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Elements of love in shakespeare poetry
Shakespeare poet in love
Elements of love in shakespeare poetry
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Healthy relationships are based on qualities such as loyalty, respect, and forgiveness. Relationships that possess these qualities are often durable and prosperous. In William Shakespeare’s comedic play A Midsummer Night’s Dream, Hermia and Lysander have the best chance for a successful marriage through their incessant loyalty to each other, Lysander’s respect for Hermia’s values, and Hermia’s endowment to forgive Lysander.
Hermia and Lysander’s willingness to run away and jeopardize their lives for love demonstrates their ceaseless allegiance. At the beginning of the play, Egeus, Hermia’s father, prohibits Hermia and Lysander from getting married. Egeus commands that it is Hermia’s obligation to marry Demetrius or she will “be put to her
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death, according to our law” (Act I Scene I).
Hermia and Demetrius decree that they would rather risk death or Egeus’ discontent than to be split apart. Eventually, Lysander proposes that Hermia should “steal forth thy father’s house to-morrow night” (Act I Scene I) after he formulates a plan for the two of them to run away to Lysander’s aunt’s home in another kingdom. If the two proceed with this plan, they risk execution. Their willingness to risk death for each other's love demonstrates utmost devotion to each other, a crucial trait that leads to a successful marriage. Furthermore, Hermia remains loyal to Lysander, even when Lysander does not reciprocate her love, by choosing to blame Helena for Lysander’s actions rather than Lysander himself. After Lysander falls in love with Helena because of the love potion, Hermia is in denial. Lysander hates her and asks Helena if he should, “hurt her, strike her, kill her dead?”(Act III Scene I). Any compassion he felt towards her has completely dissipated. Although Hermia is hurt, she is still loyal to Lysander and decides to admonish Helena for his actions, claiming she has, “come by the night and stolen my love’s heart from him” (Act III Scene I) and “she …show more content…
hath urged her height and with her personage, her tall personage, her height, forsooth, she hath prevailed with him” (Act II Scene I). Even though Lysander is no longer faithful to Hermia, Hermia is still loyal to him, which exhibits her uttermost commitment to Lysander. Since Hermia is so loyal to Lysander, that loyalty will prevail throughout their marriage, giving Hermia and Lysander the best chance at a successful marriage. Next, Lysander is respectful of Hermia, which proves that he cherishes her enough to observe her beliefs.
When Hermia and Lysander are sleeping in the woods, Lysander suggests that “one turf shall serve as a pillow for us both, one heart, one bed, two bosoms, and one troth” (Act II Scene I). Hermia replies, “nay, good Lysander; for my sake, my dear, lie further off yet, do not lie so near” (Act II Scene I). Lysander then regards her wishes and sleeps away from Hermia. His ability to honor her despite his desires shows respect, a crucial quality in forming a healthy relationship, proving that Lysander and Hermia will have a lucrative
marriage. Lastly, Hermia is able to forgive Lysander for his actions, a conspicuous quality that implements a substantial base for a successful marriage. After Puck, a fairy, releases Lysander from the love potion, Hermia still loves him. The couple rejoices when Theseus grants that “these couples shall be eternally knit” (Act IV Scene I). Due to Hermia’s ability to forgive Lysander, Hermia and Lysander were able to blissfully marry. Hermia’s ability to forgive Lysander, despite the fact that he hated her, proves that Lysander and Hermia’s love for each other is amaranthine. Since forgiveness is such a critical aspect of a prosperous marriage, Hermia and Lysander have the premium chance for a successful marriage. In William Shakespeare’s A Midsummer Night’s Dream, Hermia and Lysander’s relationship will be the most successful due to their loyalty to each other, Lysander’s respect for Hermia’s beliefs, and Hermia’s ability to forgive Lysander. Loyalty, respect, and forgiveness are all vital qualities to a strong marriage, and relationships built around these traits are sure to last.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
In Shakespeare’s play, A Midsummer Night’s Dream, love appears to be the common theme of several storylines being played out simultaneously. Although these stories intersect on occasion, their storylines are relatively independent of one another; however, they all revolve around the marriage of Theseus, the Duke of Athens, and Hippolyta, the Queen of the Amazons. If love is a common theme among these stories, then it is apparent that love makes people act irrationally.
The Fickle Nature of Love Love is often a whirlwind of unexpected feelings and emotions, taking people on unpredictable journeys of intense highs and lows - and William Shakespeare knows it. Shakespeare manages to capture this element of unpredictability and unexpectedness within all the relationships displayed in A Midsummer Night’s Dream. Throughout all of the love relationships that are shown to the audience in the play, the theme “love is unpredictable” manages to be entwined in the midst of it all, be it among the young and rash lovers or in the mature relationships depicted. In the play, Lysander says that “The course of true love never did run smooth.”
When Lysander is speaking to Hermia in Act I, Scene I; he is both stating a truth about the mystery of love, as while as foreshadowing the upcoming trouble in the play. Egeus has made his demands that his daughter obey him and marry Demetrius. The tension between the father and the chosen lover of his daughter has set the conflict into motion. Demetrius has left with Theseus, Hippolyta and Egeus to discuss the wedding of the Duke of the Athens. The young lovers Lysander and Hermia are left on stage and he tells her in Lines 132-134: “For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth.” He speaks these words to comfort Hermia, but neither has any idea of the crazy night that will come in the
Which is more important, happiness or loyalty? In the play, A Midsummer Night’s Dream, written in 1595, William Shakespeare explores this question through the intense emotions of his characters. One example of this is when Hermia, a maiden, chooses to run away with her forbidden lover, Lysander, instead of marrying the man of her father’s choice, Demetrius, or picking one of the two harsh consequences. Another example is when Titania, the fairy queen of the forest near Athens, disobeys her husband Oberon, the fairy king, who demands Titania hand over an infant that she loves extremely. Through this play, Shakespeare implies that it is more important to follow your heart than to be allegiant and loyal to someone if the loyalty keeps you from
Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius? infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says ?and, Lysander, yield thy crazed title to my certain right?
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In act five, scene one, Theseus gives a speech to Hippolyta regarding the foolish dreams Helena, Lysander, Demetrius, and Hermia just had. Before this, Helena, Lysander, Demetrius and Hermia all wake up cloudy and confused about being anointed by the flower and falling in love with the wrong person. Lysander and Hermia recount their plan of escaping and the forest as well as Helena who chose to follow them into the forest. Egeus refuses to allow Lysander’s love for Hermia, but Theseus rules against Egeus allowing Lysander and Hermia and Demetrius and Helena to marry. Before the wedding Theseus talks to Hippolyta about the confusing stories of these dazed lovers. Theseus believes these people have overactive imaginations and dismisses what they say as foolish.
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are to be ‘a form in wax’ (I.i.49), meaning that women are to exist without existing. Women were not allowed to gain an education, or have jobs of importance. This shows that Thesus (Duke of Athens) doesn’t believe that women show have power. However, in the forest, Hermia exerts her dominance over Lysander as she insists that he ‘lie further off’ (II.ii.43) so she can keep her virginity as she is less likely to be tempted into having sex with him. At the time a woman who had lost her virginity before she was married, especially to someone whom she was not betrothed, was a social sinner
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
While true love is treasured when achieved, its rarity can be attributed to the multitude of obstacles lovers must face. Couples often have trouble expressing their love for one another or may face challenges within the marriages. Whether it be disagreements, affection of surroundings, friendships lost, or jealousy, the quest for true love has its consequences. This concept is expressed several times in A Midsummer’s Night Dream, in the cases of many of the lovers. However, it can be argued that although complications ensue, true love is worth a life of trouble.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Love and Marriage in A Midsummer Night’s Dream There is something to be said for the passionate love of young people, and Shakespeare said it in Romeo and Juliet. The belief that any action can be excused if one follows one's feelings is a sentimental notion that is not endorsed by Shakespeare. Thus, Theseus' suggestion in 1.1 of A Midsummer Night’s Dream, that Hermia marry a man she does not love rather than "live a barren sister" all her life would seem perfectly sensible to Shakespeare’s contemporaries. Shakespeare writes for a public who views marriage unsentimentally. At all levels of society, from king to commoner, marriage is entered into for commercial and dynastic reasons.