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Significance of montage in film production
The hunter film analysis
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Function of Montage in the Film, The Night of the Hunter
In The Night of the Hunter various montages are utilized throughout the plot to capture the literal and figurative messages of the movie. The director uses montages to basically allow the audience to grasp the ideas that are being put forth. For instance, when the widow and Icy are talking about marriage plans with Harry Powell, clips of a train interrupt the seemingly continuous conversation. The two women discuss the joyous plans for the marriage and ironically this conversation gets interrupted by a runaway train. The train seems to be heading for disaster at high speed. This correlates to the marriage plans, which are also quick to be orchestrated and will eventually lead to disaster. This montage is specifically placed to foreshadow the upcoming events that lead to the widow’s death. The montage fuses together two unrelated shots in order to achieve a specific idea of foreshadowing the future.
I believe that the longest montage of the film is animal clips throughout the duration of the children’s getaway. As the two are in their boat, floating down the river, the seemingly continuous segment of footage gets interrupted with clips of small creatures. The small creatures range from turtles to birds to rabbits, alluding to the small creatures running away from Harry Powell. Now, these images get juxtaposed with the images of predators such as owls and fox that are associated with Harry Powell. This directly reflects the idea that Harry Powell is the “Hunter”, while the children are the small prey. This montage is used to show the danger that the children face as well as helping to characterize both parties as the helpless prey vs the night hunter.
	The poems of Robert Hunter have diverse and variegated themes; most, however relate either to folk stories or the vivid emotions and scenes he creates in order to illustrate his point. Hunter's lyrical themes can be divided into three main categories. First are themes used in a traditional vein, written about classical ideas and told in a folkloric fashion. Second are themes employed in a contemporary tone, about modern concepts and written in a more current style. Last are themes that are either used frequently in both contemporary and traditional ways, or transcend the division of contemporary/traditional and form their own categories.
In "Killings"by Andre Dubus and In the Bedroom, directed by Todd Field, the author and director decided to go different directions with the beginning of the story, keeping the plot of the story almost identical. However, beginning the story differently impacted both works in completely different aspects. Dubus begins the story at the funeral of Frank which leads the reader to draw conclusions about what happened before Frank's funeral, while Field’s gives more background to viewer which allows the reader to make more connections. Dubus begins the story at Frank’s funeral which leads the reader to become confused throughout the story. As the reader reads through the story, they have to be able to connect the dots to understand what is happening. While in the movie, Field’s begins with the backstory leading up to Frank’s death which makes it easier for the viewer to understand what is happening. The difference between the two stories impacts how the reader and viewer are able to interpret the story.
In the movie, The Boy in the Striped Pajamas, the scenes are cut a lot shorter than in the book. For
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
Whitney introduces the secondary theme, being that hunters usually have no empathy for their prey. This is one of the first uses of irony in the story. Metaphors and Similes are often used in this story, so the reader has a better image of the setting, this is something, and I find Connell did incredibly well, for instance when he refers to the darkness of the night as moist black velvet, the sea was as flat as a plate-glass and it was like trying to see through a blanket. Rainsford begins his epic struggle for survival after falling overboard when he recklessly stood on the guard rail, this is our first example of how Rainsford manages to conquer his panic and think analytically and there by ensuring his survival.
The night was so still that they heard the frozen snow crackle under their feet. The crash of a loaded branch falling far off in the woods reverberated like a musket-shot, and once a fox barked, and Mattie shrank closer to Ethan, and quickened her steps.
she uses descriptive details to establish a dark, foreboding image of the setting. For example, in
In scene 49, a 'montage ' shows the passage of time as Ricky Baker and Hector move through the woods as Paula, officers, and hunters chase after them. Except, instead of cutting between these moments in time, the camera slowly turns 780 degrees and characters appear and disappear in parts of the forest as needed. It 's a one-take montage. It 's a clever shot and it indicates Waititi is exploring other ways of presenting montages. It 's a very noticeable stylistic choice, but it doesn 't distract from what 's happening on screen. The montage itself is similar to previous ones in the film--passages of time are shown as humorous bits. The chase through the forest is a serious one--Hector is accused of molesting Ricky Baker and if Ricky Baker is caught, he would be sent to juvenile prison. And yet, since the film 's world includes incompetent police officers and hunters, the montage is
Logan, Jenkins. “Twelfth Night: The Limits of Festivity.” Studies in English Literature, 1500-1900 22.2 (1982): 223-38. Print.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
Costanzo, M., & Krauss, D. (2012). Forensic and Legal Psychology: Psychological Science Applied to Law. New York: Worth Publishers.
Forensic (criminal) psychology is a job field that deals with both psychology and law. The field has experienced dramatic growth in recent years due to the role of popular movies, television programs and books popularizing the field. Often these individuals are depicted as vivid components in solving vicious crimes or timing out a criminal’s next home. While these depictions of certainly entertaining, yet these portrayals are not necessarily precise. Forensic psychologists play an instrumental role in the criminal justice system while applying psychological principles to the legal system. The crossover of the two spheres is best decided in the Encyclopedia of Psychology,
Smudges are composites of materials resulting from contact with human skin and from being stored in pockets. The goal of anti-finger smudge technology is to minimize and/or eliminate finger smudges on touch screens, making them easier and more enjoyable to use. Another unexpected but beneficial effect of the anti-fingerprint smudge coatings is that because they are easy to clean, they are less likely to harbor bacteria and other pathogens, thus inhibiting the spread of disease. Anti-reflective coatings are very popular today because they enhance the contrast of high resolution displays, but an unfortunate side effect of their usage in touch applications is that fingerprints are especially visible on the surface of such low-reflective screens.
In the presented essay I will compare the style of work of selected artists in the montage of the film. I will try to point out some general regularities and features of Soviet cinema. At the same time I will try to capture especially what is common in their systems and similar or conversely what differ. For my analysis, I will draw on the feature films of the Soviet avantgarde, namely these are the movies - The Battleship Potemkin (S. Eisenstein, 1925), Mother (V. Pudovkin, 1926) and The Man with a movie camera (D. Vertov, 1929).
The narration that accompanies the scene is allowing our voyeuristic desires to enter into the