two men perceive their newfound love as natural.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Hermia and Demetrius decree that they would rather risk death or Egeus’ discontent than to be split apart. Eventually, Lysander proposes that Hermia should “steal forth thy father’s house to-morrow night” (Act I Scene I) after he formulates a plan for the two of them to run away to Lysander’s aunt’s home in another kingdom. If the two proceed with this plan, they risk execution. Their willingness to risk death for each other's love demonstrates utmost devotion to each other, a crucial trait that leads to a successful marriage. Furthermore, Hermia remains loyal to Lysander, even when Lysander does not reciprocate her love, by choosing to blame Helena for Lysander’s actions rather than Lysander himself. After Lysander falls in love with Helena because of the love potion, Hermia is in denial. Lysander hates her and asks Helena if he should, “hurt her, strike her, kill her dead?”(Act III Scene I). Any compassion he felt towards her has completely dissipated. Although Hermia is hurt, she is still loyal to Lysander and decides to admonish Helena for his actions, claiming she has, “come by the night and stolen my love’s heart from him” (Act III Scene I) and “she
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
“...So long as men can breathe or eyes can see/So long lives this, and this gives life to thee.” So ends the famous Sonnet 18, possibly Shakespeare’s best-loved sonnet of all. Shakespeare’s fame today comes almost exclusively for his writing that deals with feelings of love. Sonnet 18. Romeo and Juliet. A Midsummer Night’s Dream. Hamlet and Ophelia and Antipholus and Luciana and Beatrice and Benedick and Antony and Cleopatra. All these examples of the guy falling in love with the girl and skipping off into the sunset with her. However, new evidence shows that he wrote almost half of his sonnets to a man, including that oft-quoted “Shall I compare thee to a summer’s day?” sonnet. As we look closer and closer at his cross-dressing, male-centric, “fabulous” plays, Shakespeare scholars argue that it’s very possible he swung the other way, or at least been an ally for those who did. Fast forward about four hundred years and we live in a thoroughly(though not yet quite totally) accepting society, with multiple organizations dedicated only to making LGBT kids feel safe in their own community, universally legal gay marriage undoubtedly coming up on the horizon, and non-gender-binary people winning major beauty-centric competitions. The very reason that so much research has been done on Shakespeare’s sexuality is that we accept so many in today’s modern, free spoken society. The majority of today’s society opens and accepts all, and I like to believe that the bard himself strove for a world like this. There are still a few people who still believe that their love-thy-neighbor religion does not apply to those who do not fit within the societal construct of a book written thousands of years ago, but people who have grown to love far overpowe...
The Feminist Subtext of A Midsummer Night's Dream Shakespeare's works have persistently influenced humanity for the past four hundred years. Quotations from his plays are used in many other works of literature and some common phrases have even become integrated into the English language. Most high schoolers have been unsuccessful in their pursuit of a degree and college students are rarely afforded the luxury of choice when it comes to studying the board. Many aspects of Shakespeare's works have been researched but one of the most popular topics since the 1960s has been the portrayal of women in Shakespeare's tragedies, comedies, histories and sonnets. In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
To her, my lord, was I betroth'd ere I saw Hermia: but, like in sickness, did I loathe this food; but, as in health, come to my natural taste, now I do wish it, love it, long for it, and will for evermore be true to It". Theseus decides to override Egeus's plans for Hermia to marry Demetrius and now will have all three of the weddings in Athens that day. They eventually all depart for Athens Theseus says, "Fair lovers, you are fortunately met: of this discourse we more will hear anon. Egeus, I will overbear your will; for in the temple by and by with us these couples shall eternally be knit: and, for the morning now is something worn, our purposed hunting shall be set aside.
A Midsummer Night’s Dream focuses highly on love and what goes along with these relationships. This play shows the effects of conflict within the romantic relationships, and the way that the women were treated throughout the entire play. Whether it is in the fairyland between King Oberon and Queen Titania or between the mortals. It is quite apparent that the way women were treated in this play was different than that of today. The women in A Midsummer Night’s Dream were treated as second class citizens by the men during the time period of the play.