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The role of woman in literature
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In Lope de Vega’s play Fuente Ovejuna he focuses on honor. One way he concentrates on honor is through Laurencia and through her speech. She is a peasant-women and the daughter of Esteban, the magistrate. Honor is discussed in numerous ways in this text. Vega uses characters with different viewpoints on honor and whom they should be honoring to show his readers how he feels about honor. Laurencia takes honor very seriously. Laurenica has pride in herself and how she should be treated as a woman and a daughter. Laurenica believes honor is something people should have, use and value no matter their gender or socioeconomic status. Laurencia was a peasant but not your standard peasant. She is a strong willed, independent and opinionated, things …show more content…
that would not ordinarily describe a peasant. Her socioeconomic status does not affect her self worth. From reading the play the reader can gather that there is something else extraordinary about Laurencia because the Commander is constantly pursuing her in a sexual way. She is persistent at denying the Commander, which leads Vega’s reader to the conclusion that he values her because he does not force himself on Laurencia like he habitually has done to other women. Laurencia does not hold her tongue when things around her are not appropriate from her perspective. She believes women can handle tasks just as efficiently as men can, and does aid in several scenes at the side of men. Laurencia says on line 225, “Pascuala, I’m going in. What us is any sword still in its scabbard?” and then on line 243 she says, “…Come! Stain your weapons with the blood of these vile men!” These two quotes show how passionate Laurencia was about honoring what was right and wrong, and punishing those who have not been honorable but also not letting her gender stand in the way. During Laurencia’s great speech is when she makes her beliefs on honor very evident to the reader. Laurencia declares that her father is inadequate to be a man of honor. Laurenica thinks a “man of honor” is someone who protects who they are assumed to be responsible for. She sees honor as something people owe one another. Her father owed her honor and protection, which she did not get. Laurencia proclaims that since she had no yet married Frodonso, her father was responsible for her maltreatment and should be rightly punished for allowing it to happen. This is where we can tell that Laurencia thinks everyone should want to be honorable to others, but she recognizes often times they are not. She is undoubtedly angered by her father’s lack of defense for her. In Laurencia’s speech she divulges exactly how she feels about being overlooked by someone that is suppose to be a man of honor, and also her father. Laurencia begins her speech confronting her father, Esteban, for leaving her to save herself and for not seeking revenge on the “traitors” although it was his duty. She goes on to present her wounds and ask if they believe that they are “true men of honor”. She continues in her speech by comparing herself and situation to being a cub taken by a hunter, except her father did not pursue her like a tiger would have.
Laurencia compares Esteban to timid hares, and barbarians and insults him by saying their swords are “ornaments that serve no purpose.” This was a very insulting comment coming from his daughter and it probably made him question weather or not he was an honorable man after all. This is all done so that Laurenica can show Esteban how he has wronged her. She compares him to animals to belittle him She goes on to say that they should be stoned for their lack of actions and calls them “men who are not …show more content…
men”. Towards the end of Laurencia’s speech she goes in a different direction, she begins taunting and teasing Esteban. On line 119 she says, “ …cowards who would look better dressed in our skirts and bonnets, rouge on your cheeks and lipstick on your lips!” This is an exceedingly harsh insult for a man who would typically consider it his job to protect and ensure justice. Laurencia is probably questioning why her father, the magistrate, cannot even guarantee justice for his own daughter. Lastly, Laurencia ends her speech saying she would rejoice if they were hung and ends with saying “and once again we’ll see that age return where there were women who were strong, true Amazons…” She is telling Esteban that even though she is a woman it does not mean she will depend on him any longer. She says eventually women will become strong and powerful again. Laurencia does not think that she is inadequate because she is a woman. Before her speech she barged in on what she said was a “meeting for men.” Laurencia does not mind to interrupt and put her judgment where she sees suitable even if it means it is a meaning she would not typically be invited to. The Commander does have values but they are different from those of the peasants.
The people of Fuente Ovejuna that are “higher up” than the peasants go along with the Commander even when they know he is doing something corrupt. In the book it depicts Fernán Gómez as being known for pushing himself on women that do not want to be involved with him. He repeatedly attempts to pursue Laurencia because of how beautiful she is. The first time Laurencia turns down the Commander’s request to be with her is on page 19 when he asks her and Pascuala to come in and they decline. The Commander becomes outraged and asks Flores “why aren’t they doing what I say?” Flores responds by grabbing the women even though it does not say so Vega portrays this by Laurenica saying “Get your hands off us!” Laurencia and Pascuala end up not being taken away by Flores and before exiting Laurencia says, “Let’s hope he chokes!” talking about the Commander. This is the first time Vega shows the Commander trying to use his status to have power over Laurencia. She does not care who he is; she values herself as a woman and refuses to let him tell her what to do. The way she reacts to the Commander’s request shows how she honors herself as a woman and even as a peasant, because most peasant women jump at the opportunity to gain attention from the Commander even if they have to do debatable
things. After a series of different encounters between the Commander and Laurencia she no longer sees him as an honorable man. When the peasants finally come together and the Commander is killed Laurenica and the others still show throughout how much honor means to them. She is a prideful character and in some situations comes across as disrespectful to her authority but only for fair reason. When they were tortured and asked who committed this crime they all stuck together by answering with “Fuente Ovejuna!” By not conspiring against one another it shows how much they loyalty and honor they have for each other and their community. Even when they were presented in front of the King and Queen and asked why they have committed this crime they answered explaining why they felt it was necessary. Esteban says to the King, “Your Majesty, we wish to be your loyal vassals…” this quote shows their commitment to Fuente Ovejuna and their “rightful King.” The peasants of Fuente Ovejuna are not opposed to leadership and guidance but they show they are against having a corrupt leader that shows he is not honorable to his people and lets his power go to his head. This whole speech is delivered in what seems like a fit of rage. You picture her shouting her entire speech without taking a breath trying to get her point of how dishonorable Esteban has acted. From her performance during her speech Vega is showing his readers how seriously she takes people acting with honor. She does not see her being a woman or being a peasant as an excuse for her not to stand up for herself. She also does not approve of the Commander trying to take advantage of her just because of her socioeconomic status and her gender. She sees him as abusing his power and is always adamant about where she stands as a person of honor and values.
“Honor is the value of a person in his or her own eyes. Honor is a claim to worth along with social acknowledgement of worth.” (Malina 31) This phrase tells us that honor was extremely important to the ancient people. Honor is a value that was present during many occasions in the play. This value can be seen in Oedipus. He promised the citizens of Thebes that he would find the murderer of Laius and free the lands from the plague. The murderer was to be exiled from Thebes. Oedipus later found out that he himself was the murderer. Even though he was king, he honored the punishment and exiled himself from Thebes. The New Testament states that honor in women meant positive shame. Positive shame is the sensitivity of one 's own reputation. A shameless person is considered a dishonorable woman. Women have to be ashamed and remain shy to avoid human contacts that might expose her to dishonor. (Malina 50) This value can be seen in Jocasta. She feels ashamed when she finds out that her husband Oedipus turned out to be her son. In order to remain honorable, her shame led her to commit
Cleofilas, must endure the hard labor of her husband’s temper and if she doesn’t take on both gender roles for example: housework, caring for her children, and the outside duties of the home, she suffers the consequences of her husband and the beatings. Juan Pedro, Cleofilas husband is just like society in this situation, he doesn’t think twice about laying a hand on his wife. Whereas, in Cleofilas situation, society doesn’t want to get involved and will place the incident “under the rug” they don’t want to be asked questions, by the husband or the
Dignity is not found in a person’s position, but in the way their actions reflect upon them. The novel
Honor is a trait few possess in the modern world. Cyrano de Bergerac, a play by Edmond Rostand set in France during the sixteen hundreds, discusses honor in it’s truest form. But honor is not simply a code or a way to describe a man, there are characteristics that make a honorable individual. The main character, Cyrano, lives what many in his city would call an honorable life. Rostand uses this character to explore what characteristics make a man of honor. Some of the prominent traits the author presents as honorable are possessing controlled wit, bravery on and off the battlefield, and the ability to love unceasingly.
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Azuela shows these impacts by the progression of Camila, from a sweet innocent woman, to joining the rebel forces, and lastly to being killed. Symbolically, Azuela kills off Camila almost immediately upon her rise to power and drops her from the novel’s plot. This shows the how insignificant of an impact that women had on the battles, and how easily they were forgotten after death. Women still struggle today with gaining equal rights and treatment within the Mexican culture. It has taken nearly 70 years for women to gain equality with men in the workforce, gaining rights such as voting, and having a shared family responsibility with the male figure (Global). Unfortunately, many women within the working-class household still suffer from the traditional norms and values regarding the roles of men and women. In addition, these women were often subjected to control, domination, and violence by men” (Global). This validates Azuela’s stance on how women should stay within their traditional roles because fighting for equality has been ineffective even still
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
Additionally, this also explains a huge part of why the labor force both in the story “Malintzin of the Maquilas” and in real life is unable to fight for better working conditions and contracts. This fact is another reason why management turned to women to field their workforce. As stated by Kopinak, “Supervisors reported that whereas men and women were comparable in productivity, women made fewer claims than men before the Junta Local de Conciliaciony Arbitraje concerning the violation of their legal rights as workers” (Kopinak 32). Such a statement is proven to be true by the event that takes place in the story in which Rosa Lupe was first publicly humiliated, then sexually assaulted, and then sexually harassed. Despite the fact that all three of the above occurrences are illegal and violate both legal and moral laws, nothing was done by Rosa Lupe in terms of reporting the event to a higher authority (Fuentes 125-126). In addition to the fact that the workers of Maquiladoras felt that they had no voice nor any representation at the management level, the female workers were again falling into the “passive” role that Paz defined as one of the traditional roles for a woman (Paz 81). In the case of Rosa Lupe, she especially falls into the role of the “Chingada” in that she did “not resist violence” in terms of doing more to report what happened to her to a higher level of management (85). Without the feeling of being “macho” or powerful, it proved hard for the women of the Maquiladoras to take a stand for themselves
In Federico García Lorca’s La Casa de Bernarda Alba, a tyrant woman rules over her five daughters and household with absolute authority. She prevents her daughters from having suitors and gives them little to no freedom, especially with regard to their sexualities and desires. They must conform to the traditional social expectations for women through sewing, cleaning, as well as staying pure and chaste. While, as John Corbin states in The Modern Language Review, “It was entirely proper for a respectable woman in [Bernarda’s] position to manage her household strictly and insist that the servants keep it clean, to defend its reputation, ensure the sexual purity of her daughters, and promote advantageous marriages for them,” Bernarda inordinately
William Shakespeare's play, Julius Caesar, has a heavy focus on honor. The characters in the play have a tendency to refer back to honor and the honor of Rome, but are they really as honorable as they say? Honor is a very abstract concept that is widely applicable in many situations, but what is it? To honor someone is to show them respect, and to be honorable is to act in a way that deserves respect and admiration. The characters of Julius Caesar, for the most part, are all seeking some form of honor, but do they achieve it? Three of the best examples of honor in Julius Caesar are Brutus, Cassius, and Portia. With varying levels of honor, these characters display the spectrum well.
Throughout the history of the world, honor has been an important part of life. In literature, as well, honor plays an important role in many plots and the development of almost any character. Shakespeare’s play Much Ado About Nothing is no exception. In this comedy about love and marriage, honor is revealed as the primary reason for many of the actions taken by several different characters. When Claudio breaks off his wedding with Hero, he does it because he believes she is not chastised as she claims to be and in being such, she would dishonor him as well as her father if the marriage were to proceed as planned. The play is an accurate depiction of the honor code and the different standards for men and women of the time in regards to honor and chastity.
Principally, Vega portrays the commodification of the peasant women of Fuenteovejuna. Throughout the playa, the Commander treats the peasant women as his property. During their first conversation in the play, the Commander forcefully asks Pascuala “don’t you belong to me?” after she rejects his sexual advances (Vega 37). Within the same conversation, he takes verbal possession of her by calling her “my wild beauty” (Vega 37). The possessive pronoun “my” demonstrates how the Commander perceives Pascuala as his property rather than as a person. He continues to equate the peasant women with property by declaring to Pascuala and Laurencia “you’re also here as presents/just like the rest!” (Vega 39). By paralleling the women to the food he takes from the villagers, the Commander objectifies them, portraying them as property. In a Marxist staging of the play, this equation would be enriched by the important role property plays in the conflict between the Commander and the peasants. The Commander’s objectification of the peasant women is not only insulting; it represents his further exploitation of the property of the working class. Indeed, Vega parallels the women with food, the property the Commander exploits from the villagers. When Laurencia asks the Commander’s
The theme of honour and fidelity applies to both men and women in Shakespeare’s play ‘Much Ado About Nothing’. Honour and fidelity is represented very differently for men and women than it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women, and upper class and lower class comparisons. In order for men to be honourable, they should do great deeds in war, which gives them good recognition. From the very beginning of the play we see evidence of this when Leonato says in Act 1, Scene 1.
However, I believe that the underlying theme of society’s circumvention of the requirements of justice. Simply put, I believe the theme of this play is the Machiavellian thought process that the right action is the one that upholds the political power of the state. There are four pivotal plot points in this play that support this theme: when Frondoso threatens the commander with his bow, when the commander arrests Frondoso and kidnaps Laurencia, when the town revolts and kills the commander, and when Fernando and Isabel intervene on the investigation in order to reach a final verdict. Within these four key plot points, there are elements that show how the villagers act in a way that causes the commander to encounter the most trouble possible in order to protect their rights. The play rightfully displays society’s natural tendency to defend its own people from any corruptness that shows itself. In each of the four plot points, the protagonist, Laurencia, is trying to either stop the commander’s tyranny on her own or with the help of her fellow villagers; while the antagonist, Commander Guzman, is always creating obstacles that require Laurencia to rethink her plan and put her back into her “rightful place.” In relation to the theme, these two characters are the ignitions to every conflict in the play. The men of the village wouldn’t have felt the
One of the most celebrated and authoritative women in the 16th century was Elizabeth I. Even though the authority was at woman's hands at that time, a dominant woman was unnatural in the society itself. The presence of such a powerful female figure creates an interesting situation for dramatists and playwrights in terms of depicting women's status at that time. By using the psychological concept ,liminality; I am going to examine the relationship between Viola's speech , society's authority and her public space which is consists of two main parts: her private life as Viola and her public life as Cesario and how this relationship has a great impact upon her character development.